There’s “Nothing new Under the Sun”

"Reggae Night" Acrylic on 18 x 24 canvas (Won Special Recognition, see below)

I was watching a PBS fundraiser featuring music from the Eighties.  All of the colors and geometric patterns of today were alive and well. No matter how advanced and contemporary we believe we are, as the ancient Biblical prophets said in Ecclesiastes 1:9 (NIV):

⁹ What has been will be again,
    what has been done will be done again;
    there is nothing new under the sun.

In most cases, everything has all been said and done before. Our challenge as creators and artists is to take the ideas from the past and remake them into something fresh and exciting. Even contemporary science and technology has its basis in history. Researchers and engineers always build upon the foundation of knowledge and facts established before them.

These molecular building blocks join the past to the present and create promise for the future. You can use these same principles in creating something different and forward thinking from what has worked before. They used to call it “thinking outside the box.” Now they are suggesting we get outside and look within at the interior and find different ways to relate, to see, to think.

(Work-in-Progress "Egrets and Mangroves)

Your own personal perspective generates the diversity and originality of thought that gives you an edge over those who came before you. Your unique skills and experiences shape how you express yourself and define your style. Whether you look within or explore exterior planes, there may be something vital and cutting edge in what you discover.

Being alert to opportunities and emerging trends gives you a head start. There are openings almost everywhere you look. Social media advertises jobs, creative connections and links that may lead to something promising; but along with those ads come risks.

I’ve received an abundance of spam and damaging email links over the past few months; most touting opportunities for jobs or products promising success. Even my medical records were tapped. The up-to-date ways physicians now communicate with patients are being used for profit. I was shocked that my email had been sold to other health advertisers and that the medical portals I once considered sacrosanct were up for grabs.

"Great Egret" 11 x 17 watercolor

Put your own name in a search bar and see how many times it comes up in places you never knew existed. Everywhere you post, comment, and “Like” links back to you. Be alert to scams, dead-end postings and emails. If you have any doubts at all, don’t click on them. They may transfer you to a site where you will be spammed or worse. 

My blog was shut down for several weeks last year from a code I picked up by clicking on one of those links. It took me weeks to track down where the code was embedded on my system. My LinkedIn friends gave me the necessary information to find it and shut it down.

In spite of that there are legitimate sites you can trust and several online contests which prove beneficial. One such place is located at this link:   http://www.art-competition.net/ where I am entered in their March 2016 competition for “Faces.”

I won an “Honorable Mention” for my painting “Reggae Night” shown above, and several weeks of Special Recognition along with other winners at this site: https://www.lightspacetime.com/ Give it a go!

Here are some other verified and authentic contest sites you may want to try:

http://www.theartlist.com/    http://www.asingularcreation.com/calls-to-artists.php http://www.myartcontest.com/  

"Beach Buddies" Oil on 20 x 16 canvas. . .popular with many buyers.

Information Overload – Opinion, Hype or T.M.I.?

(This is Peaches, and I'm going to paint her portrait)

I have read and written about the book “Grapes of Wrath” by John Steinbeck at least four times. After the first reading, I was captured by that generation and the “Great Depression” era. Since that time, I’ve read both fiction and nonfiction books on that time period. 

After my first experience, a high school student at my church was bewailing the fact that “Grapes of Wrath” was required reading that year. She called it a filthy book, and said that the language was coarse and trashy. She didn’t understand why she had to read that kind of a book, anyway.

Her remarks prompted my second reading of Steinbeck’s novel. What on earth was she talking about? I didn’t remember any bad language. The book had inspired me and aroused my sympathy for the plight of the hungry and poor.

As I flipped through the pages, I was stunned. Sure enough, there were enough four-letter words on every page to make a sailor blush. Why had I not recalled such “filth” on my first reading? Perhaps because I was so caught up in the lives of the characters and their very real story.

