Redwing Blackbirds and Home

"Blending In" acrylic on 20 x 16 canvas in barn wood frame. Contact owner/artist.
or go to  Original "Blending In"

The air smelled heavy and earthy. The sun melted the last wisps of morning fog and warmed my back as I stood in the wet grass. A few yards away, a pair of male redwing blackbirds sparred in the underbrush, rising and falling like miniature conquistadors sporting shiny black satin and flashy red epaulets.

They lunged at each other, lifting exultant wings; their talons poised and threatening. Between lusty bouts, they perched on low-lying branches until the urge returned and they faced off again with aggressive thrusts and retreating pirouettes.

From the corner of my eye, a brown streaked bird with a long broad tail flapped into view. Was this plain, indistinguishable female the reason for this extravagant display of testosterone? She hovered over them casting her spell, flapping her wings like a butterfly on steroids.

First she tried to distract them by darting from side to side. Then she swooped near, pretending to protest their dual of love. When this didn’t work, she trailed after them as they whirled from bush to bush; a visual reminder of her stake in the outcome.

(This is where I often see redwing blackbirds mating and nesting in FL)

I left before their contest was over. I never witnessed the losing male’s defeat or the triumphant coming together of the welded pair. What I took away was an impression that later became a painting and brought back memories of Minnesota my second home.

The redwing blackbird is a year-round resident of both Florida and Minnesota. Their red shoulders and ebony black feathers make a striking contrast against the rolling sunflower fields of the upper Midwest where they flock in great numbers.

The male exposes red epaulets during the mating season and can become quite aggressive, even attacking passing hawks, crows or people who invade their territory.

Redwing, Minnesota’s sandstone cliffs are a favorite gathering place for many of these migrating birds, attracting hundreds of tourists each summer to this normally quiet city. In October, the changing leaves along the Mississippi River and the quaint antique shops lure additional visitors to Redwing.

In my finished acrylic painting above, I made the wings and feathers of the red wing replicate the petals of the sunflowers which inspired my title: “Blending in.” 

"Dregs of Winter" original drawing
Other bird drawings available
Go to  BIRD ART

As Dorothy said, “There’s no place like home!”

(Daughter, Pam, took a surprise photo of us at Northwest Trek. I love the tenderness between us as we chat.)

In spite of the love and the joy of being with children, grandchildren and great-grandchildren, it’s good to get back to our comfortable ruts and the familiar nest we call home.

Our last big event was a trip through the grandeur of the National Park system designated as Mount Rainier. We drove from wildflower meadows and quaint historical towns into the inclining and winding roadways that led upward.

The snow was long gone; earlier than most years. When we reached the top, the base of Rainier was snow-free and covered with green grass and more wildflowers such as scarlet paintbrush, blue columbine, pink Canterbury bells, and white Queen Ann’s lace.

(Mount Rainier peeking through the trees as we wound up the roadway leading to the top.)

We enjoyed a quick lunch in the Visitor Center, and then traipsed over to the refurbished lodge to check out the furnishings, the gift shop and the spectacular views from a huge wrap-around porch.

Because of my fall earlier, and the miles already walked at the Northwest Trek animal preserve, we decided not to climb the trails to the base of the snow-covered Rainier. The park on all sides of the mountain was covered with hiking trails and bike trails. If you’re an avid hiker as I once was, you’ll love exploring the flora and fauna that covers the hillsides.

(Getting closer!)

(Here we are at the base of the mountain. Normally in June, the green grass is covered in snow.)

(Inside the Lodge at Mount Rainier)

On the way back, we stopped at an iconic restaurant that has served up homemade fare since the 1940s. We enjoyed a quality home-cooked meal, but declined the tempting old-fashioned pies. A small antique gift shop provided eye-candy instead. On this trip I had hoped to purchase some “finds” to sell in my Etsy Shop, but the sizes and prices deterred this plan. Flying instead of driving has its benefits, but leaves you with very little space for extras.

Back to Minnesota for two nights and one day gave us just enough time to see a few people before flying homeward. Upon arrival, a blast of hot humid air reminded us of the summer ahead.

(Great Grandpa with Marcus, his first great grandchild.)

During our vacation, we rarely caught the news and felt relaxed and detached. It was with shock and sadness that we learned about the massacre shooting in the South Carolina church.

