Are you Uninhibited or Style Conscious?

"Prayer Circles" Acrylic on 24 x 18 canvas

We always wonder if our personal artwork presents a style that is unique and recognizable by others. The answer is yes. Even though your style may be imperfect and perhaps full of “beginner’s” mistakes or careless errors, your style is evident in almost every painting.

Art Biz Coach, Alyson Stanfield, describes it this way: “Style is a characteristic or group of characteristics that we can identify as constant, recurring, coherent, etc. that is identified with an individual.”

And from the late Robert Genn: “Each artist’s uniqueness and individualism brings endless variations. The dynamism invites the “keeping-in-mind-God” to play a part in the work’s evolution, enriching the process. The job becomes an intellectual as well as a technical and emotional exercise. The idea is to stretch your brain so your act of art is your very own.

There are also designated types of art that differentiate themselves, one from another. For instance, impressionism, realism, surrealism, expressionism, painterly, folksy, primitive, abstraction, etc. Most of us learned about these different genres in school. But within each category, there are definitive components such as the compositional elements, the brush strokes; are they flamboyant and wide, or detailed and soft?

"#hopeful in India" Acrylic, 24 x 18 canvas

And what about color? The hues and values chosen and the way they have been applied are all recognizable; even the lines and shapes and how they’re rendered are unique to each artist. Your style is a combination of the mediums, techniques, and subject matter you choose. It’s the extra things you do to distinguish your work from other artists.

As you gain experience, your work evolves. Your colors become more sophisticated. The composition more interesting and leading. Increased subtleties and innuendo begin to tone down the brasher elements and enhance the message. The painting becomes a soft-spoken message from your heart that is both appealing and convincing.

You the artist become an expert at playful seduction and illusion. There are often multiple messages that beckon and coalesce into one cohesive center of interest. You begin to sense where and when intensity is needed to mirror your own passion. You triumph when this melding of heart and soul on canvas are transfixed in the viewer’s mind long after they have left the scene.

Some may be riveted in place, studying the twists and turns of your color and vision. This may not happen overnight. This evolution of style is like giving birth. The process may be long and hard, but you know it will eventually happen. The struggle to overcome and to achieve has been done before by all those who profess to be artists.

"Fish Market" Acrylic on 24 x 18 canvas

Is it worth the intensity of emotion and the grief of failure? Is climbing to the top of Mount Everest ever worth the risks? Only those who reach the top may feel exultation. The building blocks you leave behind (those crass unfinished canvases, those embarrassing compositions and tacky mistakes) litter the highways and byways of your history and become the building blocks of your destiny. It is not over until you lay down the brush and either give up or give in to the overwhelming hold artistry has on you.

When Things get tough, find a Different Way to Work

"With These Hands -- Wonder" 1st in a Series; oil on acrylic canvas

I sometimes wail and whine about getting older. My osteoarthritis has begun to swell my joints and reshape my fingers. I can no longer draw a straight line without some help from a ruler or guide.

And I recently had contact lenses implanted in my eyes. They are “monovision,” meaning that one eye serves for distance and one for close-ups. While it’s great not to have glasses, my perspective has changed. Do I really paint what I see or is what I see distorted by my altered vision?

We all have problems as we age. Some of us were born with a disability. Others were given problems and illnesses sometimes at the peak of their careers. Life happens to us all and “shit” happens.

So you think you’ve got problems? These heroic artists continued to create in spite of their problems and well into old age.

At the end of his life, French impressionist master Pierre-Auguste Renoir continued painting — using a brush tied to his arthritic hand.

Renoir had crippling rheumatoid arthritis — at the LACMA Exhibit, there's a flickering black and white film that shows Renoir painting in 1915, despite his afflictions. His hands look like stumps of old trees — you can barely see his fingers because they are so curled in on themselves. Fabric is tied across Renoir's palms, to protect his skin.

In the newsreel footage, he clamps a paintbrush between the thumb and fist of his right hand. Renoir leans into the canvas as he paints. He talks while he works. He's lively, and his eyes are piercing.

(The Absinthe Drinker) Renoir

"I am just learning how to paint," Pierre-Auguste Renoir said in 1913 — six years before he died. The French master painted right up to the end of his life; he died in 1919 at age 78.

Edgar Degas “frequently blamed his eye troubles for his inability to finish a painting, an explanation that met with some skepticism from colleagues and collectors who reasoned, as Stuckey explains, that "his pictures could hardly have been executed by anyone with inadequate vision." The artist provided another clue when he described his predilection "to begin a hundred things and not finish one of them," and was in any case notoriously reluctant to consider a painting complete.

(Blue Dancers -- Degas) Love the composition!

He was a deliberative artist whose works, as Andrew Forge has written, "Were prepared, calculated, practiced, developed in stages. They were made up of parts. The adjustment of each part to the whole, their linear arrangement, was the occasion for infinite reflection and experiment."

1890 Degas’s eyesight fades and he does more sculpture and pastels. He does some mono-types of valleys from memories of the countryside from a trip to Burgundy.

1895 Degas experiments in photography.

1910 Degas goes blind becomes depressed and bitter, stops painting.

1917 Degas dies 27 September aged 83 at his home. And so ends the career of our greatest artists.

(Degas liked to paint members of his family)

The following “lesser known” artists have overcome monumental difficulties but continue to do what they love. Lisa Fittipaldi lost her eyesight, yet paints the most remarkable paintings. She detects the color by the feel of the pigment. Remarkable!

Courageous Artists