By the time I finished the book, I loved it even more. So much so that I quickly forgot the student who disdained reading it and her remarks. The whole book is full of symbolism about life, about the roles of men and women in society, and the desperation that comes when everything you ever depended upon is gone.

When the husbands and fathers were jobless and down on their luck, they leaned heavily on their women who gave them strength and propped up their sagging egos. The mothers succored their children, managed to find things for them to eat, and gave their families hope. They were the backbone of society.

(Work in Progress "Peaches 'n Cream") The drawing and first layers of acrylic paint.

In the final chapter, the loose ends are connected in the cycle of life. A woman loses her baby because of poor nutrition. Broken and unresponsive, she wanders away from her family. Her breasts are engorged with milk, and she doesn’t know what to do or where to turn. At wits end, she comes across a man on the ground at her feet who is dying from hunger. Many men went without food so that their women and children could eat.

The forlorn woman lays down beside him and gives him her milk-swollen breast; the only sustenance she has to offer. By this we know that not only will he live, but that they both will survive to witness another day’s struggle.

"Bella Bellissimo" 16 x 20 acrylic on canvas (SOLD), but prints available.

Steinbeck recreates the Garden of Eden showing the dependence of male and female on each other, and in society’s ongoing battle for life, liberty and the pursuit of happiness.

Great literature and great art cannot be picked apart by focusing on that which is taken out of context. Without the whole there is no meaning nor purpose. How and what you remember when the last chapter is read is the measure of a book. It will rise and fall not on a useless hunting and pecking exercise, but on how well it is judged through the eyes of history and truth.

"Winston" Portrait of a Westie (SOLD) prints available. (mixed media)

Who will stand when the time comes? To the brave go the glory!

What happens when societies crumble, when civilized peoples turn into depravity and violence? In the absence of experience or history to guide them, do  people tend to devolve into unschooled savages?

The author of Lord of the Flies, William Goldberg, seems to think so as do many anthropologists and historians. But it doesn’t take a doctorate or a Ph.D. to come to this conclusion. The average person through his or her own experience and education would probably agree.

I recall a science fiction show many years ago about how modern society had been obliterated through their own excesses. The few who remained had no books or knowledge to chart their course. Information was being withheld. There was no recorded history to make comparisons or to avoid calamity. There was a void of ideas, thinking, and motivation.

The wisdom of the ages had been destroyed. There was no compass of thought or inspirational examples. No past record to shed light on the passage of time and the future ahead. Only one person remained who held the key to rebuilding civilization. Why? Because he remembered; a flicker of light in the darkness set a chain of events moving that powered and re-invigorated the hunger for freedom that exists within each human being.

Now we have Isis that is ravaging brick by brick, stone by stone, the ancient antiquities of Iraq, Mosul and the entire Middle East. Ancient history, holy to many, is being crumbled, desecrated and soon-to-be-forgotten by the ages.

Biblical history is being wiped off the map and replaced with savage violence and destruction. Hatred-wielding thugs are seeking power and carving up the Middle East into bite-sized gulps, devouring the past and filling their bellies with blood and gore. The antiquities of history that gave this region some semblance of stability are being erased.

War mongers are single-minded when it comes to their ravenous power-grabbing intent. Their goal is anything but preserving history. Their enemy is tradition and rational thinking. They seek to change and eliminate the cherished, the courageous, the stalwart and strong that will not bend their knee without a fight.

Those who are unwilling to comply are crushed beneath a mindless authoritarianism. The valiant few struggle to protect the weak. They try to salvage and preserve the treasures of their civilization at all costs for the benefit of future generations where they will be designated heroes and heroines. But they are few and far between.

What about us? Who will arise to save our sinking society – our world? I doubt that they will be politicians who value votes and power far above culture and dignity. Where are the men and women who sense danger and see the signs of its progressing onslaught? Will they be people of faith, doctors, mathematicians, scientists, philosophers or artists? Will they stand up when others stand down?

