Veils have been with us almost since the beginning of time. Certainly they had religious significance. For example, in the Biblical story of Salome, Jezebel’s daughter, Salome danced with seven veils to seduce her father so she could ask for the head of John the Baptist. John had criticized her mother’s marriage to wicked King Ahab who had unlawfully taken his brother’s wife.
In the Book of Genesis within the Hebrew Bible, the story
goes that Jacob was tricked into marrying the homely Leah instead of his
beloved Rachel, because Leah had hidden her flaws behind a veil.
Tradition had it that the groom could not lift the veil and look
upon his bride until after they were married. When Jacob found out it was Leah,
he honored her, but continued to love Rachel. He worked for her another seven
years before she became his 2nd wife.
The Bridal veil has always provided a sense of mystery. A veil declared
that the woman was spoken for; she was forbidden to any but her betrothed. It
was also believed to be a holy covering.
A veil separated the Holy of Holy’s in the temple where only the
High Priest could go to offer sacrifices for the sins of the people. The veil
in the temple signified it was forbidden to go beyond that point. The veil protected
what was within and anyone without authority could be killed for crossing the
forbidden barrier.
One of the most celebrated paintings of the Italian Renaissance by Raphael
is “The Woman with the Veil (La Donna Velata),” c.1516 This irresistibly beautiful portrait was once considered the most
famous painting in the world. Completed circa 1516 – four years before Raphael
died at age 37 – the painting has had a profound influence on artists and
writers both of his day and since. Not only is it beautifully painted, but a
myth of intrigue envelops the work: there is a long-held belief that the sitter
was Raphael's lover and muse.
Raphael developed in this portrait his own idea of female beauty
and deportment. The sitter’s veil indicates that she is married, while the
sleeve conveys both opulence and, in abstract terms, the sitter’s hidden but
complex psychology. She appears as a model in many of Raphael's most important
works.
“The Girl with a Pearl Earring” by Johannes Vermeer uses a veil to
portray the young girl’s modesty and innocence.
"Fish Market" acrylic on canvas |
The painting of fabric has always intrigued me. If done well, the
illusion is so perfect that the viewer must touch it to see if it’s real. The
creation of folds is a result of the undulating movement of the cloth as it
rises and falls. Highlights are placed on the highest points, and shadows on
the most recessed. Pulling the brush in the direction of the fold rather than
vertically creates roundness.
"India Rising -- the Found" mixed-media on canvas |
Many cultures and religions use veils and coverings to protect from
harsh weather, provide concealment and modesty, and to create mystery and
beauty.
Fascinating, Carol. Hiding things seems to make them more desirable, more alluring, although the opposite is intended. A strange human predilection.
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