Light Reveals Truth, Darkness Provides a Contrast

"Hibiscus Glory" 16x20 mixed media SOLD; prints available

I was intrigued by a recent study about people’s fears. It was done broadly (worldwide) to see if there were any differences in race or culture. The conclusion was that what people fear most, no matter who they are or where they come from, is darkness.

I wondered if fear was a part of us at birth or if it’s simply human nature to fear what we do not understand or that which is unknown? For whatever reason, the study concluded that most people, most children all around the world fear darkness.

As a Christian, this set my spiritual wheels turning. Scripture declares that every person “that comes into the world” is born with the light of Christ in his heart. (John 1:9 KJV) It would only make sense then that coming from our creator God “trailing clouds of glory,” as Wordsworth put it, we would be afraid of the dark which has always represented evil.

Believers hunger and thirst for light in much the same way that all living things reach for the light. A seedling pushes through the dark earth in search of the life-giving light of the sun that will nourish it and feed it as it grows. Even the lowest of animal forms seeks out light for warmth. On any given morning in Florida, my sidewalk is filled with lizards that crawl out of their dark havens to warm themselves in the light.

Snakes slither from their dark holes in much the same way. They become intoxicated and lethargic as they drink in the warmth of the sun seemingly blinded by the brightness. You can walk right by them and they barely notice.

Darkness is often used as a reference to evil, and good is portrayed as light. Darkness can also be seductive and intriguing. It is more difficult to ignore sin and temptation in the darkness. We are deceived into thinking that darkness somehow hides or “covers” our sin.

Light reveals and exposes truth and evil. No wonder we run from the light when we feel guilty or “bad.” No wonder people, especially children, fear darkness because it leads us into the unknown and may cause us to do bad things.

Darkness also has its own beauty: a starlit sky, the moon glowing through wisps of clouds, the skylights of a city sprinkled across the landscape. Darkness provides contrast. In a painting it’s all about light. The tiniest glow of light against a dark canvas looks even brighter. If the whole composition were light, the objects would appear flat and uninteresting. It is the contrast in color and intensity that gives a painting life.

How an artist handles the play between light and darkness, shadow and changes in value tells you a lot about his or her style. Some creatives like subtle changes and soft values. Others passionately splash color boldly and provide luminous eye-popping light that defines shape and creates depth. In this way darkness can define space and provide a backdrop for light making it glow with luminescence. 

The subject of the composition and its treatment determines whether evil is present or perceived. The color red may also indicate evil if the images are coarse and vulgar. A red rose may also appear holy and beautiful if the petals are delicate and soft. Treatment has as much to do with how evil is perceived as darkness itself.

Study the Masters and see how they contrast light against darkness. Analyze your own reaction to it to see if the painting registers somber, illuminating, inspiring or degrading. Your response indicates the power of darkness to reveal the essence of goodness or of light.

Darkness is the absence of light; in contrast, light brings a painting to life!

Here the body of Christ forms a cross; the light creates contrast between the earthly and the heavenly realms.

A recent study of adults and children worldwide showed that what they fear most is darkness. This seems to be an inborn fear. For Christians this makes sense since they believe the light of Christ is given to every person who is born. Believers hunger and thirst for light in much the same way that all living things reach for the light.

A seedling pushes through the dark earth in search of the life-giving light of the sun that will nourish it and feed it as it grows. Even the lowest of animal forms seek out light for warmth. On any given morning in Florida, my sidewalk may be filled with lizards that crawl out of their dark havens to warm themselves in the light.

Snakes slither from their dark holes in much the same way. They become intoxicated and lethargic as they drink in the warmth of the sun seemingly blinded by the brightness. You can walk by them and they barely notice

.

Darkness is the absence of light. Since children fear what they cannot see, darkness allows their imaginations to run wild. Maurice Sendak illustrates this best in his children’s book: “Where the Wild Things Are” Sendak has taken what we all fear (the darkness) and allowed his character Morris to conquer his fears and put them to rest.

Darkness provides a contrast that makes the value of light seem brighter and whiter. This play of light and shadow is what makes a painting interesting.

Darkness is often used as a reference to evil, and good is portrayed as light. Darkness can also be seductive and intriguing. It is more difficult to ignore sin and temptation in the darkness. We are deceived into thinking that darkness somehow hides or “covers” our sin. Light reveals and exposes truth and evil. No wonder we run from the light when we feel guilty or “bad.” No wonder people, especially children, fear darkness because it leads us into the unknown and may cause us to do bad things.

