What Every Woman Wants: Baubles, Bangles and Beads -- or is it?

"A Joyful Heart" pastel on bristol board, matted and ready to frame

I may be the odd woman out, but jewelry is not my cup of tea. Topping an outfit off with a smashing pair of handmade earrings is more my style. Gaudy and expensive jewelry is not.

I prefer an understated look. I was never into ruffles which make me feel silly. I prefer simple classic lines that enhance my comfort and put me more in touch with the person I am.

We all have different tastes, likes and dislikes. We are each uniquely created. In the same way that our fingerprints and eyes are not alike, so our preferences in food, music and clothing vary. The same goes for artwork. None of us will ever see the same thing. One painting may draw us, the other may repel. That’s how the “power of the purse” works, and why certain things appeal to a broad spectrum of people while another is less popular.

"Tansy's Pride" pastel on bristol board; matted and ready to frame

The buying public is also fickle. Discrimination is often based on current trends and popular opinion. Someone once said “We are a nation of sheep.” In most instances we are.

Still, there are ways for an artist to move past that shallowness. We can acquire a “universal” appeal that extends beyond the bounds of personality, culture, and tradition. Certain subjects have broad appeal such as family, love, hope, fun, dancing, merriment, shared experiences, and familiar landmarks. I’m sure there are many many more.

A mother and child will usually arouse warm sentiments. A child learning or experiencing something new for the very first time is another appealing delight. Animals and especially pets touch a soft spot within almost everyone. Suffering, pain and sorrow strike a chord that vibrates the very soul. Any action whether joy, hate or anger that captures the human condition can be related to by many people.

"Broken" mixed media on canvas SOLD, but prints available

The skill of an artist in relating these universal truths to others in a way that is visually exciting and moving can make the experience have even more impact. Familiar shapes and hues arranged in such a way as to lead the viewer on an eye-opening or emotional journey is another way of revealing our shared humanity.

When the common things that surround us are portrayed, others can relate. Illustrate the simple beauties of the earth and in the eyes of the viewer their value is elevated and appreciated. Patterns and textures that replicate nature’s vast chromatic surface add another layer of “simpatico” that reaches out to others.

Wise use of space or sparseness of color may also emphasize loneliness, emptiness, or baroness in a way that detail and color could not; emotions that most of us associate with loss, devastation, and tragedy which we all experience at some point in our lives.

The more universal appeal your artwork contains, the greater the chances that you’ll be successful.

"With these Hands -- Hope" oil over acrylic under painting

Beyond the Highways and Byways – a Journey of Heart and Soul

"Arabesque" oil on canvas

The above canvas was painted from a pond near my home. The birds were those I see fluttering in and out almost every day; the great egrets and the snowy egrets. Herons come frequently as do anhinga and the little blues (small herons); but I wanted white birds against the dark water.

When someone told me that my work reminded them of the Highwaymen of early Florida, I thought it was a backhanded insult. The Highwaymen were unschooled black people who taught themselves to paint and then sold their wares on the cheap to tourists driving along the roadways and trails.

 For the most part, I was a self-taught artist much like them. Finally, their work has gained the recognition it deserves. According to their web site, “The Florida Highwaymen Artists” were the start of Florida's contemporary art tradition, and are credited for the beginning of the "Indian River School" art movement.

“They developed their own individual techniques and captured waterscapes, back country marshes, and inlets the way they once were before recent tourism developments.

“From the beginning, there were people who collected Florida Highwaymen art and paintings. However only in recent years has the recognition of their skill and their story caused their paintings to skyrocket in value.  In 2004, twenty-six individuals were inducted into the Florida Artists Hall of Fame as "Florida Highwaymen."

To read their names go to this link:  http://www.floridahighwaymenpaintings.com/highwaymen_artists

Artists who work hard for their degrees and accolades often resent the success of those who are less educated than they . The work of self-taught artists as they struggle to improve their skill through error and practice is sometimes looked upon with a critical eye and disdain. Like the highwaymen of the past, these artists may not have the funds or wherewithal for supplies let alone education.