What have we become as a society? Have we descended so far that we resemble animals and simply react from our baser instincts? The higher calling is to love others, even our enemies, which the members of that church demonstrated so plainly. May God bless them in their hour of need. May God have mercy on the soul of the perpetrator of evil. If drugs are responsible for his depravity, may others recognize the dangers in following this path. 

If evil can destroy, then only love can heal this nation. Not selfish love that seeks only to enrich and satisfy self, but an unselfish desire to do good to others and to bring only positive actions into the world. If we're going to leave a mark behind us, let it be one that will benefit mankind!

It’s a Frame Up – the Painting that is!

Photo of Bella a mixed breed I'm going to paint.

Framing is sometimes difficult. What looks good to one person, may not look good to another. Many artists sell canvases and let the buyer select their own frame saving the client money.

Other artists prefer to select the perfect frame for their painting only to find out the buyer has later switched to a frame of their own preference. It’s a quandary.

The only time the frame seems to matter is in juried competition. Here the education and experience of the judge colors his or her opinion. A frame that you think enhances and compliments your painting may be seen through the eyes of the judge to be obtrusive, overwhelming or distracting. What’s an artist to do?

16 x 20 drawing on canvas of Bella

I found a web site that was very informative. I’m sharing the link and some of the content with you here:

"Choosing the right frame for paintings and prints enhances both appearance and value, but choosing the wrong frame does an artwork no favors.

"Frames are rather like film stars' dresses on the Red Carpet. The perfect one flatters the celebrity model and makes headlines. A bad choice is dissected by the Fashion Police. Like the unfortunate starlet, a painting can be underdressed, overdressed, or simply surrounded by something that is not “age appropriate.”

"Auctioneers recognize how frames affect fine art lots on the podium. Leslie Hindman in Chicago emphasizes that the artwork is the most important element, but “a bad frame is jarring and it takes away from the painting.”

“I think private individuals appreciate when a work comes with a very nice frame,” Hindman continued. “If you have something that is good and it is framed in a nice period frame, it can add to the value.”

"In previous centuries, frames were often carefully selected by the artist. Preserving the original frame on an artwork – like an original finish on antique furniture – bolsters value. The borders chosen by an artist may be plain or elaborate, but they are part of the object's history and integrity.

"Joe Standfield of Hindman's Fine Art Department cited the case of an untitled 1945 landscape painting by regional American painter Marvin Cone (1891-1964) that sold in September for $156,400. “For this particular painting, pretty much everyone we spoke with who were potential buyers – museums, private collectors, galleries – commented on the fact that it appeared to be the original frame,” he said.

“That particular painting had been in the family for an extremely long time; the provenance was impeccable. The great provenance and the original frame were the two things that enhanced the value of this beautiful painting.”

"Home at Last" 16 x 20 acrylic on canvas

"On the other hand, Stanfield noted, “A more ornate gilded frame would certainly make more sense on a 19th-century French painting.” Frames should be appropriate for the artwork's period and style, not a reflection of current fashions in interior design. In June 2009, Leslie Hindman held an auction devoted to period frames.

"Jerry Holley, vice president of Dallas Auction Gallery, agrees that frame selection can have a subtle but sizable effect on a painting's appeal to customers. “You see nice little Southwestern paintings from the 1920s or 1930s that are in their very simple original period frames,” he explained. “Everybody makes a big deal out of it and comment on the frames.”

“It does seem to affect value. If you see that same painting in an ornate gilt frame that doesn't fit it at all, people just don't have the same perception of the painting. Sometimes people don't really realize what the problem is, but - if you had them side by side in the two different frames – it would be obvious.”

"Winston" 12 x 16 OIL on canvas SOLD

“It can work the other way too,” Holley continued. “ A good Victorian painting that originally had an ornate carved gilt frame on it – if you see it now in a plain black modern frame, that would do nothing for it at all. No doubt about it, it can have a very significant effect on the look of a painting and – at auction – on the value of paintings.”

LINK:
Read more: http://acn.liveauctioneers.com/index.php/component/content/article/70-acn-staff/1653-art-101-the-wrong-frame-does-a-painting-no-favors#ixzz2GfBPMcl3