How artists handle the forces of good and evil, of dark and light sometimes reveals their own belief system.

PETER PAUL RUBENS - MASSACRE OF THE INNOCENTS

Painted in 1611, Massacre of the Innocents is Rubens' interpretation of Herod's order to kill every young male in Bethlehem, as recounted in the Gospel of Matthew. Featuring nude men ripping babies out of the arms of their mothers and then murdering the children in front of them, the painting is certainly not for the squeamish.

Read the full text here: http://mentalfloss.com/article/31477/13-disturbing-pieces-art-history#ixzz2lDGtIVez 

The darkness of the background makes the foreground flowers seem even brighter.

Virtual Reality can’t Touch us or Taint us. Or can it?

"A Joyful Heart" 9 x 12 pastel on Bristol

Public Broadcasting recently aired a delightful British Comedy called “Last Tango in Halifax.” I enjoyed the feature immensely. The story revolved around an older couple who met, fell in love, and planned to be married. The catch? They each had their own complex past, their own children and spouses and grandchildren each with their own unique problems, quirks, differences, and weaknesses.

What impressed me at stories' end was that Halifax was a lonely and harsh environment that isolated people from each other. The characters, in spite of all their flaws, were lovable, sometimes desperate, and always unpredictable yet supportive of each other, at least in the beginning.

I wept along with the characters. I felt their pain and their weakness as they bungled their lives simply by being human. As a person of faith, I couldn’t help wondering if the absence of faith was a character flaw and the reason for their downfall. They struggled against life without any spiritual structure or foundation to guide them or hold them together.

"Tansy's Pride" 9 x 12 pastel on Bristol

And yet they survived. In the end, they even triumphed as they overcame their shallow self absorbed inclinations to reach out and embrace those they loved. Rising above their petty and sometimes jarring differences, they brought their bouquets of forgiveness to the simple table that life had dealt them.

What matters most in life usually triumphs, if we let it. We can rise above the cheap and tawdry leavings of this clumsy imperfect existence and replace our shallowness with humility, hard fought forgiveness, and hope.

People in the end are worth the effort. There is dignity and hidden gold even in the worst of us, and surely in the best of us. Pure evil does exist, but at what point is the soul condemned or the door closed? The eleventh hour? The twelfth?

"Broken" 11 x 14 mixed media SOLD

What binds us is our humanity; our need for love and companionship. This alone is the Godly part of our nature and must be nurtured and acted upon if humanity is to survive. Without it, we will incinerate ourselves in a global frenzy.

Keep the candle burning, friends. If the light of love and goodness goes out, our world will be very dark, indeed.

"With these Hands -- Hope"  16 x 20 mixed media on canvas

Painting is about Communicating -- What are you trying to say?

"Kindred Spirits" 24 x 30 mixed-media on canvas

I viewed an abstract painting yesterday in the Red and Blue Group at Fine Art America where the above painting was featured. I was so drawn to the bright colors and shapes, I had to analyze my feelings to see why I was so compelled to linger?

The composition was stunning. A red, red-orange background with subtle splashes of light was broken up by blue shadow in varying shades of intensity. Each shape was interesting in and of itself. The stunning mixture of contrasts and highlights was complex and varied. The illusion of depth and texture was created. First my mind wanted to analyze it, and then simply admire the feeling I got while floating through the brightly lit space from form to form. Whatever the artist was trying to say may be an enigma, but I enjoyed every minute of it.

"Day Dreams" 9 x 12 oil on canvas (SOLD) Prints available.

Sometimes a beautiful paintings just is; an enjoyment of color, form and shape with no other ulterior motive. At other times the artist has a specific reason for wanting to share a story, an attitude, a cause, or simply a feeling.

"African Fish Market" 18 x 24 acrylic on canvas

Most of my paintings communicate the goodness and worth of the human soul, and the beauty in our natural world. To communicate this, I sometimes exaggerate color or light until I feel the painting expresses my message. It would be unnatural for me to attempt to communicate a negative or mean-spirited theme or image; weakness and vulnerability, yes; but not hatred, arrogance, or evil.

"Moody Blues" 14 x 18 mixed media on canvas

"Broken Hearted" 9 x 12 pastel on Bristol

We all have our own vision of what we want to communicate. We may not always recognize what it is we're trying to say until the painting is almost finished. When we slap on that final dab of paint, we should know intuitively how we will connect with the viewer.

Since reaction is subjective, our message may be received differently from what was intended. Not to worry. If the viewer is pleased, then we have reached them none-the-less.

"With These Hands Hope" 16 x 20 mixed media on canvas