Photographs and Sketches May Refresh Your Last Great Idea!

"The Cook" 11x14 acrylic on canvas

I delight in painting children. There is such a freshness and openness in their faces. No masks to hide emotion. No walls to put distance between them and us. Their innocence invites us to experience life anew as we once did when we were children.

My latest painting took me much longer to complete because of health issues. I didn’t want to clutter the background with details that would take the viewer’s eyes away from the center of interest. Don’t get me wrong, I’m a fan of “busy” paintings. I like to spend time wandering through a scene and taking it all in. Restaurants, unusual rooms, people involved in talking or working are some of my favorites.

"Fish Market" acrylic on canvas
(When I did this painting, an artist friend scolded me for putting in too much detail -- I ignored her. The
painting did get in a juried gallery so I was pleased!)

But there are times when the main event can get lost in too much detail. One of my favorite artists is K. Henderson who knows how to use detail to her advantage. She works in oils but also uses watercolor and illustrates a journal that she shares with others.

Kay is a naturalist, artist and photographer. She travels extensively to areas such as Alaska, and as far away as Manitoba, CAN.  Her dialogue and her web site are well worth checking out if you aren’t familiar with her body of work.

Here is a link to her Indian portraits: http://khendersonart2.blogspot.com/  

This painting is another good example of an innocent child surrounded by the detail I love to paint.

"An Open Book" mixed media. Prints available.

I do a lot of photography in making painting and composition decisions. I file them away and review them when I'm looking for a certain detail or subject. Photographs can preserve memory. When you add it to a quick color sketch the scene you captured days or weeks before can quickly come to mind.

(the first slap of paint on canvas)
(I was going to reflect a beater but changed my mind)

 

Mind over Matter – Imagination is at the Heart of it!

"Shimmy Shake" 11x14 mixed media

I’m working on some illustrations. Aside from the story line, I’m creating purely from imagination. The more I create, the better it gets! The secret is to see clearly an image of what you want to paint or draw. In this way, an artist breathes life into a painting by creating real characters that seem almost alive.

There is great freedom in creating this way. Sometimes I need a model or a photo to see how an elbow or a knee looks when it’s bent at a certain angle. Or I may want to capture a frown or a surprised face and verify how that emotion shapes the human face. Are there wrinkles around the eyes? Does the mouth form an “o” shape?

"Moonshines" 18x24 mixed media

My imagination seems to be working overtime these days. I’m seeing faces and forms on our bathroom floor caused by water marks and the path of the sunlight as the day progresses. I try to draw these faces quickly before they get away.

Having a sketch book at hand when you’re not at your work station makes the job easier. As a writer, I learned to carry a moleskin notebook with me wherever I went. I’m still a note taker jotting down my first impressions of a subject. My descriptions later turn into drawings.

"Lucky Lady" 11x14 mixed media

The most important treasure an artist has is his imagination. It is a living and breathing thing that needs to be nurtured, coaxed, and used in order to thrive. By doodling a little each day, your imagination can be teased and coddled into being creating artwork or characters that may be fleshed out into something more substantial.

Many abstract paintings have faces, images, and forms tucked away in places that bring an intense interaction with the viewer. These images may be from collages or strictly from imagination. They bring a human element into the work that becomes personal and intimate.

"Release" 24x30 mixed media

 

The more you use your imagination, the freer your brushwork will become. Loose brush strokes add energy and vitality to an otherwise static painting. By learning to visualize your subject matter, you’ll be able to create something truly original.

Even a painting done from a photograph can take on a life of its own when you allow your mind to run wild and your heart full control over your paint brush.

(The above pictures are part of a two-page spread in my children's book: "Inez Ibis Flies Again")

The book is about how to deal with a disability and moving into self acceptance:

"I know a place where heron feed," she offered, encouraged by Will's thoughtfulness. "Would you like to go?"

"I'm there," Will said as he lifted his wings against the twilight.

Inez forgot all about her leg as she made ready to fly. She didn't notice the limping and the hopping before take off. She was beyond happy, and Will was her friend.