How you Look at Clouds may determine how you Paint them

"Vikeholmen Lighthouse , Skudeneshavn, Norway"  Acrylic on canvas

I once heard that unless your clouds are the center of interest, don’t paint what you see – paint what people expect and want to see clouds look like. In other words, don’t allow the clouds to “steal the show.”

I’ve had to work at clouds. Landscapes sometimes overwhelm me. I always do better focusing on portraits and close-ups of details. But I want to do better. I love to study cloud formations and enjoy their beauty.

What do you see in the shapes of clouds? I see teddy bears and turtles, and fat round babies. I see enormous faces from different places. My imagination depends on what kind of day it is.

Judy Collins saw things in the clouds around her (inspired by Joni Mitchell’s words):

“Bows and flows of angel hair and ice cream castles in the air
And feather canyons everywhere, I've looked at clouds that way
But now they only block the sun they rain and snow on everyone
So many things I would have done, but clouds got in my way

I've looked at clouds from both sides now

From up and down and still somehow
It's cloud's illusions I recall
I really don't know clouds at all.”

If you want to catch Collins singing, watch this video. 

 

Is there a right and a wrong way to paint clouds? Some people think so. I did not get into a juried show once because the judge did not like my clouds. I've since tried to improve upon them.

"Beach Buddies II" 20 x 16 oil on canvas

Two different artists below show you two very different techniques. One starts with the “lights” and makes small circles, adding the darks later. The other starts with the darkest darks making odd rather than defined shapes. Both agree that the results should suggest transparency.

Tim Gagnon likes to create fluffy cumulus clouds.

Mark Waller, the artist below, believes that clouds should be made up of random shapes. Like Gagnon, he believes that paint should be applied gently and loosely. “Little circles” should come after not first, and be defined by the dark straight edged underpinnings.

"Vikeholmen Lighthouse, Skudeneshavn, Norway" a close-up view 20 x 16 acrylic on canvas

Before you move forward, you sometimes must look backward

"Innset Kirke, Norway" 11 x 14 Oil on Canvas SOLD (Prints available)

History is our infrastructure. It provides the foundation that steadies and grounds us. Where we come from gives us added information about our physical characteristics, about our likes and dislikes; our weaknesses and strengths.

My family has a history of musical talent. Two of my grandfathers were violinists and composers. An uncle and his family were musicians and played musical instruments and sang for the community.

This musical talent skipped over my generation. My children, on the other hand, are not only gifted in this area they are music teachers, and their children are excelling in music and the arts.

"Skudeneshavn, Harbor, Norway" 16 x 20 oil on canvas SOLD (Prints available)

My father was artistic at heart. In his limited spare time, he drew portraits of people and animals. He loved to doodle. Unfortunately, earning a living for his family kept him away from home and from drawing most of the time. I think my love for drawing and painting came from him.

My husband’s family came from Norway. His great grandfather carved a beautiful family emblem that has passed from one generation to the next. Another grandfather was a lighthouse keeper who loved the ocean and the beautiful Fjords of Norway.

"Vikeholmen Lighthouse" Skudeneshavn, Norway, 16 x 20 acrylic on canvas

I painted some of these scenes for members of the family and have sold prints, cards and originals to other Norwegians around the country. I’ve heard many artists complain that they don’t know where to get ideas. Have you ever thought about looking backward? Find out where your ancestors came from. What were their customs? Where did they live? There may be ideas just waiting for you to find them.

Sometimes the simple, unexplored objects that surround us become beautiful paintings simply because the right artist saw something unique and shared his or her vision on canvas. Examining the detail, emphasizing the way sunlight glistens from an object or the way it casts a shadow may be enough to inspire a work of art.

"Vikeholmen Lighthouse" (close-up) Skudeneshavn, Norway 16 x 20 acrylic on canvas

There is a walnut tree not far from us. After a recent rain storm, one of the encased nuts had dropped to the ground and shattered, but the nut was still intact held within the other half of its covering and still attached to the original twig. Its maple color and layer of skins was a work of art. I carried it home, and today it nestles in a basket of finds on my dining room table.

There is beauty all around. Look behind at what links you to the past. Look ahead at what draws you to the future. Celebrate!

"The Neptunes -- Golden Girls" 11 x 14 acrylic on canvas (3rd in The Neptunes Series)