I became acquainted with an African artist who asked if I could purchase some brushes and send them to him. He had been painting on brown paper bags for lack of a canvas. Some use wood from nearby palm trees or they paint on shells or other natural surfaces from their environment.

Painters in Iraq and other war torn countries face the same difficulties. Yet their artwork is vibrant, sometimes shocking, and unquestionably moving. When will we mature enough as artists to recognize that art is communication? It represents who we are, what we feel and what we have experienced.

Art can teach us about other people in a way that words cannot. Whether it’s the beauty we see that we wish to share, or the pain and anguish of a broken world, or the loss of a loved one. 

How we experience art tells us a lot about ourselves. Do we recognize beauty for what it is or does our critical eye keep us from hearing the message? Are we able to see beyond cultural barriers into the soul of another? Do our prejudices produce a wall instead of a door? Do we see the “thorn on the rose” rather than the bloom?

"Window on Pine Island" Oil on wrapped canvas.

Veils throughout History have Concealed, Tempted and Deceived

Veils have been with us almost since the beginning of time. Certainly they had religious significance. For example, in the Biblical story of Salome, Jezebel’s daughter, Salome danced with seven veils to seduce her father so she could ask for the head of John the Baptist. John had criticized her mother’s marriage to wicked King Ahab who had unlawfully taken his brother’s wife.

 In the Book of Genesis within the Hebrew Bible, the story goes that Jacob was tricked into marrying the homely Leah instead of his beloved Rachel, because Leah had hidden her flaws behind a veil.

Tradition had it that the groom could not lift the veil and look upon his bride until after they were married. When Jacob found out it was Leah, he honored her, but continued to love Rachel. He worked for her another seven years before she became his 2^nd wife.

The Bridal veil has always provided a sense of mystery. A veil declared that the woman was spoken for; she was forbidden to any but her betrothed. It was also believed to be a holy covering.

A veil separated the Holy of Holy’s in the temple where only the High Priest could go to offer sacrifices for the sins of the people. The veil in the temple signified it was forbidden to go beyond that point. The veil protected what was within and anyone without authority could be killed for crossing the forbidden barrier.

One of the most celebrated paintings of the Italian Renaissance by Raphael is “The Woman with the Veil (La Donna Velata),” c.1516 This irresistibly beautiful portrait was once considered the most famous painting in the world. Completed circa 1516 – four years before Raphael died at age 37 – the painting has had a profound influence on artists and writers both of his day and since. Not only is it beautifully painted, but a myth of intrigue envelops the work: there is a long-held belief that the sitter was Raphael's lover and muse.

Raphael developed in this portrait his own idea of female beauty and deportment. The sitter’s veil indicates that she is married, while the sleeve conveys both opulence and, in abstract terms, the sitter’s hidden but complex psychology. She appears as a model in many of Raphael's most important works.

“The Girl with a Pearl Earring” by Johannes Vermeer uses a veil to portray the young girl’s modesty and innocence.

"Fish Market" acrylic on canvas

The painting of fabric has always intrigued me. If done well, the illusion is so perfect that the viewer must touch it to see if it’s real. The creation of folds is a result of the undulating movement of the cloth as it rises and falls. Highlights are placed on the highest points, and shadows on the most recessed. Pulling the brush in the direction of the fold rather than vertically creates roundness.

"India Rising -- the Found" mixed-media on canvas

Many cultures and religions use veils and coverings to protect from harsh weather, provide concealment and modesty, and to create mystery and beauty.

What’s your Trade-Off – Tropical Weather or Rain and Snow?

I’ve lived in Florida for almost 10 years and this is the hottest muggiest summer I remember. I’m told it’s not by my husband, who says from his air conditioned chair that they’re all hot! Maybe he’s right.

