Before you move forward, you sometimes must look backward

"Innset Kirke, Norway" 11 x 14 Oil on Canvas SOLD (Prints available)

History is our infrastructure. It provides the foundation that steadies and grounds us. Where we come from gives us added information about our physical characteristics, about our likes and dislikes; our weaknesses and strengths.

My family has a history of musical talent. Two of my grandfathers were violinists and composers. An uncle and his family were musicians and played musical instruments and sang for the community.

This musical talent skipped over my generation. My children, on the other hand, are not only gifted in this area they are music teachers, and their children are excelling in music and the arts.

"Skudeneshavn, Harbor, Norway" 16 x 20 oil on canvas SOLD (Prints available)

My father was artistic at heart. In his limited spare time, he drew portraits of people and animals. He loved to doodle. Unfortunately, earning a living for his family kept him away from home and from drawing most of the time. I think my love for drawing and painting came from him.

My husband’s family came from Norway. His great grandfather carved a beautiful family emblem that has passed from one generation to the next. Another grandfather was a lighthouse keeper who loved the ocean and the beautiful Fjords of Norway.

"Vikeholmen Lighthouse" Skudeneshavn, Norway, 16 x 20 acrylic on canvas

I painted some of these scenes for members of the family and have sold prints, cards and originals to other Norwegians around the country. I’ve heard many artists complain that they don’t know where to get ideas. Have you ever thought about looking backward? Find out where your ancestors came from. What were their customs? Where did they live? There may be ideas just waiting for you to find them.

Sometimes the simple, unexplored objects that surround us become beautiful paintings simply because the right artist saw something unique and shared his or her vision on canvas. Examining the detail, emphasizing the way sunlight glistens from an object or the way it casts a shadow may be enough to inspire a work of art.

"Vikeholmen Lighthouse" (close-up) Skudeneshavn, Norway 16 x 20 acrylic on canvas

There is a walnut tree not far from us. After a recent rain storm, one of the encased nuts had dropped to the ground and shattered, but the nut was still intact held within the other half of its covering and still attached to the original twig. Its maple color and layer of skins was a work of art. I carried it home, and today it nestles in a basket of finds on my dining room table.

There is beauty all around. Look behind at what links you to the past. Look ahead at what draws you to the future. Celebrate!

"The Neptunes -- Golden Girls" 11 x 14 acrylic on canvas (3rd in The Neptunes Series)

Shadow-Ghosting -- A Technique that Helps to Create Flawless Line Drawings

"India Rising -- the Found" mixed media on canvas (50% off)

I like to put people in my paintings. When a canvas or landscape doesn't include people, something is missing in my book.  I find that peoples' expressions and body language not only contribute to a scene but “round out" a painting's story.

The more I paint, the more this holds true for me. I find I’m more engaged in the painting and have more passion for doing it when a few lines and shapes form a character and become real before my eyes.

"Fish Market" 18 x 24 acrylic on canvas

Design also fascinates me, although, I’m not very good at it. I like to incorporate unusual background designs that have a subtle impact on the story I’m trying to create. The secret is to make them compliment the subject or center of interest without dominating it. Sometimes I succeed and sometimes I fail.

A painting should also have magnetism; a component that draws the viewer’s eye into the scene and around the composition. Once, I got so carried away with this principle that I led the viewer right off the canvas and into LaLa Land. I didn’t recognize my mistake until someone pointed it out to me.

"Serena Shines" 9 x 12 Pastel on Bristol

I recently took a class on “letting go.” The purpose was to encourage “loose” brush strokes and to allow your imagination to fly. My imagination flew, all right. Right off the page! There’s something to be said for “control,” and knowing what you want to see on canvas.

Portraits especially require a steady hand and even strokes of brush or pencil. Scratchy, broken lines make a drawing look weak and tentative. Lines that give the appearance that they know where they’re going and where they’ve been, are strong and definitive.

"Does this hat make me look fat?"  11 x 14 pencil on bristol

If you’re not sure if a line is accurate, don’t put it down on paper. Wait until you’re sure the placement is correct. Wave or draw a shadow line over the paper to test the distance and the dimensions without making a mark. If your shadow or “ghost” line seems accurate, place your unbroken line with confidence and freedom.

 Learning a new technique or genre takes time and patience. Making mistakes and recognizing them is just as important as being perfect. Sometimes we get lucky the first time, but continued practice is certain to improve your work over time.

"First Daffodil" 16 x 20 acrylic on canvas

Featured Artist:  Dorina Costras is an artist who seems to have mastered the art of drawing and color. Please enjoy her work and explore her web site at the following link:

http://kasturinic.wordpress.com/2013/07/12/wings-of-fire/