Violent Weather can Affect your Plans Whether you Like it or Not!

Pusan, Korea, hotel

June 1 through November 15 is not “summer” here in Florida, but “Hurricane Season,” which means we have a torrent of rain almost every afternoon and a few violent storms; some of which are hurricane proportion and some not.

When I lived in Seattle, the drizzle in winter was called “six months of wet.” The other six months were relatively mild and beautiful. The trade-off was exquisite weather half of the year. I could live with that.

When I was visiting Pusan, Korea one fall, the residents reminded us it was “Monsoon Season.” We stayed in one of the oldest hotels on the top floor. Our windows overlooked the bay and the ocean. Our only saving grace was the fact that the hotel had survived many years of violent weather and was still standing.

A monsoon did rip through one of the nights we were there. The next morning there was damage all around us, but the hotel had withstood. We went to Hunan Bay and saw destruction in many quarters and along the beach. I guess luck was with us on that trip.

 They were selling silk worm larvae (worms) that people purchased and took away in brown paper lunch bags so they could munch them on the beach. Some of the larvae was smoked, but in either case we were not buyers.

Later, we took a wild taxi ride into Seoul. Today it is a huge modern city, but outdoor markets still thrive. If you stand at one end of the city, you can see open-air stalls as far as the eye can see. 

North Korea is only a few miles across the border from Seoul. While we were there college students were rioting and demonstrating for the North. My parents were terribly worried about us; but as it turned out, we saw a crowd of no more than 50 people. The photographers had made the scene placed in newspapers around the world look like a mob of hundreds.

Since that time I’ve always been skeptical of the reports in the news. They usually hype up the violence and problems and make them look larger and worse than they actually are.

Cheju do Island

We also traveled to Cheju do Island to see some of the damage from the monsoon. Luckily most of the island at that time was farmland.

These little statues are everywhere on Cheju do. They represent good luck.

During another trip to this same Island, my son married a Korean girl whose father was a building contractor. They were wed on the island of Cheju do in a hotel her father had built. First they had a traditional marriage in her parent’s home, and then a contemporary wedding on Chejudo.

Does the weather affect the artwork in these Middle Eastern and Far Eastern countries that experience monsoons on a yearly basis? Definitely! Not only did I find many photographs, but fine art that clearly represents the turmoil and angst that accompany violent weather.

 

Are you Spreading yourself too Thin?

(In honor of Martin Luther King)

If the New Year is any indication of how the next year will go, I’m in trouble. Last year was filled with illnesses, surgeries, and accidents. This year started out with a chest cold and flu in spite of the fact that I had a flu shot. Hence the title of this blog.

Sometimes life throws you a curve ball and it’s all you can do to keep up with its demands. My blogs have been late more often than not. I feel I'm lagging behind and that I"ll never catch up. I haven’t felt like painting or doing anything, but I’m slowly getting back to normal.

(Shadow patterns on pavement)

One thing that's been on my mind is how much art and design is in nature. Inspiration comes naturally when you take a look around and try to recognize the intricacies of detail, contrast and color that exist all around us each day, but we're either too distracted or busy to notice.

Art usually replicates life, and nature is a big part of the equation. Even man-made objects add to the beauty of our surroundings. A brick walkway, tile roofs, sculptured or oriental rugs, baskets, wood grains, leaf patterns, light play and shadow. We are surrounded by artistic designs from our clothing to the food we put on our plates to eat.

Architecture and interior design complement our tastes and become the building blocks that highlight our personalities. Texture adds a tactile dimension and an element of fun. Our homes should reflect who we are and what we enjoy.

(I really need a hair cut!  My painting "Sandhill Cranes" behind me.)

(More beautiful shadow patterns)

You don’t have to be an expert to combine what you love with what brings you joy. Art and design are not complicated. They are simply an expression of who you are. Within your reach, note how many patterns and designs already exist in your home even without the obvious artwork. Wall art adds a third rail by accenting the colors that already exist and by providing an element of surprise or interest to an otherwise boring wall.

Wall art is like the final gilding on a non-descript room. It provides excitement and completion. Artwork ties everything together and adds a finished look to your entire scheme. Linking up with a few interior designers is a good way to get your personal artwork out there and become familiar with the local scene.

