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Showing posts with label light. Show all posts
Showing posts with label light. Show all posts

Monday, February 1, 2016

Give your Children the Gifts of Laughter and Light


Art is everywhere! Famous names are on totes, I-pads, smartphones, T-shirts and housewares. No longer is an artist limited to selling wall art. 


A prolific local artist, Leoma Lovegrove, has splashed colorful flowers and local scenes on everything but the kitchen sink. One of her creations became the poster for this year's Art Fest Fort Myers.

You may want to explore the Art Fest Gallery of showing artists for the 2016 Festival or get information on where it’s held or how to register for the show. We’re all hoping that the El Niño rains we’ve had this winter will not spoil this treasured annual event.

Today, the abundant exposure to art has given the public new avenues for their own creativity. Groups are gathering in the afternoons for coloring book parties, but these are not your mother’s coloring books! These babies are created by real artists and made for adults. The detail is exquisite. Pages of natural wonders, Zen, art nouveau, whimsical designs, Mehndi, calming patterns and magnificent creatures adorn their pages.
Using colored pencils or markers, one member described it this way. “It’s so relaxing! By the time we're finished, I feel rested and renewed." The sociability afterward doesn't hurt either.

I gave my 14 year old grandson an adult coloring book from Doodler’s Anonymous. This one was large, but rather expensive. I noticed that smaller and cheaper ones are sold at the Tuesday Morning outlets or online at http://tuesdaymorning.com

If you're a doodler, you will love the variety of fun at Doodler's Anonymous from contests, to featured artists and demonstrations to coloring books and tips. You learn something new every issue.  Doodler's Anonymous

Experimenting with art is fun! My daughter is an art teacher who enjoys creating new projects for her students. She related that a football player came into class snubbing art thinking it was for losers. His sister was a gifted artist in another one of her classes. My daughter was able to grab his interest and pair it with sibling competition creating a level of tension that brought out his latent talents. By the end of the semester he was not only excelling, but enjoying the artistic process.


The purpose of art education is not only to inspire budding artists, but to help everyone gain an appreciation for art through exposure. The earlier this starts the better. Even toddlers can gain insight as they learn about the various colors and shapes that are seen in nature.

Unfortunately, there is a glaring increase in depression and suicidal acts throughout the world. If one life can be saved by brightening their world with color and joy, we should make every effort to do so.

Reading to your children, making them aware of the beauties in nature, exposing them to the arts may save their lives at a future time in life. Focusing on light and laughter makes it almost impossible to be dark and morose. Probably the best gift you could ever give someone.
"Fairy Glen" oil on canvas
Leoma Lovegrove at work:


Tuesday, December 23, 2014

The Perfect Gift was Laid in a Manger Bringing Hope and Forgiveness to a Lost World


On Sunday, we shared a Chinese meal at a popular restaurant with our dear friends before they went their separate ways for Christmas. After dinner, we took turns opening our fortune cookies and sharing out loud the good advice and bits of wisdom inside:  “Procrastination is fear of success” and “Find a peaceful place where you can make plans for the future” were a couple of them.

Every table was full; and by the time we left, people were standing in line waiting to get inside. The lack of English speaking skills and the décor reminded me of the classic “Christmas Story” where Ralphie and his mother have an ongoing battle over his wanting a rifle for Christmas. “You’ll shoot you’re eye out,” she warns him, and eventually he almost does.

After having their Christmas turkey devoured by a pack of neighborhood dogs, the family ends up in a Chinese restaurant for dinner. The Asian staff tries to cheer them by singing: “Deck the Hars with Boughs of Horry – rah, rah, rah, rah, rah, rah rah rah rah”


The laughter afterward brings the family around to seeing the brighter side of every situation. Perfect families and picture perfect Christmas’s don’t exist except in the pages of Better Homes and Gardens or in the homes of Martha Stewart wanna’ be’s. So we need to grasp what joy we can and accept the rest: the torn Christmas wrappings piled on the floor, the store-bought pies, the scorched gravy and lumpy potatoes.