When our ship of sale is sinking, will we have the courage to stand up and be counted? 

Watch as Isis destroys precious artwork, sculpture and the antiquity of the ages that go back to Biblical and historical times.

Fear has Gripped our Nation and History is being Ignored

"And All that Jazz" mixed media in red box frame

The things we once learned from past mistakes are soon forgotten in the clutches of today. The rising generation is not equipped for self-governance nor alerted to the warning signs of impending tyranny. We are inundated with violence in our homes and schools and eager to blame “the other guy,” or guns, or the government when, in fact, as the cartoonist for “Shoe” puts it: “The enemy is us.”

We’ve become a gullible nation intent on harming ourselves. We depend on other people’s advice, knowledge, and strength rather than developing our own. We’re on the cutting edge of science and invention, but on the slippery slope that afflicts every generation after the lessons of the past have been forsaken.

"Lucky Lady" mixed media in red boxed frame

Nero fiddled while Rome burned, and we are just as likely today to perish from the bad choices that are being made for us and around us. Even when people vote their preferences, federal judges are overturning the people’s voice. Our land of laws and Constitutional principles is being rearranged, disassembled, and gradually pushed into chaos.

With Ebola threatening to sweep across the world, and terrorism shaking us to the core at home and abroad, is it any wonder that people are hunkering down; afraid to engage with others, fearful of spending money they don’t have, and not knowing where to turn for help.

"Shimmy Shake" mixed media in black box frame

History tells us that we are not alone. People have weathered all kinds of atrocities, tribulations and persecutions in the past. The key to holding it together is to remember those values and principles which made us strong in the first place; things like honesty, trust and integrity.

There was a time when a “man’s word was his bond” and a handshake was as good as a signed contract? Today lying and double-dealing has become “the thing to do” because “everybody does it!” Our own President has received many Pinocchio’s for deceiving the American people and he's in first chair!

Husbands lie to their wives and visa verse. Children lie to their parents. Bosses lie to their employees, and employees take out their anger by stealing from their bosses. Goods and services cost more because shoplifting is figured into profit margins as is price gouging by “middlemen” who put a thumb on the scale at purchase point.

"Yes, Sir, that's my Baby!" mixed media in grey box frame

Gas prices and transporting of goods is also figured into the cost of food and clothing. But in spite of the gloomy picture there is reason for hope. “The pendulum always swings.” When society gets too far afield, common sense usually pulls us back to calmer times. Swift thinking and logical choices made in the silence of the voting booth may prevail. Let’s hope it does so again before things go so far awry that there's no turning back!

All artwork in this blog may be purchased at Anfinsen Art on Etsy

"Vamp on a Ramp" mixed media in grey box frame

As we sow, so shall we reap to enjoy the Fruits of our Labor

When a seedling is planted, it sends its roots deep into the soil not only for nourishment and moisture, but for strength. The hidden roothold acts as an anchor to secure the young plant as it sends new shoots skyward. Without roots, a tree would topple. The rootage underground is usually as wide as the upper foliage.

During violent storms, a tree may still fall if its strength is surface deep either from too much above ground watering, or from layers of sand, clay or rock below.

How deep do your roots go? Are they scrawny and weak from too much surface ease and lack of effort? Have you nourished your foundation with study, practice and knowledge or did you skim over the top and hope for the best? True success is a result of how strong and how deep your convictions and passions go.

The same is true of faith. Weak faith (hope) is easily toppled by the storms of life. Lack of knowledge is usually “found out” under duress. Plagiarism can fool others once or twice; but if you’re caught, your career is usually over.

Alex Haley wrote a wonderful book called “Roots” that resonated with the American people and still does today. But many scholars, including black researchers and learned professionals believe it was more a book of fiction than of truth, and that Haley sought to change the historical accuracy about slavery.

The practice of slavery goes way back to ancient times. Both blacks and whites were once slaves in many cultures and countries. The African Continent enslaved other blacks that had different tribal connections and sold them into slavery. The owners were both white and black.

