Perspective -- a Demon That Defines Reality and Depth

"Shimmy Shake" 11x14 mixed media

I have an artist friend who is an expert on perspective. She can spot an error in someone’s painting immediately. She has no trouble with her own artwork because perspective comes so naturally to her.

Others of us must work at it, study it, and practice it before it finally “kicks in.”  I am one of those people. Perspective has been a struggle for me. I remember as a child drawing boxes and three dimensional objects in school. I don’t remember discussing how that relates to eye level, center of interest, and perspective.

"Moonshines" 18x14 mixed media

Some things come naturally to an artist, and some things don’t. Learning from one’s own mistakes and practice are great teachers. Helpful critiques from fellow artists may also save you from making any glaring mistakes. Had I found the following videos early on, I might have “caught on” sooner, rather than later.

http://www.youtube.com/watch?v=MpCwVHXvyQk&feature=related  

The lessons are so simple and so easily explained, I wanted to share them with you to save you from learning late as I did. There are many helpful tutorials on YouTube. These are two that make understanding perspective a snap! I hope you enjoy them.

Some of my own paintings are sprinkled throughout this article; examples of the use of this tool. Yes, perspective is a tool that gives a painting depth, life, and reality. Although, I must admit some of my favorite abstract and modern art pushes perspective to the edge and pokes fun of it.

"India Rising -- the Found" 18x24 mixed media

http://youtu.be/WQj57V8v4pI

I adore paintings where the buildings are curved and seem to be tipping over. These are the quirky things that can be done once you understand perspective well enough to “bend the rules.” 

Be Daring – Experiment! Join the “Art Revolution”

Lisa L. Cyr’s first book: “Art Revolution; Alternative Approaches for Fine Artists and Illustrators” is a wonderful way to rev up your artistic engine. Cyr’s book is filled with examples, techniques and ideas featuring many different artists. The book motivates, excites, and inspires me every time I pick it up.

I also have her second book: “Experimental Painting; inspirational approaches for mixed media art.” If you’re already familiar with faux techniques and collage, this book will merely springboard you to your own experimentation.

"Release" -- 24x30 mixed media

Above is my first “exploration” titled “Release.” I know I will get better as I gain more confidence. My recent workshop with Art Cunanan made me realize just how “tight” my brush work has become from drawing and painting portraits using oil paints as my main medium. Although I was pleased with the bright colors I used in my watercolor, it was evident my brushwork and approach were far too precise; at least to suit Art.

Sample close-ups within the painting

I’m hoping that a few experimental paintings will help me focus on imagination more and fundamentals less. My featured painting has been an evolution of ideas. The first draft included a monkey, a woman, and a different phrase by Joseph Campbell. My goal was to have a painting within a painting; but the overall effect made the painting look like an “origins of man” theme and the interior orchid looked overtly sexual as if being compared to a woman. Campbell’s verse was: “Ohm..the sound nature makes when it’s pleased with itself.”

This could have made an interesting painting, but was not the statement I wished to make. The second draft used this verse from Campbell: “Art is the set of wings to carry you out of your own entanglements.” Using this verse made the painting’s title obvious: “Release;” and for me it was a release.

I was able too use the same “jungle” theme with vines, hints of leopard and gold leaf, and butterflies to represent the “wings” in Campbell’s statement. Using Cyr’s instructions, I first applied butterfly pictures using a medium gel gloss directly on the colored surface and then applying it to the canvas. A brayer and my fingers, pushed the print color onto the surface. A few minutes later, I lifted the paper up and pale images were left behind. In some areas, I left them as they were, and in others, I livened up an edge, or added a touch of color.

I also used modeling paste on the gessoed canvas before adding any paint. I wanted some of the vines to be three-dimensional. I also applied modeling paste to a fern leaf and pressed it on the canvas for a raised leaf effect. The interior painting also has a frame fashioned with modeling paste and lace. Gold leaf and acrylic finished it off.

I wanted a clear contrast between the wild jungle background and the beautiful wild orchid in the frame. I used acrylics on everything but the interior portrait which was finished in oils and glazes.

I’ve taken shots of some of the detail in the painting so you may see what it entails. The 24 x 30 mixed-media painting is available on my online gallery @ http://carol-allen-anfinsen.artistwebsites.com

Creating the Illusion of Reality

Ingres, a great French painter, said “How you paint depends on how you draw.”

He was so right! Drawing is the basis of every good painting. However, today artists must close the time required to paint in order to make any headway on profits. Most artists have developed sophisticated means to shorten the gap between conception, implementation, and development. Many use projectors to duplicate quickly their image to the exact size of the canvas, even from original drawings. Some enlarge their image and print it out in tiles on their home computers.

The grid method still remains a popular tool to enlarge and transfer photo images to canvas. Still you can’t ignore the fact that knowing the elements of drawing and being able to use them well enhances any painting. Consider the drawing as the framework upon which all other components hang: composition, center of interest, color, line, form, and shape, both positive and negative.

Knowing how values work and where to shade to create form is vital. Creating a story, a portrait or a scene on canvas requires the knowledge of how to model to create the illusion of reality. If done well, the viewer fills in the missing pieces automatically with his brain.

The finished painting doesn’t have to be a direct copy of the original photo or drawing, and every line and shape doesn’t have to be filled in, only suggested. Creating a masterpiece is a balancing act of knowledge, skill, imagination, and risk. Doing something daring or risky is sometimes the only difference between the mundane and the magical.

Share your time saving ideas here! Carol’s finished paintings are @ http://carol-allen-anfinsen.artistwebsites.com

Green and Mean or Kermitesque?

Long before the words: “Feng Shui” or its premise came to America, I was the Queen of Green; a nature lover at heart and most alive when outdoors or surrounded by green and earthy wood tones. I experienced first-hand the effects of green as a healer and stabilizer.

In the 70’s, I was the first one on board with my olive shag carpet, my polyester green pant suit, and my olive green appliances. Back then, “going green” meant you colored your life with the stuff. Recycling was still an idea in some hippie’s head, and hadn’t caught on yet.

Unlike my mother, I had to earn my current green thumb through trial and error. I killed more African Violets with kindness than I care to admit. But I was a whiz kid at philodendrons and spider plants, and I was determined to fill every sunlit corner of our home with living color. When silk plants made their début, I breathed a sigh of relief and dotted my interior spaces with no-brainer color.

My mother still held her own, bragging about her 10 year old violet, and a philodendron that was musically speaking: “15 going on 16.” She teased me about my menagerie of “fake,” and dubbed me the “flower” lady. But I wasn’t intimidated. I still held my own as the green queen with yards of olive green carpeting the floors, adorning the kitchen, and draped and hung over every inch of my avocado loving body.

In this blog I’m sharing some of my green and blue-green paintings with you.

The color green means perseverance, patience, growth and healing. Green is related to work, wealth, and career. In my opinion, green is nature at its best.

A photo of an anhinga that inspired my next watercolor painting and “work in progress” is included below. Remember the watercolor is still in its preliminary stages.