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Showing posts with label frames. Show all posts
Showing posts with label frames. Show all posts

Monday, March 18, 2013

Do cramped closets and overstuffed drawers have you by the throat?



I didn’t realize what a pack rat I’d become until I tried to clean out my jewelry boxes and a bulging chest of drawers.

My rationale went like this: “If we move back up North, I might need these sweaters, these gloves, and this flannel nightgown.”

The jewelry was no different: “If I had this fixed, got a new clasp, a new link, I could wear this necklace again. Why, some of these pieces must be heirlooms; I could give them to my kids. The stones may be valuable? At the very least, I should have them appraised.”

And so it went. Instead of throwing things out or giving them away, I just moved them around to a different place.

"Home at Last" 16 x 20 acrylic on panel
In truth, I’ve thrown out a lot of things in the past from necessity. For one thing, I’ve moved a lot. When you move or downsize, some things have to go. I think the loss has made an impact on what I’m now willing (or unwilling) to give away.

 Everything near and dear to me seems to be gone. My children live in different States across the country. I’ve changed my life, my religion, and my hair color. Is this why I cling so tightly to what is left?

Please don’t psychoanalyze me! I do that enough myself. I’m just glad that I haven’t become a classic hoarder (yet!).

I once knew a woman who, like me, had trouble throwing away her favorite magazines. She lived in a small duplex and when you walked in the living room, every table held multiple stacks of magazines, albeit neat stacks. Each pile was face up in date order and could be found instantly. While I admired her ingenuity, I often wondered how high those magazines were allowed to get before they came tumbling down.

"Painting of my Grandmother" mixed media using "found items"
My artistic “scrounge for finds” nature encourages clinging. “What can I turn this into?” I ask as I comb through saved items in the garage. “There must be some mixed media project that would welcome this?” So like a game of shuffle board, I just move junk from place to place until I get the urge to clean and then I start the process all over again.

My mother was a neat freak; immaculate and germ conscious to the point of paranoia. She once threw away a square of butter because a fly had landed on it. I remember thinking that I would scrape away only half an inch to make myself feel better, but never the whole square.

She also loved changes and moved her furniture around at least twice a month. I hated it. When I walked in the door after school, instead of feeling at home, it took me several days to adjust. Because of this, I rarely change my furniture around. I find an arrangement that feels right and then I live with it – forever. Why change a good thing!

"The Pose" 16 x 20 Barred Owl acrylic on panel
My mother’s cupboards and drawers were neat and simple; partly because my parents had so little, and partly because she hated old things. Ironically, I developed a love for antiques and used items. I’ve always felt that old things carry the spirit and the life of those who went before.

This feeling was reinforced by an antique frame I purchased that held the photo of a woman with dark eyes. Every time I walked into the room where the picture was stored, those eyes bore down on me. There seemed to emanate a dark spirit of evil around that photograph. I couldn’t explain it, but I certainly felt it. Eventually I threw that old photo away, knowing that it was worth far more than the antique frame that held it.

See, I can throw things away on occasion.

"Playing Dress Up" 16 x 20 mixed media on canvas

Tuesday, January 1, 2013

It’s a Frame Up – the Painting that is!


Photo of Bella a mixed breed I'm going to paint.
Framing is sometimes difficult. What looks good to one person, may not look good to another. Many artists sell canvases and let the buyer select their own frame saving the client money.

Other artists prefer to select the perfect frame for their painting only to find out the buyer has later switched to a frame of their own preference. It’s a quandary.

The only time the frame seems to matter is in juried competition. Here the education and experience of the judge colors his or her opinion. A frame that you think enhances and compliments your painting may be seen through the eyes of the judge to be obtrusive, overwhelming or distracting. What’s an artist to do?

16 x 20 drawing on canvas of Bella
I found a web site that was very informative. I’m sharing the link and some of the content with you here:
"Choosing the right frame for paintings and prints enhances both appearance and value, but choosing the wrong frame does an artwork no favors.
"Frames are rather like film stars' dresses on the Red Carpet. The perfect one flatters the celebrity model and makes headlines. A bad choice is dissected by the Fashion Police. Like the unfortunate starlet, a painting can be underdressed, overdressed, or simply surrounded by something that is not “age appropriate.”
"Auctioneers recognize how frames affect fine art lots on the podium. Leslie Hindman in Chicago emphasizes that the artwork is the most important element, but “a bad frame is jarring and it takes away from the painting.”
“I think private individuals appreciate when a work comes with a very nice frame,” Hindman continued. “If you have something that is good and it is framed in a nice period frame, it can add to the value.”
"In previous centuries, frames were often carefully selected by the artist. Preserving the original frame on an artwork – like an original finish on antique furniture – bolsters value. The borders chosen by an artist may be plain or elaborate, but they are part of the object's history and integrity.
"Joe Standfield of Hindman's Fine Art Department cited the case of an untitled 1945 landscape painting by regional American painter Marvin Cone (1891-1964) that sold in September for $156,400. “For this particular painting, pretty much everyone we spoke with who were potential buyers – museums, private collectors, galleries – commented on the fact that it appeared to be the original frame,” he said.
“That particular painting had been in the family for an extremely long time; the provenance was impeccable. The great provenance and the original frame were the two things that enhanced the value of this beautiful painting.”

"Home at Last" 16 x 20 acrylic on canvas
"On the other hand, Stanfield noted, “A more ornate gilded frame would certainly make more sense on a 19th-century French painting.” Frames should be appropriate for the artwork's period and style, not a reflection of current fashions in interior design. In June 2009, Leslie Hindman held an auction devoted to period frames.
"Jerry Holley, vice president of Dallas Auction Gallery, agrees that frame selection can have a subtle but sizable effect on a painting's appeal to customers. “You see nice little Southwestern paintings from the 1920s or 1930s that are in their very simple original period frames,” he explained. “Everybody makes a big deal out of it and comment on the frames.”
“It does seem to affect value. If you see that same painting in an ornate gilt frame that doesn't fit it at all, people just don't have the same perception of the painting. Sometimes people don't really realize what the problem is, but - if you had them side by side in the two different frames – it would be obvious.”

"Winston" 12 x 16 OIL on canvas SOLD
“It can work the other way too,” Holley continued. “ A good Victorian painting that originally had an ornate carved gilt frame on it – if you see it now in a plain black modern frame, that would do nothing for it at all. No doubt about it, it can have a very significant effect on the look of a painting and – at auction – on the value of paintings.”
LINK:
Read more: http://acn.liveauctioneers.com/index.php/component/content/article/70-acn-staff/1653-art-101-the-wrong-frame-does-a-painting-no-favors#ixzz2GfBPMcl3