Next time you're in a slump, or you feel you've simply spread yourself too thin. Magnify your surroundings. Soak up detail. You don't have to travel or go to foreign lands for inspiration. You just have to remove the clutter from your own mind and focus on the unique that is already in front of you.

Developing Style one Brush Stroke at a Time

"First Daffodil" acrylic on canvas

If you’re like me, you keep your eyes on trends: What are people buying? What’s the new hot color? How long will this geometric craze last?

When circles, lines and shapes were popular in the 60s and 70s, I grew tired of them within a few years. The revival of this psychedelic conglomeration of zigzags and prisms hit me at a time when my home is full of traditional furniture. But one thing I’ve learned about trends and fads, they never last.

Today driving to an appointment, I noticed that new white cars are multiplying as are white vans and trucks for business. Even the latest auto ads are featuring white and chrome.

(Picasso's Blue Period 1903)

(Picasso's African Period 1907)

In the September Better Homes and Garden (BHG) and Woman’s Day magazines, white walls are making a comeback. These virginal surfaces allow bold and bright accents to add zing and a bit of flare to an eclectic mix of modern and traditional.

Recent issues featured vintage finds that tone down and anchor the bright colors and soften the angular lines and shapes they bump into. Designers call it a “happy blend.”

Kishani Perera, who loves traditional finds from the past, is a designer, author, and owner of the LA boutique and Rummage (featured in BHG Sept. 2015). She said: “So many pieces from earlier times were made to last forever. That’s the beauty of vintage.”

VARIOUS STYLES OF FINE ART

So, dear friends, don’t give up. Use those old pieces your mother left you. Incorporate those interesting and universal items gleaned from garage and estate sales and relax. Surround yourself with what makes you happy.

The same goes for your own artistic skills. If you do what makes you happy, eventually you’ll develop your own style. Don’t get sucked into every fad that comes along unless it becomes a part of your style. Your work should be unique and recognizable.

According to definition: “In the visual arts, style is a ...distinctive manner which permits the grouping of works into related categories."^[1] or ..any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made."^[2] It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, ‘school’, art movement or archaeological culture: "The notion of style has long been the art historian's principal mode of classifying works of art. By style he selects and shapes the history of art".^[3] (Wickipedia)

Innovate or Placate? Experiment or Languish? How’s your Painting Libido?

Some artist’s are making a big splash. They are non-conformists doing things their way. Not afraid of criticism or worried about “staying in line,” they follow their gut instincts; and in the process, they’re making money. Wish that were you?

Self taught artists probably have more daring. What have they got to lose? But there are artists who get bored by the tried and true methods of the past and just want to make waves. They want their art to sizzle and sing. They manage to push the envelope to the outer limits.

Don’t get me wrong. These artists have already proven themselves in traditional ways. They are color and value experts who wave the brush expertly and intelligently. They also follow trends. They understand that what’s popular today may not be hot tomorrow. They have found a way to capitalize on the here and now in hopes of making some money and it seems to be working.

I watched a street artist use nothing but spray paint and window scrapers as a brush. The work was not as crude as I’d expected. He layered colors from light to dark, and while still wet, expertly scraped off top layers to expose the light. Shapes formed. Buildings appeared. Different sized palette knives and scrapers exposed a cityscape and a sunset. The end result was breathtaking.

His “street art” was produced quickly and expertly. The wrapped canvas paintings sold like hotcakes! People were intrigued. They were in awe as landscapes and city streets appeared in living color. The canvases were affordable and inspiring. This artist had found a way to tap into the pulse of the buyers who lived and worked in the city.

Chloe Morris Sketchbook

Who is your audience? Does your work appeal to the culture and clime of potential buyers or are you focused on your own drumbeat drowning out the sounds of the marketplace? Do you live in a seaside community or a rural farm area? Do your buyers hail from suburbia or Harlem? Who do you want to reach? How do you want to touch them or influence them? Does your work have universal appeal or is it specific?

These are questions every artist needs to ask before proceeding with a work. If you paint only to please yourself, you may have only an audience of one.