That first Christmas wasn’t perfect either. The straw was prickly, the stench of cattle surrounded the manger and the birth pangs were painful and real. But on that night, the hope of the world was born and unconditional love was wrapped in swaddling clothes when God became flesh. Forgiveness and mercy were given a name “and you shall call His name Jesus for He shall save His people from their sins.”

The chasm between God and man was narrowed for “Christ the Lord was born.” From that point forward, faith bridged the gap that separated us from God; and fear and hopelessness were banished forever by “the light which shines in darkness.”


Merry Christmas everybody and a Happy New Year!


Sunday, November 16, 2014

Light Reveals Truth, Darkness Provides a Contrast

"Hibiscus Glory" 16x20 mixed media SOLD; prints available
I was intrigued by a recent study about people’s fears. It was done broadly (worldwide) to see if there were any differences in race or culture. The conclusion was that what people fear most, no matter who they are or where they come from, is darkness.

I wondered if fear was a part of us at birth or if it’s simply human nature to fear what we do not understand or that which is unknown? For whatever reason, the study concluded that most people, most children all around the world fear darkness.


As a Christian, this set my spiritual wheels turning. Scripture declares that every person “that comes into the world” is born with the light of Christ in his heart. (John 1:9 KJV) It would only make sense then that coming from our creator God “trailing clouds of glory,” as Wordsworth put it, we would be afraid of the dark which has always represented evil.


Believers hunger and thirst for light in much the same way that all living things reach for the light. A seedling pushes through the dark earth in search of the life-giving light of the sun that will nourish it and feed it as it grows. Even the lowest of animal forms seeks out light for warmth. On any given morning in Florida, my sidewalk is filled with lizards that crawl out of their dark havens to warm themselves in the light.

Snakes slither from their dark holes in much the same way. They become intoxicated and lethargic as they drink in the warmth of the sun seemingly blinded by the brightness. You can walk right by them and they barely notice.


Darkness is often used as a reference to evil, and good is portrayed as light. Darkness can also be seductive and intriguing. It is more difficult to ignore sin and temptation in the darkness. We are deceived into thinking that darkness somehow hides or “covers” our sin.

Light reveals and exposes truth and evil. No wonder we run from the light when we feel guilty or “bad.” No wonder people, especially children, fear darkness because it leads us into the unknown and may cause us to do bad things.


Darkness also has its own beauty: a starlit sky, the moon glowing through wisps of clouds, the skylights of a city sprinkled across the landscape. Darkness provides contrast. In a painting it’s all about light. The tiniest glow of light against a dark canvas looks even brighter. If the whole composition were light, the objects would appear flat and uninteresting. It is the contrast in color and intensity that gives a painting life.


How an artist handles the play between light and darkness, shadow and changes in value tells you a lot about his or her style. Some creatives like subtle changes and soft values. Others passionately splash color boldly and provide luminous eye-popping light that defines shape and creates depth. In this way darkness can define space and provide a backdrop for light making it glow with luminescence. 

The subject of the composition and its treatment determines whether evil is present or perceived. The color red may also indicate evil if the images are coarse and vulgar. A red rose may also appear holy and beautiful if the petals are delicate and soft. Treatment has as much to do with how evil is perceived as darkness itself.


Study the Masters and see how they contrast light against darkness. Analyze your own reaction to it to see if the painting registers somber, illuminating, inspiring or degrading. Your response indicates the power of darkness to reveal the essence of goodness or of light.




Wednesday, September 10, 2014

What do Artistic People create and why do they do it?

"Home at Last" 16 x 20 acrylic on canvas
As an artist, I’ve thought a lot about that question. What is it that makes me create and why do I do it? Perhaps my answers will also be yours:

An artist wants to share what touches him or her visually and emotionally, and may find it difficult to impart these feelings in any other way.

