Balance and Harmony Keep a Composition or a Design in Check

"Victims of War" acrylic on canvas

I know an art teacher who also owns an art store. One day he showed me his paintings that were hung around the entire shop near the ceiling. He used these in classes for examples and demonstration.

“My paintings used to go so fast, I couldn’t keep any hanging,” he said. “Now I can’t sell any of them.”

The paintings were stunning landscapes of Florida scenes and of the Gulf; traditional compositions that once “brought a hefty price,” he complained.

Today “wild is in.” Even the works of amateurs are being bought up if they are unusual, colorful, and a tad weird. Perhaps it’s a reflection of the times and our confused and undisciplined society. Anything goes as long as it entertains and dazzles the eye; fads that may in time become the new “norm.”

Finding the right balance is a real dilemma every artist grapples with. Keeping one foot in the real world and the other in the solid traditions of the past is a struggle. When you allow yourself to push against the outer limits, or by way of contrast show restraint, a judgment call must be made based on each artist’s level of experience and training.

"Prayer Circles"  mixed media on canvas

I enjoy the humor that many artists use to invite people into their perspective. There are so many fearful and chaotic events happening at home and around the globe to cause anxiety. Some “comic relief” is healthy and relieves stress. Conversation pieces that cause laughter rather than thoughtful reflection may be just what the doctor ordered.

Tactile paintings: pop art, half art and half craft invite us to touch and examine. Critics lament that this practice degrades and gives real works of art a tawdry and cheap appeal. But they are selling none-the-less because they’re affordable and fun.

Trends come and go. What is in fashion today may be gone tomorrow. Artists must learn to adapt to the changing scene and create a unique and appealing style that sets them apart from the rest; keeping in mind that the classics, the centuries old tried and true methods of the past have weathered the test of time and will endure.

"Moody Blues" mixed media on canvas

Vibrant color is a significant part of this new genre. From the book: “Color Design Workbook” by Adams Morioka and Terey Stone, the authors’ state: “Color is a visual language in and of itself; it can attract the eye and focus attention on the intended message in the work. Color can be used to irritate or relax, encourage participation or alienate.

Advertiser Josef Albers remarked that “Whether bright or dull, singular or complex, physiological or psychological, theoretical or experiential, the persuasive power of color attracts and motivates.”

Also from the book: “As humans, we seek balance, especially in terms of color. For example, when exposed to a particular hue, our brains seem to expect the complementary color. If it is present, the combination looks vibrant. If it is absent, our brains tend to produce it to form a balance.” 

These very reasons alone explain why one painting is chosen over another. Although people see colors in different ways, they almost always choose that which is pleasing to the senses. With knowledge and experimentation, you too can be a part of those who sell on a regular basis.

"Cafe' Costa Rica" acrylic on canvas

Make your Voice Heard -- Vote your Conscience!

"Looking Outward" 16x20 acrylic canvas; Old window frame, painting on glass = 3-D experience!

“It’s all about perception.”  This statement has become a political strategy. The meaning is clear: “It doesn’t matter who you are or what you stand for; what matters is what other people think you stand for and how you are perceived.”

In other words, if you can pull the wool over people’s eyes some of the time, you may just fool them into voting for you. After the election, all bets are off!

Unfortunately, this has become the norm in politics making our decisions at the polls more difficult than they have ever been before. Politicians say one thing and do another. There is inconsistency between their behavior and their words; but there’s one little secret they won’t tell you. If you examine their record, you can see exactly how they vote in Congress, what legislation they support and whom they side with. Those are the facts they can’t hide from.

Perception colors our choices and our responses to other people. The words people use to communicate are linked to past experiences. Two people may use the same word, but have an entirely different meaning attached to it. Relationships, environment, and family influence determine how we see the world and how we communicate with each other.

"Sea Swirls" acrylic drawing, work-in-progress (3rd in my Seaside Series)

The best way to illustrate the power of perception is taken from a familiar story by John Maxwell in  Developing the Leader Within You.

“After World War II, a general and his young lieutenant boarded a train in England. The only seats left were across from a beautiful young lady and her grandmother. The general and the lieutenant sat facing the women. As the train pulled out, it went through a long tunnel.

"For about ten seconds, there was total darkness. In the silence of the moment, those on the train heard two things — a kiss and a slap. Everyone on the train had his or her own perception of what happened.