(Whether it's true about Haley or not, I was enchanted
by the book and television series!)

Haley’s book was moving and entertaining, but it does not pass the sniff test where history is concerned. The fury and the passion that surrounded the books and plays that Haley’s work inspired is beginning to fade.

Roots that go deep and are anchored in truth outlast the test of time. They withstand hearsay, tribulation, scoffing and popular opinion. Their branches go deep and keep the underpinnings from wavering. Character becomes resolute and authenticity an unchanging reality. Confidence increases. Gifts are mastered and used in positive ways. True success is a natural outgrowth and never becomes top heavy or ego inflated. 

Like a tree that is solid and grounded, there is balance and equanimity. People flock to it for shelter and protection. They bask in its beauty and serenity; this my friends is the maturity of the true artist. They do not need to flaunt their achievements. Their accomplishments speak for themselves. First they reap, and then they sow; and the fruits of their labor testify of their success.

"A Joyful Heart" 11 x 14 pastel drawing; Prints available @ http://carol-allen-anfinsen.artistwebsites.com

What Mark are you Leaving on Earth for others to Follow?

"Sea Breeze" 30 x 24 acrylic wrapped canvas

People are so predictable. When the forest fires rage along the highways and hinterlands, we pray for rain. And what do we get? A deluge! Then we pray for the rain to abate, and the interior once again grows ripe for lightening strikes and more fires. The cycle of nature and of our whims is relentless.

In nearby Naples, flooding has contaminated waters and inundated roads, lawns and ditches. Tow trucks are having a heyday pulling vehicles from low lying areas and storm drains. Firemen are busy in the dry season, and auto shops and insurance companies thrive when it’s wet. When the citizens mourn, somebody always makes a good living.

Work-in-Progress #1

 Summer brings red tides and algae blooms both of which are toxic and dangerous. Every season, no matter where you live has its challenges. When summer is gone and the fear of hurricanes disappears, there are frosts to contend with that threaten orange trees and winter crops. We humans must adapt to changing environments and learn how to cope.

All of this is normal, even though, for us, it may be the first time we’ve experienced such drastic ups and downs. 

Work-in-Progress #2

History reminds us that there were similar or worse storms to face by our ancestors. Pioneers in early America fought off wolves and wild animals when they settled. They fought crop damage, hailstorms, fire and flood just as we do. But they pushed on, in spite of the pain. They lost much, but they started over. During their short lives their accomplishments overwhelm us.

Our forebears paved the way for all of us to achieve and aspire. 

Work-in-Progress #4

Famous American artists recorded the emotions and importance of what was happening around them: Winslow Homer, John Singer Sargent, John Whistler, Grant Wood, Georgia, O’Keeffe, Edward Hopper, Norman Rockwell, Andrew Wyeth, Thomas Hart Benton, and Andy Warhol  to name only a few.

Looking back we may see the whole rather than the nuance or out-of-context parts of the story. History can teach us about ourselves and about the truth of our lives. Facts separate themselves from fiction and provide a clearer picture of what was rather than simply innuendo.

Artist Winslow Homer

Artist Winslow Homer

Artist Edward Hopper

What will your generation’s history tell others about you? Will your achievements offer hope and promise to those who come after? Are you setting a firm foundation that will provide guidance and strength for others to follow? Will the coming America be better than the last century? Are you building bridges to the future or stumbling blocks?

Artist John Singer Sargent

Before you move forward, you sometimes must look backward

"Innset Kirke, Norway" 11 x 14 Oil on Canvas SOLD (Prints available)

History is our infrastructure. It provides the foundation that steadies and grounds us. Where we come from gives us added information about our physical characteristics, about our likes and dislikes; our weaknesses and strengths.

My family has a history of musical talent. Two of my grandfathers were violinists and composers. An uncle and his family were musicians and played musical instruments and sang for the community.

