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Showing posts with label juried. Show all posts
Showing posts with label juried. Show all posts

Wednesday, September 4, 2013

Awash in Color; Electric with Energy

'Greeters instruct artists on the procedures"
My blog title perfectly describes “change-out” time at the Art Council of Southwest Florida Cooperative Art Gallery at Coconut Point. On the first Monday of each month, new paintings are brought in and paintings which have not sold are changed out. There is always excitement in the air and congeniality as artists chit chat, get caught up on the new art scene and the latest gossip.

ACSWF is a juried gallery, and each piece must be judged by a reviewing board who determines which paintings will stay and which must go. The criteria are strict and demanding.
Some artists “play it safe” with predictable scenes and styles. Others take risks to see how far they can push the envelope sometimes ending up on the losing side. The disheartened take their heavy burdens home and hope that next month will be different.

"Registration -- in with the old, out with the new"
I am one of those risk takers. I like to experiment. Sometimes I get lucky, and sometimes I’m disappointed. I stretch myself and challenge myself as much as possible. I like to try different techniques and enliven my palette. There is a certain light or glow I seek that emanates from my paintings. Until I have achieved that look and feel, I am not satisfied.

Every artist that submits artwork in any form is hopeful that theirs will qualify. The gallery is filled with amazing pieces awaiting the thumbs up from the judges. It is a learning process. The judging is a combination of objective analysis, based on the skill and knowledge of the judges, and their subjective opinions of style and taste.



I have sold several pieces online that were rejected by a judge at one point or another in my career. Beauty truly is in “the eye of the beholder.”


Critics are everywhere from the “man on the street” to your favorite aunt Mildred. Everyone has an opinion and they’re all too eager to share it with you. “Why did you do this?” someone once asked me. When I said, “I felt like it.” They didn’t know what to say?

Those little stabs hurt just the same. After all, each painting, each creation is your new baby. You’ve conceived it, nurtured it, and given it life. Who are they to question your motives or your creative license? Still we must be willing to learn from those who have more experience than us. It is a slow and painful process.


How does an artist or any professional deal with "the slings and arrows of outrageous fortune?” We must develop thick skin. We must turn our hurts and sensitivities into tools for learning. This is part of the proverbial “learning curve.” We brush off our hurts and try again. Each time we do this, we become a little tougher, a little less sensitive. We weather the storms of life and we forge on. Not because we have to, but because to stop would be to die. Not literally, of course, but spiritually. If we allow others to deter us from doing what we love, we die a little each day.


Believing in yourself and your ability to learn is the biggest hurdle you will overcome. The Cartoonist for Shoe said it so well: “We have met the enemy and he/she is us.”

Our enemy is not the critics, the judges, or our family and friends, it is us. When we give into fear and disappointment, we are the losers. When we face our enemy and the challenges that come to us, we become strong, weathered, and fierce.








Tuesday, July 9, 2013

Do Definitions Restrict an Artist’s Work or Provide Opportunity?


In a marketplace flooded with artists and a decreasing number of buyers, it’s no surprise that style matters. Affordability often moves decisions, but having a unique flare or approach may make the difference between recognition and sales.

Many artists are using other methods to get noticed. Texture and color are the number one drivers. Jewels and gem stones are being placed on paintings to catch the eye and emphasize a theme. Metalics added to the paint draws the viewer and adds a sheen or glint to the finished painting. Because of this, the fine line between arts and crafts is blurring as more artists’ label their work: “mixed media.” When glitter or pizazz is added to a painting, one wonders which genre the canvas falls under?

"Lucky Lady" 11x14 mixed-media, in red frame (a real playing card & glitter is added)
A recent announcement for a juried show stated: “Medium is open (No crafts please). An artist may question what this means? Interpretation of what makes a canvas or a multi-media board cross over the line into crafts is often a subjective call.

Tattoo art is becoming a legitimate art form as more buyers choose to wear their artwork or use it to make a statement. The artists creating and designing in this genre are finally being recognized for their caliber of artwork. Many of their designs and drawings would make stunning paintings, canvases and wall art.

"Shimmy Shake" mixed media in black frame (glitter is added)
Illustrators and cartoonists are equally skilled. Their work is cutting-edge, exciting and flamboyant. Technology is heightening the impact of digital enhancements that combines with original artwork in a way the Old Masters never envisioned nor imagined.

Adjusting to these changes is every artist’s challenge. We can either get left in the dust or accommodate the fluctuating art scene and rise to the occasion. Today’s artists must adapt and grow to meet the ever changing market.

(Parker Harlowe beside his embellished painting of a ram)

Wednesday, April 10, 2013

Working in the Gallery a Labor of Love



Yesterday I worked in the Art Council of Southwest Florida Co-op Gallery at Coconut Point. At least once a month, displaying artists volunteer their time and talents to keep the gallery running. I've shared with you before some of the lovely paintings and some of my experiences.

This is a Batik painting.
May marks the end of "Season" and many "Snow Birds" have already left for northern climes. The gallery has gone from 125 artists to 45 which gives you a picture of how we will operate through the summer. This is the first year that we have stayed open year round. Summer hours will be four days a week on Thursday, Friday, Saturday, and Sunday, from 10 a.m. to 6 p.m.


