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Showing posts with label animal. Show all posts
Showing posts with label animal. Show all posts

Saturday, April 25, 2015

Snark Hunting in a World of Sharks


I grew up listening to stories by Lewis Carroll. My favorite poem was “The Walrus and the Carpenter” from “Alice in Wonderland.” My aunt, who was only six years older, read it to me so many times that she ran from me whenever I had "the book." Finally I was able to read the poem myself.

Alice’s weird meanderings after she fell down the rabbit hole have enlivened my own imagination. When Disney’s version came out, I took my children to see it. The Queen of Hearts and the Cheshire cat seemed even more frightening on the big screen.

Carroll not only had a vivid imagination, but he knew how to entertain children. I remember being terribly disappointed when I finished reading the book and discovered that Alice’s wild ride through Wonderland was only a dream. In fact, the scenes seemed so real to me that I refused to believe they didn’t happen.
Another of Carroll’s creations is a poem called “The Hunting of the Snark.”  It’s like sending someone on a wild goose chase just to get them out of the way. A Snark was an imaginary animal at fault when a goal was illusive, hard or impossible to achieve. When things went wrong, you could always blame the Snark.
At the turn of the century the term “snarky” had been coined to describe someone who was sharply critical and who found fault at every turn. Today, we might describe that kind of person as paranoid and always hunting down imaginary enemies or creating made-up obstacles (so they have an excuse for failure). What does paranoia look like?


We all have a bit of the Paranoia in us:  fear, suspicion, mistrust, obsession (with our own weaknesses or others’ greatness). If we’re not careful our Paranoia can turn into hysteria: panicky, overworked, nervous, frenzied, and finally madness. Not a place anyone wants to end up.



Enjoy part of Lewis Carroll’s poem:
The Hunting of the Snark
Fit the First
            The Landing

"Just the place for a Snark!" the Bellman cried,
   As he landed his crew with care;
Supporting each man on the top of the tide
   By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
   That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
   What I tell you three times is true."

The crew was complete: it included a Boots—
   A maker of Bonnets and Hoods—
A Barrister, brought to arrange their disputes—
   And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
   Might perhaps have won more than his share—
But a Banker, engaged at enormous expense,
   Had the whole of their cash in his care.

There was also a Beaver, that paced on the deck,
   Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
   Though none of the sailors knew how.

There was one who was famed for the number of things
   He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
   And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
   With his name painted clearly on each:
But, since he omitted to mention the fact,
   They were all left behind on the beach.

The loss of his clothes hardly mattered, because
   He had seven coats on when he came,
With three pair of boots—but the worst of it was,
   He had wholly forgotten his name.


If you’d like to see how the poem ends, find Carroll’s poem and go Snark hunting!




Wednesday, April 24, 2013

Painting Perfect Hair is a Harebrained Idea

Work-in-Progress -- "First Daffodil" 16x20 acrylic on canvas

Imagine that – painting hair can be both difficult and satisfying. To illustrate:  my “work-in-progress” at this stage, simply looks messy. Finding the right color is also tricky. In my efforts to add lightness, my basic color turned somewhat gray, muddy even. I will have to rectify that with warmer tones.

Of course, there is no such thing as perfect hair or there wouldn’t be the expression “bad hair day!” If you study the way hair frames the face and falls, you’ll see that to get the hair right, you have to get the shape of the head in proportion first. Once you have that down, block in the shapes of dark and light hair that follows the contours of the head. The more uneven these light shapes are the better.

"With these Hands -- Love" 24x18 mixed media on canvas
The next step in the painting process is painting the strands of hair or the shapes of hair that stand out or seem separate. Texture comes last of all as you fill in the strands and shapes with the “illusion” or appearance of hair. Getting the right color and texture is a matter of practice, trial and error.

For some reason, I find painting texture easier on birds and animals than I do on people. Perhaps because I’m not quite so obsessed with getting every hair or strand of feather and fur right. The patterns must be correct, but the individual strands of hair, not so much. Capturing the sunlight glistening from hair and contrasting that with shadow makes the fur or hair look realistic.

"Raccoons at Sunrise" 16x20 acrylic on canvas
Because of the way people and animals move, their covering is constantly changing. Don’t worry that you don’t get it exactly like your initial photograph or drawing. As long as it looks realistic, it will ring true.

Sometimes a painting can get slightly off as we apply paint. Paint is malleable. It changes and moves depending on the tool or brush we use and the medium we choose.

 I use a ruler to see how much my painting has enlarged from the original drawing. Has the width on either side of the face changed from the hair to the outer eye? Has the width of the nose between the eyes changed? When these distances increase, the shape of the head will change and throw the hair proportions off as well.

Once you fix the proportions, the hair will begin to take shape and form. Some people are genius when it comes to hair. Don’t be upset that yours doesn’t fall into place as you think it should. Practice does make perfect. In order to move beyond self doubt and floundering, keep attacking the problem until you find a modicum of improvement. Learn from your mistakes and you will become a better artist.

"Day Dreams" 11x14 oil on canvas