This musical talent skipped over my generation. My children, on the other hand, are not only gifted in this area they are music teachers, and their children are excelling in music and the arts.

"Skudeneshavn, Harbor, Norway" 16 x 20 oil on canvas SOLD (Prints available)

My father was artistic at heart. In his limited spare time, he drew portraits of people and animals. He loved to doodle. Unfortunately, earning a living for his family kept him away from home and from drawing most of the time. I think my love for drawing and painting came from him.

My husband’s family came from Norway. His great grandfather carved a beautiful family emblem that has passed from one generation to the next. Another grandfather was a lighthouse keeper who loved the ocean and the beautiful Fjords of Norway.

"Vikeholmen Lighthouse" Skudeneshavn, Norway, 16 x 20 acrylic on canvas

I painted some of these scenes for members of the family and have sold prints, cards and originals to other Norwegians around the country. I’ve heard many artists complain that they don’t know where to get ideas. Have you ever thought about looking backward? Find out where your ancestors came from. What were their customs? Where did they live? There may be ideas just waiting for you to find them.

Sometimes the simple, unexplored objects that surround us become beautiful paintings simply because the right artist saw something unique and shared his or her vision on canvas. Examining the detail, emphasizing the way sunlight glistens from an object or the way it casts a shadow may be enough to inspire a work of art.

"Vikeholmen Lighthouse" (close-up) Skudeneshavn, Norway 16 x 20 acrylic on canvas

There is a walnut tree not far from us. After a recent rain storm, one of the encased nuts had dropped to the ground and shattered, but the nut was still intact held within the other half of its covering and still attached to the original twig. Its maple color and layer of skins was a work of art. I carried it home, and today it nestles in a basket of finds on my dining room table.

There is beauty all around. Look behind at what links you to the past. Look ahead at what draws you to the future. Celebrate!

"The Neptunes -- Golden Girls" 11 x 14 acrylic on canvas (3rd in The Neptunes Series)

My Take on Milton Glaser's book: “10 Things I have Learned—The Secret of Art”

"Victims of War" 18x24 mixed-media on canvas

Reading is as important as marketing to an artist or any professional. Learning must be continuous; including the taking of classes as well as the viewing of other artist’s work, and studying materials from the library.

Another word for “reading” is “remembering;” at least that’s my opinion. Study brings back the things you’ve learned and forgotten. Milton Glaser’s book of “10” things” helped me remember. Here is my take on his list.

"in-progress painting"

1. You can only work for people that you like; looking back, I’d have to agree. My best work came out of friendly, cooperative relationships. There are some people you can never please. They are never satisfied. They can’t communicate what it is they want, and whatever it is, you can’t supply it. When the work is finally approved, all are left with a feeling of dissatisfaction and frustration.
   
2. If you have a choice, never have a job; an obvious deduction. Not all of us are so lucky. We don’t always have that choice. Offering imaginative ways to find time and money would have been more helpful. Glaser’s reasoning is that you need to dedicate real time and effort if you’re going to be successful. I think if you continually work at it, you’ll eventually reach your goal step by step. Then you will have that choice to dedicate yourself full time.
   
3. Some people are toxic avoid them. Well said! Toxic people pull you down, discourage you, and eat up valuable time you could be using to fulfill your own dreams. Toxic people poison the very air you breathe. They are unhealthy to be around and they make you feel bad about yourself. They consider what you’re doing a waste of time. Avoid them, leave them, or ignore them as much as possible.
4. Professionalism is not enough. From Glaser's point of view, if you work as a "professional" you become fixed into a style or mode. You're afraid to take risks. You begin doing things in the same old way, cranking out signature pieces that are recognizable, but may become boring. Within the professional parameters, you must explore, take risks, and grow.
5. Less is not necessarily more (just enough is more). I like detail. I have had artist chums who have said “well you can have too much detail!” Who’s to say when enough is too much? Only the intuitive artist or professional knows when a project is finished. If your gut tells you when you’re finished, put down the brush or pen, but not before.