A spectacular six months of operation netted enough profits to keep the gallery open through the summer and gave encouragement for all of us to continue our efforts. Each month, paintings and artwork are changed out so that fresh and interesting work is new each month. All work is juried in by a qualified panel. The only criteria is that submitting artists must belong to a local art league; there are several to choose from in every locale
.
New artists are constantly joining our ranks so the gallery continues to have a cutting edge feel. Coconut Point has proven to be an excellent location. This upscale neighborhood is continually growing. Yesterday I met a German shopper who spoke little English and two shoppers from Northern Florida who had driven down to shop at this locale

The variety and quality of the artwork surprises and impresses almost everyone who comes into the gallery. New home owners are looking for something distinctive and memorable to decorate the interior of their homes. In addition to sculpture and artwork, there are trendy items such as dolls, and jewelry.

A mermaid collector purchased a doll that had just arrived. Keeping the gallery well stocked is becoming a challenge. Each artist is allowed to replace items sold so even though the turnover is great, sold items are replenished usually within a day


.I hope you enjoy the most recent artwork on display in this blog. I appreciate your patience as I get up to speed on Windows 8 and recover the old programs I need to do do my blog justice.

Saturday, October 13, 2012

Does Fear have a Strangle Hold on You?

First Place winner in PanAmerican Alliance juried competition

This is the month when spooks, goblins, superstitions, and zombies celebrate the hidden fears and foibles we normally bury. Costumes and disguises parade as evil to ward off evil.

In reality, we all harbor secret fears that are sometimes disabling. Psychiatrists have names for these phobias. Some people overcome them through faith in God or a power greater than themselves. Others struggle a step at a time to unchain the demons within.

Second Place winner in PanAmerican Alliance juried competition (colored pencil)
I was talking about fear with my daughter, who is having difficulty finding employment. Each interview becomes more mountainous and treacherous. She finds reasons for not following through with an appointment: “They won’t hire me anyway. They’ll find some reason why I’m unsuited. I can’t go through it again.”

I feel for her, but at the same time she can’t remain frozen in time. “Don’t let fear keep you from doing what you really want to do,” I told her. “Don’t let fear control your life. If you do, you’ll regret it forever.”


I try to live by that advice myself. We all have to get out there and show the world what we’ve got. It may not be as good as someone else. It may not be as flashy and flamboyant, but it’s unique and represents who we are.

One of the greatest barriers to self-appreciation is making comparisons between yourself and another person. Because of insecurity or lack of self-confidence, the other person’s accomplishments always seem greater than our own. Our talents and skills pale in comparison. So why do it? Why compare yourself with others at all?


Progress is made and skill improved when we compare our last efforts with our present efforts. Compete with yourself until you feel more confident, and then you can comfortably compete with the world. It works for Olympic athletes. It works for pianists, writers and performers.

I look back over the years at how my work has changed and improved, and I’m clearly amazed. Don’t discount yourself; move ahead with the belief that you will get better. You must get better. Natural law predicates it. Practice and repetition do make a difference (your mother was right!).


My blog contains photos from a PanAmerican Alliance juried competition in Cape Coral. I attended, but did not show any of my work.

Featured Artist
Shijun Munns  was born and raised in Foshan; an old town in the South of China. She currently lives in Atlanta with her husband and “numerous pets.”
“I look at the world with an artist’s eye, and a poet’s heart,” Shijun said. Her work definitely reflects this. Link http://www.facebook.com/shijunart


Tuesday, November 8, 2011

The Library -- One Size Fits All

When we struggled to raise six children and provide them with music lessons, athletic activities, and a good education, I never dreamed that would mean I couldn't finish mine. But reality held a different answer. Without the library, I may never have become a writer or an artist. It was my lifeline and my access to opportunity.


That's why I was pleased when a juried competition opened up for the PanAmerican Alliance and our skilled and talented artists. I'm sharing some photos from that show with you. The winners of that competition will be announced at an awards ceremony on Dec. 3 at the library. If you’ve followed my work, perhaps you can find mine.



Being an artist is expensive. There are many choices to make and mediums to purchase: linseed oil, turpenoid, oil paints, acrylic paints, modelling and mixing mediums, watercolor paints and paper, pastels and paper, brushes and tools, canvases and panels. All of these amount to "infrastructure" for the artist and are necessary components for turning professional.



I just purchased a package of pastel color shapers. The list price was $39.99. I went around the aisles several times before I realized it was do or die. I had to have them. The results of my recent works with fuzzy unclear details were good examples. Luckily a friend gave me an online coupon for 40 percent off which made my decision easier. I paid $16.00 for the shapers, and felt good about my decision.




There are other ways to save money: artist friends who throw in the towel and want to get rid of their painting supplies, garage/yard sales, stores like 2nd wind for artists, i.e. Act 2 in Fort Myers, sometimes e-Bay, etc. And don't forget the library; a great source for learning material. Used book stores may be the answer when you want to own a book.

Many artists use house paint instead of acrylic for large canvases. Squeeze bottles used for hair color can be washed and saved for painting use when you want a straight-edged trim on a petal or stem or for fancy scroll work. Being creative isn't limited to composition and design, it's a great way to develop your own personal style and to lend a new twist on a vision or idea.


How do you save money? Please share your ideas with my readers!



Today, I'm sharing a "work-in-progress" inspired by a photograph I shared with you earlier of two sandhill cranes foraging at dusk (below). I first made a drawing, and now I'm putting in an acrylic base. I will use oil paint on the cranes and for detail and highlights. Stay tuned!


I loved this photograph because of the blue tones reflected on the crane's wings.