Abstract Realism – Yes, you can do it!

"Moonshines" acrylic on 18x24 canvas (abstract realism)

There’s tremendous freedom in doing an abstract painting. To do them well is the greatest challenge. What attracts the viewer? The colors, shapes, values, and most especially the mood. How does the painting make you feel?

Some abstract paintings are stark and limiting. Others may distort shapes or simplify images. According to Sue St. John, author of Journeys to Abstraction “The choices are vast and nothing is wrong. Abstract art can be incredibly liberating.”

Think of abstract art as fluid. Allow your brush to intuitively follow your imagination and mood. Take an idea, a theme, a feeling and express it in liquid motion. Keep in mind that an abstract artist is expressing “concepts” rather than exact depictions.

Abstract realism combines the best of both depending on what you choose to emphasize. Shapes and colors may be in the abstract with one part of the painting rendered true to life as the focal point. The reverse is also possible. Take a realistic background and an abstract center of interest. Inspiration is all around you.

I have an artist friend who gets inspired by fabrics. She can turn a small element of design into a full-blown abstract painting.

Look for shapes and patterns in your environment: the way light and shadow play out and create designs, structures, and lines. The world is full of texture, color and form. Examine how they work together and how they make you feel.

"My Trail of Tears" mixed-media on canvas

To advance a theme or emphasize a point, some artists incorporate symbols into their artwork. They are interesting. They provide additional information. For example, if the artist’s vision is “new birth” or change, a butterfly would help signify this metamorphous.

Many symbols are already familiar such as the circle (infinity, cycle of life, wholeness); the Egyptian Ankh which symbolizes the harmony between the physical and the spiritual worlds. Pentagrams (five-sided stars) represent the four elements of earth, wind, water and fire and how they are bound together with the fifth element of spirit.

The study of symbols alone would provide you with an astounding number of paintings and the basis for combining realism with abstraction. This should not only release you from preconceived notions about earth and life, but inspire you with countless stories and designs that are unique and personal. Above all, have fun!

"Moonlight Magic" 11x14 mixed media, layered acrylics

The following link should provide you with some great ideas. I’ve also included a quote by well-known artist Sherrie McGraw:

“A painting is more than the subject matter or the story it might depict. Good painting carries an undercurrent of beauty that expresses something beyond subject matter, beyond the tangible reality. It is this level of seeing that makes a painting a living thing, something that speaks even centuries after the artist is gone.”

http://emptyeasel.com/2009/03/31/3-ways-to-add-abstract-elements-to-a-realistic-painting/

Foibles, Inhibitions or Plain Old Fear – The Show Must Go On!

"Para-sailing Roseate Spoonbill" watercolor drawing

I’ve been working this week, filling in for a friend who is on vacation. The next few weeks will be hectic, to say the least. But push forward I must! As a result, my paintings will not get done as soon as expected, but there are other ideas waiting in the wings.

I have only painted one rooster and love the magnificence of these fine creatures. Their color and regal splendor fascinate me. Each has a definite personality. You can see it in the glint of their eyes and in the way they proudly strut their stuff to an adoring throng of chicks.

"Star Billing" mixed media on wrapped canvas

A rooster is a male at its best. A "cock of the walk." Not only are they showy, they can sing in their own unique way as they wake us in song: “Here I am world!”

I plan to do some drawings called “Cockadoodles to Crow about” (If I don’t get plagiarized first). But instead of using ordinary color, I want to use the henna designs from India that I showed you a few blogs back to fill in their wings and tail feathers.

Ideas are the lifeblood of artists and writers. They come and go and we must nail them down before they get away. I’m consumed by ideas every moment of every day. I have difficulty answering questions or following a conversation, especially if I’m interrupted in thought (Just ask my husband!).

Egyptian lure, clothing, and sculpture intrigue me. I want to explore some paintings and drawings, but then my personal sensibilities slap my hand and say: “no, no, no!” Why is that? Why do we allow our inhibitions, our religion or our squeamishness to come between us and the inspirational vibes that sent them in the first place?

I’d be curious if any other artists or writers run into these same barriers; these self-induced walls of fear?

Since I love to draw people, I thought I’d like to do some “discreet” boudoir drawings or paintings; but again my prudish conscience holds me back. 

On the light side, I tell myself, that God created everything and it is all good and beautiful. Perhaps it depends on the way we handle the subject. We can make lewd artwork not only by what we draw or paint but how. The how is the overriding question.

How we compose or position the human body can make the difference in how it’s perceived. The model’s pose and facial expression can change the mood and influence people’s reaction. Is he/she smirking or flirting? Is the work seductive? Is the model a temptress or a shy virginal innocent? Suggestive angles may verge on the pornographic. These unlikely positions may titillate some people while offending others.

Each time a canvas or idea is conceived, we must grapple with our choices while fighting our inner demons or angels. The battle rages on until the canvas is confronted and the paint begins to run. After that we cannot stop ourselves. The show must go on!

"The Neptunes -- Golden Girls" acrylic on panel