“The young lady thought to herself, I’m flattered that the lieutenant kissed me, but I’m terribly embarrassed that Grandmother hit him!

“The Grandmother thought, I’m aggravated that the young man kissed my granddaughter, but I’m proud she had the courage to retaliate!

“The general sat there, thinking to himself, My lieutenant showed a lot of guts in kissing that girl, but why did she slap me by mistake?

“The lieutenant was the only one on the train who knew what really happened. In that brief moment of darkness, he had the opportunity to kiss a pretty girl and slap his general.”

"Sea Swirls" acrylic on canvas; 2nd work-in-progress (It's all about layering)

Another interesting story comes from http://Sulekha.com (Delhi)

“One day a man opened the garage door, which startled a large butterfly. It flew immediately to its perceived escape, the circle-topped window where it frantically tried to exit through the invisible wall of closed glass.

“The man raised the third-car garage door in hopes of aiding its escape. This caused the butterfly to fly higher and higher and become entangled in a spider web.

“Fearful that it would remain entangled in the web, the man selected a long-handled broom to assist him escaping the tangled threads.

 “At this, the butterfly returned to furiously pumping his wings and banging into the glass, which was, in his perspective, the pathway of escape, but remained his cage.

Success Principle

 “By simply turning his focus to one side, the butterfly would have easily exited his prison. Rather, due to his intent on one direction, he remained confined, captive.

“Every day in our lives we focus on one side of the problem, not looking at it from others points of view. If there is any one secret of success, it lies in the ability to get the other person's point of view and see things from that person's angle as well as from your own.”

This is true in life and in many other endeavors at work or at play. When we create we never know how our work is perceived? People view it from the vantage point of their own experience. What may seem beautiful or interesting to the artist may trigger something entirely different in someone else.

"Sea Breeze" acrylic on 30x24 canvas; First in my Seaside Series

This is why juried competition is often frustrating on many levels. The judges see the canvas from his or her past learning experiences and their personal expertise and vision. The artist creates from his own internal perceptions. Each has a different perspective on what they see. A determination is made, but it is more subjective than objective. 

The best an artist can do is to keep painting from his or her own passion and life experiences until others share the joy and excitement the artist felt at creation.

A Christmas Wedding takes my Holiday Plans into Overdrive

"Saguaro Cactus"

My tail is dragging; how about yours? Sooo hard to get back to work after the holidays; and, of course, another celebration is looming ahead.

I’ve been on the fly, literally. We had company on Christmas day, and the next morning, we flew out for my grandson’s wedding in Phoenix, Arizona. I had jet lag the whole time we were there. Couldn’t sleep in the full-sized bed (no tossing and turning allowed!) and kept awake by strange and unfamiliar noises.

A fallen cactus, petrifying; illustrates how pourus they are

On the return flight, Sunday, I simply couldn’t keep my eyes open. I spent the whole flight bobbing my head and snapping my neck whenever my mouth began to sag. Our flight had a layover in Indianapolis and left an hour late because of a freezing rain. The warmth that greeted us when we stepped off the plane in Fort Myers was a huge welcome home.

"Joshua Tree" and desert terrain

I once lived in Phoenix, so I was eager to return and find out what I’d missed. Couldn’t believe the changes that had taken place! The city had gone from a sleepy, Mexican hacienda-like atmosphere to a thriving metropolis with super highways and luxury accommodations. Still, the desert’s resounding voice spoke volumes about constancy, permanency, and the wisdom of the ages.

Saguaro cacti, the sentinels of the desert, reminded us of our eternal nature and the timeless quality of our existence. I photographed Joshua Trees, prickly pear cactus, and the unusual vegetation and trees that grow in spite of the intense heat of summer. For we Floridians, the evening temperatures seemed frigid; plunging from a daytime high of 74 and then back to 46 degrees overnight.

My fourth child was born in Phoenix. This was her first time back since she was three years old. One of our family pleasures was to take walks on the desert floor in late January and February when the cacti were in bloom. Colorful splotches of pink, yellow, and red were masterfully dotted over the terrain with a Master’s brush. The sand underfoot became a velvet cover of green that would burn off by mid March.