Artists have a driving passion to put down on paper or canvas the experiences in their hearts and souls that would either cause them to explode in joyful ecstasy or painful agony if not expressed. Artists and writers often share these same passions, but articulate them through different mediums.

We all have a need for intimacy, some people more than others. When someone views an artist’s work it is like inviting them to share an intimate moment of our personality and perspective on life.

"First Daffodil" 16 x 20 acrylic on canvas; model Kayla Dahm
An artist may create a mini-story, a glimpse into the human soul, a taste of the human condition, or they may take us on a wonderful adventure either through realism or exciting plains of color and movement.

The viewer may virtually walk the terrain of uncharted territory, explore the shape and form of facial structure, and fathom in a new way the miracle of life, the struggle of humanity, or the joy of rebirth.

By altering line, angle and space through color, light and shadow, an artist controls the mood and mind of the viewer and leads them on an intimate journey around the canvas and back again to the focal point or center of interest.

Viewers are rarely aware of the invisible companion who leads them from one point to another as the story unfolds. When the onlooker experiences pleasure, happiness, or darkness the artist has done his or her job.

“So this is what old age brings?” an observer may comment on seeing an unfulfilled wastrel lamenting over his fateful actions.

"Reggae Night" acrylic on canvas
“That’s exactly how I felt when I was dancing,” says another, as they sway in their mind and remember the cadence of drums, sand, and the smells and sounds of the Caribbean. As an artist, you brushed this scene onto canvas using your own fond memories where they lingered playfully in your mind waiting for you to give them the breath of life.

Fulfillment happens when the artwork is finished not when it’s viewed, commented on, or sold. As artists we rarely get to see or know the experience of the viewer, or whether they perceived our art in the same way as we created it. 

Once we have “put it all out there,” we have done our part. The rest is up to chance, fate, or destiny. For some of us, it is a blessing from God for which we are eternally grateful and joyful.

"Blending In" 11 x 14 acrylic on panel (The feathers replicate the petals, which is how I
saw this scene and painted it.)

Saturday, August 2, 2014

Fullness of Joy – Where does it come from?

"Namesake" acrylic on canvas
My husband is a hummer. Sometimes it can drive me crazy, especially if he does it when he’s nervous. At other times, it’s his way to stay on task as he moves through his day.

People use music for a variety of reasons. We were in Home Depot the other day and an employee belted out a welcoming song and invited us to have a great day. The first time I heard him, I was surprised and somewhat embarrassed.

I’d forgotten all about him until a return trip to the store and the sounds of singing reminded me of his presence.

“Oh, you’re the singer.” I teased him to ease my own discomfort.

He smiled, waved and continued to sing a happy tune. His playfulness was infectious. In fact, I couldn’t resist. I walked back to him and shook his hand warmly between both of mine. In my exuberance, I felt like giving him a hug, but refrained.

"A Joyful Heart" 11 x 14 pastel on bristol; matted and ready to frame
Later in the day, we met another young man behind a deli counter. While he sliced our Swiss cheese and Virginia ham and offered us generous samples, he told us how much he loved working there and serving his customers. He didn’t have to tell us that it was obvious. Not only was he asking questions and making sure that we got exactly what we wanted, but he gave us a dose of happy wrapped in a smile.

Both of these men change lives every day. How rare it is to find people that are not only uninhibited, but full of joy.

When my oldest son was three years of age, he had a way of holding his hands together when he was super happy and didn’t know how to express it. His dad and I called it “fullness of joy.” Although his hands were awkwardly twisted, they seemed to say what his words could not.


After I painted my tiger painting “Namesake,” I was reminded of a poem I’d heard long ago about a tiger burning bright. I did an online search and found William Blake. Because he was a man of great faith, I suspect he was a man who experienced deep happiness.

He openly acknowledged his muse: “I am under the direction of messengers from Heaven daily and nightly.”

