Christmas and Holidays Cement important Relationships

(My son and his family at Thanksgiving)

My dad wanted a boy when I was born. It became obvious when for Christmas one year, I opened my Santa present and there was a small green and yellow caterpillar tractor. My dad worked for Caterpillar in those days, and had purchased one of their models. I guess he had no one to give a tractor to except me. I was so disappointed, but tried not to show it. I had abandoned my dolls, and was confused by this “boy toy."

When the gift exchanges were opened, and there were no other presents under the tree, I was listless and forlorn. My mother reached inside the topmost branches of the Christmas tree. “Well, what's this?” she said pulling a small wrapped package from its hiding place. She read the inscription aloud: “Merry Christmas, to Carol from Santa.” My mouth must have dropped open as she handed me this wonderful surprise. 

My fingers flew as I tore the wrapping from the box. Inside was the wrist watch I had wanted. Although this strange Christmas started out badly, it finished on a high note. I had always been told that “good things come in small packages.” Now I believed it.

(A walk in the hills of Georgia)

Memories, whether good or bad, accumulated over time become the foundation that builds character and provides a springboard for who we become. Our preferences and choices come from these early beginnings. Like bits and pieces of energy, they mold and shape our personality; our likes and dislikes.

When people view a painting, they are drawn to a composite of colors and lines that relate to their experience and inner vision. No two people are the same. No two paintings are exactly alike. There are “vibes” that call out to us in a myriad of ways. Some people seek excitement and brashness. Others may be seeking recognition of something familiar. Still others may long for something hidden and long forgotten that reaches out and calls them back home.

(Work in Progress -- Peaches 'n Cream)

Whatever the reasons, pushing a painting on someone else in a triumph of salesmanship rarely brings contentment. Choosing artwork is much like choosing those intimate objects of our lives that are selected because of some secret wish or longing. The feeling is indescribable and personal. Sometimes we can’t  explain the reasons ourselves. We only know that we must have it because it already feels a part of us.

Personal, unforgettable and totally unexplainable. These are the reasons people make the choices they do. Sometimes we do things for the wrong reasons and regret it later. For whatever reasons we may buy, it is not always about the money nor the beauty. The bottom line may be simply filling a void.

As I’ve watched people, including myself, accumulate goods and services, I’ve come to the conclusion that we fill up the emptiness of our lives with things. Not a good reason for purchasing something.

As we approach the holiday season, try accumulating pleasant and joyful experiences that become fond memories. These may well fill up those empty spaces just as well and for less money.

What are you waiting for? Just Begin!

"Ibis on a Perch" (looking forward) 11x14 matted/ready to frame

Sometimes the hardest part is starting; applying paint to canvas, words to paper, or bringing to life what only you can see. So you stall. You wait until you are in the mood. You procrastinate by savoring that perfect cup of coffee. Instead of eliciting your muse or the God of creation, you fiddle and fudge the morning away, waiting for inspiration. Not.

In case you haven’t heard, it doesn’t work that way! Action creates energy, energy spawns creativity, and creativity opens you up to receive inspiration. Get those fingers moving! Take those notes. Scribble that quick sketch. Don’t wait until everything is perfect. Imperfection creates “happy accidents” that happen when you're not uptight. Be loose. Quit worrying. Just get started.

"Moonlight Magic" 11x14 acrylic on canvas (my "happy accident!")

One day I was ready for an appointment, but had about 20 minutes to kill. I grabbed my kindle and started reading. Because I was worried about being late, I kept looking at the clock. Believe you me, when I glanced up to see what time it was, the minute hand had barely moved. It was like watching and waiting for a pot to boil. I was amazed at how many pages I was able to read in that short a time.

Progress comes in small increments. You don’t take a giant leap and reach “Go” (as in Monopoly). You take one square, one step at a time. The secret is to keep moving forward. It matters not how far you get in one day. Tiny units of precious time add up. Like the saying, “How do you eat an elephant?” Answer: “One bite at a time;” and in your case, one byte or one brush stroke at a time.

This week, I’m training in a new girl to take over my part time job. The company decided to hire a full time person rather than pay for two part time people. Throughout the day, she kept saying “I’m overwhelmed” right now. She was trying to eat the whole elephant in one or two days. I remember the feeling well. But she’s sharp, she’s tech savvy, and she will learn the ropes, one step at a time.

"First Daffodil" 16x20 acrylic on canvas @ http://carol.allen.anfinsen.artistwebsites.com

Why do we get so impatient with ourselves during the inevitable “learning curve?” As certain as night follows day, what initially takes extreme effort and energy to perform will soon be done by rote. Actions that are difficult in the beginning will become mechanical within a few weeks or months.