"Sunset on the Nile" 22x28 mixed media canvas

I will continue my take on Glaser’s final five points in my next blog. Milton Glaser is a modern renaissance man — one of a rare breed of intellectual designer-illustrators, who brings a depth of understanding and conceptual thinking, combined with a diverse richness of visual language, to his highly inventive and individualistic work. Here is a link if you would like to read more about Milton Glaser:

http://www.miltonglaser.com/milton/#1

Featured Artist;
Cathy McClelland from rural Australia. Her painting “Tap Dance” below shows the delight and whimsy with which Cathy views the world. “I’m a farmer’s wife that loves to create paintings of what I have seen and experienced in my daily life,” Cathy says.
Cathy McClelland Fine Art | Facebook

Back to Your Roots; an Exploration

"Fish Market" 18x22 acrylic on canvas

What do you think of when people say “roots:” that it’s time to recolor your hair? that your newly planted vegetable garden is bursting into life? Or do you think of your child’s stubbornness when he or she plants those tiny feet firmly on the ground and shouts “No!”

For many of us the word roots means family: the people who have gone before us (ancestors) and the people who will come after (descendants). A wonderful new program on the Public Broadcasting System (PBS) is called “Roots.” Produced and directed by Henry Louis Gates, Jr. the show “explores race, culture, and identity through the genealogies and family histories of famous people. The ‘who we are’ and ‘where we come from’ is at its core.”

The show is scheduled on Sunday nights at 8 p.m. EST. We have been enjoying it for several weeks at our house. It’s amazing to see that as we go back in time, we are all connected in some amazing ways. It touches my heart to see people find their roots, understand themselves better, and gain a new appreciation for those who have gone before. The show is emotional, surprising, and climactic. When the trail of family is exhausted, DNA evidence reveals additional information on country of origin.

"Innset Kirke" 11x14 oil on canvas  SOLD

My love for painting Norwegian scenes comes from my own Scandinavian roots in Sweden and Denmark, and my husband’s strong Norwegian ties as a direct descendant. His family comes from Stavanger and Skudeneshavn. Some of his ancestors were buried at the old Innset Kirke. His great, great grandfather was a lighthouse keeper for many years at Vikeholmen.

The family loves to tell the story of the beautiful nude young woman who would swim in the waters around the lighthouse. Eventually they were married. That’s one way to catch a husband!  I would love to get a hold of more information on the lighthouse and how long his great great grandfather cared for it.

Work-in-Progress -- Vikeholmen Lighthouse underpainting

I have two versions of the lighthouse that I’m going to paint. Of course, the original lighthouse is no longer there. An electronic machine has taken its place, but the area is still as beautiful as ever.

In Sweden, my great great grandmother baked pastries and sweets before sunrise and then sold the tasty treats on the city streets. She did this for many years.

Drawing for 2nd Vikeholmen Lighthouse painting 16x20 on canvas

One of her jobs as a young girl was to fill the vinegar jar with vinegar, a precious commodity, from a neighboring farm. Returning one day, she decided to shorten her walk by cutting through a pasture. Unfortunately, a bull ruled the grounds and decided to charge her. The vinegar jar was broken as she ran to climb over the fence. She received a sound scolding from her mother when she got home.

It’s fun to go back in time and research one’s family, if only for the stories. Better yet, gather the stories while your relatives are living. Their courage and strength in the face of difficulties is food for inspiration. Even if one generation fails you, there is always another one that may surprise and enlighten.

"Skudeneshavn, Norway" oil on 16x20 canvas  SOLD

The "old wooden village" above can be entered by land or water. Many festivals occur in the bay and people arrive by boat.

I hope you've enjoyed my completed African acrylic painting: “Fish Market,” my other Norwegian paintings, and my “works in progress.”