Here is his famous poem “The Tiger”  
TIGER, tiger, burning bright

In the forests of the night,

What immortal hand or eye

Could frame thy fearful symmetry?


In what distant deeps or skies
Burnt the fire of thine eyes?

On what wings dare he aspire?

What the hand dare seize the fire?


And what shoulder and what art

Could twist the sinews of thy heart?
And when thy heart began to beat,

What dread hand and what dread feet?


What the hammer? what the chain?

In what furnace was thy brain?

What the anvil? What dread grasp
Dare its deadly terrors clasp?


When the stars threw down their spears,

And water'd heaven with their tears,

Did He smile His work to see?

Did He who made the lamb make thee?

Tiger, tiger, burning bright

In the forests of the night,

What immortal hand or eye

Dare frame thy fearful symmetry?




The Bible had an early and profound influence on Blake. It would remain a lifetime source of inspiration, coloring his life and works with intense spirituality.

One of the most traumatic events of William Blake's life occurred in 1787, when his beloved brother, Robert, died from tuberculosis at age 24. At the moment of Robert's death, Blake allegedly saw his spirit ascend through the ceiling, joyously; the moment, which entered into Blake's psyche, greatly influenced his later poetry. The following year, Robert appeared to Blake in a vision and presented him with a new method of printing his works, which Blake called "illuminated printing." Once incorporated, this method allowed Blake to control every aspect of the production of his art.

While Blake was an established engraver, soon he began receiving commissions to paint watercolors, and he painted scenes from the works of Milton, Dante, Shakespeare and the Bible.

What “Tiger” is burning brightly in your life? Where do the influences come for your art? Do you tap into the dark side or the light? What triggers your passion to create?

Tiger LIly

Wednesday, May 7, 2014

That’s my Story and I’m Sticking to It!

"Skudeneshavn Norway" Commissioned painting SOLD, Prints available. Sold Print in May.
I have a long list of paintings I want to create. Whenever I get an idea, I quickly jot it down. Some of these gems blossom and some wait in the wings; never to become more than a fleeting wisp of ethereal brain matter.

Many good ideas are beaten down with the big stick of apprehension or common sense. Do I really want to do anything so risque? Would anybody buy such a painting if I did create it? These are the kinds of nagging fears and inhibitions we are told to avoid. They are the pitfalls that drag us into the dark abyss of self-doubt. They make us question our ideas, our inspiration and skill even before we get our ideas off the ground.

"Vikeholmen Lighthouse; Skudenshavn Norway" 20 x 16 acrylic on canvas (Sold Print in May)
We are our own worst enemy. We sabotage ourselves at every turn. First we’re too young and inexperienced; and then when we gain knowledge and skill, we chastise ourselves for not being “at the top of our game.” We ruthlessly compare ourselves to others. We’re not smart enough, good enough, or skilled enough. Someone else is always better.

Finally if and when we reach some semblance of success, we wax melancholy, worrying that perhaps we’ve already reached our mediocre pinnacle. We fear that our encroaching age may make us obsolete or irrelevant.

We humans are so predictable. We want to be this unique and special gift to humanity, but we give up before we’ve even gotten our big toe wet in the gene pool of competition and exposure. We not only fear failure, we fear success.
"Egret Reflections" 8 x 10 oil on canvas SOLD; Prints available
When was the last time you truly believed in yourself and in your ability to not only complete a project, but to fill that empty hole inside where your unfulfilled dreams reside? What is trust but an innate belief in one’s worth?

Does the seed question that it will eventually germinate, blossom, and reproduce? No. It simply does what it was born to do: grow, develop and bloom. The same things we were created to do. We were born to grow, develop and bloom. But rather than nurturing our hopes and dreams, we smother them with insecurities.

The seed sprouts because it is created to grow upward, forever searching for the light. Our fears are born in darkness and by constantly looking inward to measure whether we’re happy or not. Instead of reaching up to our source of strength and inspiration, we become self focused.