Anxiety attacks are commonplace in the beginning. But if you stick with the job and just “do it” rather than stressing out over it, “This, too, shall pass.” The job, the project eventually gets easier. Remember the adage: “Of all sad words of tongue or pen, the saddest are these, 'It might have been.” ― John Greenleaf Whittier

"Dregs of Winter" matted and ready to frame (There will be a spring)

We had a dear artist pass away last week. She lived fully, taught art for many years, and established her own reputation. I don’t think she ever looked back with regret. She lived for today. When you reach the end of your life, never feel that you “missed out.” For better or for worse, “just do it!” Start each day with a dare. Challenge yourself to begin, even if you use baby steps at first. Don’t get left in the dust. When you reach the end of your life, never feel that you lost “what might have been.”

Elbow Grease Puts a Shine on and Turns Your Worries into Profits

"Reggae Night" acrylic on canvas

Today was a very good day for me. I sold a vintage light fixture on my Etsy Shop Anfinsen Art, https://www.etsy.com/people/AnfinsenArt, and one of my paintings “Reggae Night” was given “SR” (Special Recognition) in an online contest that will be on display the entire month of March. If you’d like to see the categories and winners go to:

All Female Art Exhibition http://www.lightspacetime.com/all-women-painting-other/ this painting may be purchased at http://carol-allen-anfinsen.artistwebsites.com

(Vintage Tiffany-style chandelier)

We all need a little pat on the back now and then. Most of the time we put the hard work in and seldom see the payback. When we do it makes everything worthwhile.

I met a new artist this week. She is currently doing murals down in Key West. Her brother was working there, too, but plans on returning to the Caribbean. Mia showed me her work via her Smart Phone – Beautiful!

I shared an idea with her about incorporating jewels on a painting. I told her women in my art league discouraged the practice because then it would become more craft than painting.

Mia showed me a mermaid she had just created on a mural. Wherever the scales intersected on the tail, a small pearl accented the connection. Stunning! Her attitude is anything goes! I think that’s what I’m seeing out there also. If people kept doing the same things they were taught, soon all paintings would look alike and eventually be dull and boring. Daring to be different or to think outside the canvas is what Andy Warhol and Salvador Dali did and hundreds of other artists who were at first criticized and later embraced.

Keep pounding out the paintings people! Grind your tired fingers to the bone. Some day your efforts will be praised and purchased! Currently I’m working on one of my “boudoir” paintings. After all the work I’ve put into it I’m still not pleased. Seems too “static” for me; I prefer to have movement and action going on. I’m between painting over the canvas and doing something totally different with it.

"Sea Breeze" acrylic on canvas (The brush led me -- see the movement?)

Even though this decision has set me back a few weeks, I’m willing to live with it. When painting and creating (or whatever it is you do) becomes work, something is wrong! When the brush leads you, sparks are flying.

"Sea Swirls" acrylic on canvas (Notice the movement and 3-D scales?)

You may enjoy this music by “Jewel” about two painters who grow old together and are still painting:

Adding Zing to Your Composition

(Alert; horizontal and vertical lines) "Anhinga in Paradise" 16 x 20 acrylic on canvas

Since the composition of an artwork is critical to the overall success of a painting, I’m adding a few more helpful tips. There are essentially three basic types of composition; each creating a different effect: Sedate, Alert, and Dynamic. Your choice will determine how your audience feels when they view your painting.

Sedate compositions focus on horizontal planes and lines; typical of pastoral scenes and calm seas. This type of composition lends a certain peace and stillness to the composition

(Sedate; horizontal lines) "Seashells by the Seashore" acrylic on panel 8 x 10

.Alert compositions arouse our emotions and stimulate energy through predominantly vertical lines amidst horizontal planes. Waves on a wild sea, for instance create a tremendous amount of energy contrasting with the receding smooth outflow of water. Mountains erupting from horizontal planes of farmland create push and pull contrast and energy.

(Alert; diagonal, vertical lines) "Prayer Circles" 18 x 24 acrylic on canvas

Dynamic compositions go a step further, creating interest, unease, and energy through diagonal lines and shapes. This can be done in many ways, including bending sails in the wind, making a surreal painting of leaning buildings, or simply bending grasses and flowers heavy with blooms.

(Dynamic diagonal lines and imposing shapes) "India Rising -- the Lost" 18 x 24 mixed media

Tips for enhancing the integrity of your painting:

Preserve the authenticity of your brush strokes. When applying paint: put it down, leave it be. Deliberate brush strokes give your painting a feeling of authority and professionalism.

Don’t skimp on paint. Beginners often paint timidly; applying too little paint until there are few indications that the paint was applied with a brush at all. Use enough paint so that your painting benefits from the full color and light of the pigment used. 

(Horizontal, vertical, & diagonal lines) "An Open Book" 16 x 20 mixed media SOLD (prints available)

Style determines color and line preferences and how you apply paint. Some artists like a smooth finish, especially on portraits. Others like to see color separation and brush work. The more you work with different types of paint and techniques; you’ll find the method that suits your style and taste.