I spent my day battling traffic to and from the Southwest Florida Cooperative Gallery at Coconut Point. My volunteer day fell on a sweltering Saturday in July. On my lunch break, I did some much needed shopping and became wilted and wet in my travels on foot from store to store.

I am also light sensitive and the sunshine, and the bright gallery lights required two Maxalt pills to get me through the day. In spite of that, I love being at the gallery. I enjoy talking to other artists, and I like being surrounded by high-caliber artwork. I’m honored to have three of my paintings hanging with the best of them.

I hope you enjoy a sampling of the paintings and the 3-D artwork on display. Although not one sale was made, we had about 60 people come through to browse and appreciate our spectacular gallery. About one-third of the visitors were artists new to the area who want to be part of the art scene in Southwest Florida.

Sales are slow in the heat of summer. Even the Farmer’s Market, the Nurseries and side-walk vendors have closed up shop. Our hot summers are the trade-off to our delightful winters. In summer, Floridians spend quiet times at the beach and enjoy their pools for cooling off. We read books in the summer the way Northerners do in winter.

I spent two winters in Seattle a few years ago. Instead of snow they had pouring rain and gray skies for months on end. But their six months of summer were moderate and delightful. Wherever you live there are trade-offs. Choose the one you are most comfortable with and your life will move forward on a pleasant and even keel.

Today at the gallery, two artists worked on their projects which attracted many onlookers. One was gluing mango twigs to prepainted canvases for a natural frame, and the other was using cane strands to create beautiful wood ware vases. The cane was placed over a glass or pottery vase that made them both functional and beautiful.

The gallery serves as a museum of sorts for many people who love to come in and just soak up the culture. Parents love to expose their children to art and are especially pleased when there are demonstrating artists. Ya’all come down and see us sometime. You’ll be glad you did!

After the Fireworks, a Night of Culture is just the Ticket

Ira Nason's painting done in Epoxy

Friday night was “Art Walk” in downtown Fort Myers. The rain had been beating down over dinner, but we were able to walk around a bit afterward.

Crowds were sparse, so shopping was a snap. The galleries were more inhabited, but far from their usual bustle of buyers and onlookers. A brave artist sat outside and painted a street scene plein air from under a protective awning.

I purchased a pen for my son’s birthday made from a piece of walnut that was once firewood. I had given his brother a pen made from an old fence post. Conversation pieces, I call them; or is it conservation? Polished wood salvaged by an artist and made into something else is a grand idea, at any rate!

In Arts for ACT, a gallery that uses art to raise funds for abused women and children, a storybook theme decorated the plaster walls: princes and princesses, dungeons and dragons, make-believe characters in fanciful scenes, a splash of glitter and pizazz glistening from paint and collage.

Wine and beverages were on sale for $1.00 encouraging customers to linger as they nursed their drinks. Alcohol on the streets is prohibited. Restaurants were filling up as the rain abated. Outdoor tables allowed drinking outside, but only if you stayed within the bounds of the restaurant of purchase. The tipsy require a tug and a pull from friends to keep them in compliance.

I don’t know if any art was sold, but I do know that the people who participated had a good time. The fact that art can bring people together is a good thing. The Art Council of Southwest Florida, a cooperative Art Gallery, had their opening reception for July on the same night. It is not unusual for several paintings to be sold over a glass of wine.

Night Lights

The Fort Myers Art League on Monroe Street is under repair for improvements and updating. They received another two year contract with the City of Fort Myers, and will be ready to roll by the next Art Walk on August 2^nd. 

Southwest Florida is a thriving art community, not just in the winter time (We call winter “Season.”).  Theater, symphony, concerts, and clubs provide a rich array of culture and fun that draws fine restaurants to the area.

I live here year round and find the hot humid summers are a small price to pay for the freedom from ice, snow and blowing cold that requires shoveling. Our winters are the  coup de grâce of Tropical living and deserve the title: “Paradise.”