Dreams must be outward focused. We reach out and up trusting that we are capable of better things because we are “gloriously and wondrously made.”

An intense desire to share our vision of life with others can pull us out of ourselves and stop the unfruitful tail spin of self-defeat. When you love your craft and trust in your own inner passions, the thrust will automatically bring you fulfillment and completion.
(Solo show at our club house -- shorter hair!)

Sunday, April 27, 2014

Strike a Match, Burn a Candle, Light up the World

"Para Sailing Spoonbill"
Ideas are fragile. They come and go. If you don’t lock them down, they can disappear forever.
I used to keep a small notebook in my car for jotting down ideas driving to and from work. The only problem was, I could only write while I was sitting at a stoplight. So I thought I’d get a recorder and verbalize my thoughts, but I’m not a verbal person. I have to digest ideas and chew on them before I write them down in order to give them expression.

Fleeting thoughts are sometimes incoherent, nonsensical gibberish, but the gems within may grow and multiply whereas the losers fester for awhile and then dead-end into Never Never Land.

"Flamenco Flamingo"
When I lived alone, I burned candles in the bath, in my bedroom, and anywhere else I needed a glimmer of hope and light. Even with dinner, I’d fix myself something special and light a candle to make the dining experience last. Then one day, I became dangerous. I struck a match in the bathroom and the tip of it broke off landing on my nightgown. The flames were frightening. Luckily the sink was near enough to douse myself with water and put the flames out.

I decided that either I was getting flighty or the matches were being manufactured differently from before. A few days later, I struck a match in the bedroom to light my bedtime candle, and again the match tip broke off landing on my dresser scarf. The flames ignited instantly, swallowing up everything in sight before I could smother it with a wet towel.

From that point on, I eliminated candles and matches from my bath and boudoir routine. Whether it was the cheapness of the match sticks or my own clumsiness made no difference. I couldn’t afford to burn myself up over anything as silly as a candle.

Poster created from the book: "Inez Ibis Flies Again"
That experience has come back to haunt me again and again. How powerful and unpredictable that tiny light became once it was ignited. Ideas are like that. They shine but for a moment and then like gossamer wings they fly away unless we kindle the flames that brought them in the first place.

Where do my ideas come from? Some are inspired by past experiences. Others by books I’ve read or movies I’ve seen, or simply by the way light shines on a certain object in a new way.

Nature also inspires me. I have a vivid imagination and always think I see something different in my ordinary surroundings: an ugly face created by the stub of a limb or the bark of a tree, a small bush that looks like a huge spider; I’m weird, I know.

(The following illustrations are also from the book: "Inez Ibis Flies Again")
Artists do see things differently. We see shapes and color and because of this, the ordinary turns into the grotesque, the scary, or the fantastic in a blink.

Some of my ideas are so clear I can see them come to life in my mind. Others are mere hints or suggestions that require coaxing and fuel to keep them going. Like the end of a lighted match, I never know where my ideas will end up.


The cartoon illustrations in this blog came from seeing the humor in the way certain creatures move or behave. (Note, this is a repeat of a blog in 2010.)


Wednesday, April 23, 2014

Developing Sheen and Luminescence; the Illusive Art of Mixing Color

"Fuchsia Fantastic" acrylic on 18 x 14 canvas
My latest project above, is finished. I do wish I could have achieved a better “hot pink.” There are so many variations of red, and when you add a touch of dark blue and a small dab of white sometimes you get lucky, and sometimes not. I wanted the painting to be seen as a whole and not have a bright color jump out and grab you, so maybe the compromise I made works best. I’ll let you be the judge.

"work in progress" hot pink!
One of the most complex colors to paint is white. If you’ve ever spent time in a paint store trying to select a white hue for your walls, you know what I mean. We currently have an off white color on our walls. I chose a sample square of “Marshmallow White” to make some touch ups. Ooooops! My color choice showed up grayer and darker on the wall.