There is magic in the desert. Silence is broken only by the chirp of a bird or the monotone humming of bees. There is space. The vastness of the land spreads endlessly before you and as far as the eye can see making you feel small and insignificant in return; a good place to put your life in perspective. Problems seem minuscule in comparison.

I wish we’d spent more time there. When I made the reservations, I was thinking in “wedding” terms only. Now I wish we had stuffed in a few extra days for sightseeing and pleasure. As always, hind sight is more valuable than making snap judgments. I hope your holidays were well spent and enjoyed. In the meantime, Happy New Year everyone!

"another Joshua Tree"

"prickly pear" cactus

Site of a family hike; all the way up to the rock ridges and the top!

Connecting the Dots – Making Your Art Relevant

"Beach Buddies" mixed media on 16x20 canvas

I’ve talked about the importance of networking as you make your way in your career, and the importance of getting your artwork seen and your name recognized. But there’s another side of the networking coin that’s even more important. It’s called connecting.

What’s the difference you might ask? The focus of “connecting” is your audience. Who are you painting for? Do you paint only for yourself or do you have something to say? Who do you want to say it to? It’s all about finding your voice as an artist and connecting with your audience.

This takes networking, a critical step in marketing, to a whole new level. It means connecting with people in a new way, not just visually, but emotionally and intellectually. It’s about making your artwork memorable, recognizable, and desirable. It means connecting to your buyer.

"With These Hands -- Love" 18x24 oil on canvas; framed

This last step may take years for an artist to develop. What is it about you and your perceptions and attitudes about life that make you unique and different? How can you incorporate this originality into your voice so that you may connect with people? Do you want to make a statement or do you just want to paint pretty pictures?

I’ve asked myself that question many times. I watch what sells, and I know that a big part of it is painting pretty scenes with dynamic colors that catch a person’s eye, whimsy, or the décor of their living room. Sadly, this may make a sale, but unless there is something else to grab the mind and heart of the viewer, it is quickly forgotten in the stream of other things in life and other competitive art that grabs for attention.

"An Open Book" 16x20 mixed media on canvas

If we want to make our mark, our voice has to speak volumes about us as individual artists. Depth of soul, depth of character, and a unique perspective say as much about us on canvas as does the skill we use in applying paint, composition, and structure. Success and recognition come when we finally make that connection!

Featured Artist
Magal Nagar was born in New York, and at age 9 her family relocated to Israel. At the age of 18, Magal fulfilled her two-year Israeli military obligation, assisting with the operations of a kibbutz (communal settlement). It was during this period, inspired by nature in the rural mountain setting of Southern Israel, that Nagar found her gift and passion for painting. Indeed, through exploration with color, she had achieved her own intuitive, unique form of self expression and inner peace.  http://www.magalnagarart.com/categories.php

Perspective -- a Demon That Defines Reality and Depth

"Shimmy Shake" 11x14 mixed media

I have an artist friend who is an expert on perspective. She can spot an error in someone’s painting immediately. She has no trouble with her own artwork because perspective comes so naturally to her.

Others of us must work at it, study it, and practice it before it finally “kicks in.”  I am one of those people. Perspective has been a struggle for me. I remember as a child drawing boxes and three dimensional objects in school. I don’t remember discussing how that relates to eye level, center of interest, and perspective.

"Moonshines" 18x14 mixed media

Some things come naturally to an artist, and some things don’t. Learning from one’s own mistakes and practice are great teachers. Helpful critiques from fellow artists may also save you from making any glaring mistakes. Had I found the following videos early on, I might have “caught on” sooner, rather than later.

http://www.youtube.com/watch?v=MpCwVHXvyQk&feature=related  

The lessons are so simple and so easily explained, I wanted to share them with you to save you from learning late as I did. There are many helpful tutorials on YouTube. These are two that make understanding perspective a snap! I hope you enjoy them.

Some of my own paintings are sprinkled throughout this article; examples of the use of this tool. Yes, perspective is a tool that gives a painting depth, life, and reality. Although, I must admit some of my favorite abstract and modern art pushes perspective to the edge and pokes fun of it.

"India Rising -- the Found" 18x24 mixed media

http://youtu.be/WQj57V8v4pI

I adore paintings where the buildings are curved and seem to be tipping over. These are the quirky things that can be done once you understand perspective well enough to “bend the rules.”