I have another sample of “Antique White” which I’ll try next. I’m hoping this will be a match. There is a slight undertone of gold in the mix rather than gray.

Trying to paint white on a canvas is quite another matter. White isn’t just white. White reflects the colors you have in your painting and may essentially mirror every color in the rainbow. White is neither a primary color, nor a secondary or tertiary color. It is considered an achromatic color “of maximum lightness,” according to Ora Sorenson in her article “A Rainbow of White” in “the Artist’s magazine,” Jan./Feb. 2009.

“White is not the absence of color but a combination of all colors in the visible spectrum in equal proportions,” said Sorenson.

(Notice how the white costumes reflect every color in the painting and seem to glow from within)
When painting an all white composition, each element of white must differentiate itself from the one next to it in order for it to reveal its shape and appearance. Using a distinct set of complimentary colors in the shadows and contours of each object such as red and green, yellow and purple, or blue and orange, not only separates forms, but adds a luminous quality to the finished piece.

Another method of adding distinctness is through glazing. Once the painting is dry, adding a simple glaze of color over each object can add a glow and a hint of color. Contrasts and highlights can also add depth and interest to an all white painting.

(Notice how the white feathers reflect the water and lily pads)
Using too much white in the mixing of color can sometimes be overkill. Colors may look pasty and lifeless. But if white is the main color in your composition, play it up big and make it take on a life of its own as it shimmers and reflects from within all of the colors it actually contains.

Don’t be afraid of white. Use it sparingly in mixing colors, but turn it into something splendid when you use it as one of the main players.
(The whites in this paiinting reflect the colors that surround each object)

Tuesday, December 3, 2013

Feed the Hungry and Allow Others to Feed You

"India Rising -- the Found" mixed media on canvas
There are times in life when we nurture and feed others. And there are those dismal dark days in between when we are the needy ones. We hunger and thirst for the missing pieces in our lives, and we try to solve the puzzle of discontent and emptiness.

Perhaps it’s simply a desire for knowledge or perhaps the need to connect with another human being.  Whatever it is, we hope not only to discover what we’re missing, but to fill that empty abyss that gnaws at our organs and psyche. Like a tantalizing crumb dangling temptingly before us,  we can almost taste this mysterious ingredient. But before we can devour its lusciousness or feel its goodness on our tongue, it is gone.

"With These Hands -- Love" mixed media on canvas
Over the holiday, we saw a brilliant and moving film called: “The Book Thief;” written about one of the most interesting and grueling time periods in history: World War II. The character, a young girl named Leasle, gains the reputation of “book thief” because in order to satisfy her craving for knowledge and life, she must read. She must learn. She doesn’t steal books, she tells everyone; she only takes them for a little while and always returns them with added benefits.

The movie reminds us of the striking contrast between good and evil, and of the types of people who inhabit the earth: those who make choices that free their souls and shape their destiny in remarkable ways, and those who destroy whatever and whoever they touch through their black lifeless hearts.
"India Rising -- the Lost" mixed media on canvas
This movie inspired the title of my latest art show: “The Human Spirit – a Celebration of People and Places.” In almost all of my paintings, I try to emphasize the goodness and light that emanates from ordinary people doing small and simple things. The way they live their lives. The results of the choices they make.

"Prayer Circles" mixed media on canvas
If you’re in Fort Myers, Florida in December, I hope you can come. A reception will be held Friday evening, Dec. 6 from 7 to 10 p.m. at the Arts for Act Arcade Gallery on First Street, between Jackson and Hendry. I’ll be there with other displaying artists.

Arts for Act holds auctions and uses the commission from the sale of art to fund services for abused women and their children. Many local artists support this gallery and also participate as volunteers.  Please call 239-337-5050 for information or check out their web site at http://www.artsforactgallery.com 

"Reggae Night" acrylic on canvas