Violent Weather can Affect your Plans Whether you Like it or Not!

Pusan, Korea, hotel

June 1 through November 15 is not “summer” here in Florida, but “Hurricane Season,” which means we have a torrent of rain almost every afternoon and a few violent storms; some of which are hurricane proportion and some not.

When I lived in Seattle, the drizzle in winter was called “six months of wet.” The other six months were relatively mild and beautiful. The trade-off was exquisite weather half of the year. I could live with that.

When I was visiting Pusan, Korea one fall, the residents reminded us it was “Monsoon Season.” We stayed in one of the oldest hotels on the top floor. Our windows overlooked the bay and the ocean. Our only saving grace was the fact that the hotel had survived many years of violent weather and was still standing.

A monsoon did rip through one of the nights we were there. The next morning there was damage all around us, but the hotel had withstood. We went to Hunan Bay and saw destruction in many quarters and along the beach. I guess luck was with us on that trip.

 They were selling silk worm larvae (worms) that people purchased and took away in brown paper lunch bags so they could munch them on the beach. Some of the larvae was smoked, but in either case we were not buyers.

Later, we took a wild taxi ride into Seoul. Today it is a huge modern city, but outdoor markets still thrive. If you stand at one end of the city, you can see open-air stalls as far as the eye can see. 

North Korea is only a few miles across the border from Seoul. While we were there college students were rioting and demonstrating for the North. My parents were terribly worried about us; but as it turned out, we saw a crowd of no more than 50 people. The photographers had made the scene placed in newspapers around the world look like a mob of hundreds.

Since that time I’ve always been skeptical of the reports in the news. They usually hype up the violence and problems and make them look larger and worse than they actually are.

Cheju do Island

We also traveled to Cheju do Island to see some of the damage from the monsoon. Luckily most of the island at that time was farmland.

These little statues are everywhere on Cheju do. They represent good luck.

During another trip to this same Island, my son married a Korean girl whose father was a building contractor. They were wed on the island of Cheju do in a hotel her father had built. First they had a traditional marriage in her parent’s home, and then a contemporary wedding on Chejudo.

Does the weather affect the artwork in these Middle Eastern and Far Eastern countries that experience monsoons on a yearly basis? Definitely! Not only did I find many photographs, but fine art that clearly represents the turmoil and angst that accompany violent weather.

 

Straddling the Line between Traditional and Innovative

(I decided to add jewels and pizzaz to my baby elephant) It will soon be on sale in my Etsy Shop: https://www.etsy.com/shop/AnfinsenArt?ref=hdr_shop_menu
The canvas is a woody palm frond from Florida.

When my youngest two were teenagers, I took them to a movie they were eager to see. I was prepared to be bored; but as it turned out, I was anything but. Although the humor was warped and risqué for its time, I laughed aloud in spite of myself. “Wayne’s World” was another daring leap by Mike Myers, a Saturday Night Live comedian and innovator who brought the word “bodacious” into common usage.

Myers illustrates that In order to succeed, you must take risks. You either expose your “soft under belly” leaving yourself open to criticism, or you conform to accepted norms and techniques never allowing your vision to see the light of day. 

I received an email from a friend that said “Some days you’re the top dog, and some days you’re the hydrant.” Watching the Republican CNBC debate on Wednesday night brought this saying to mind. 

“Talking Heads” were ready with their fiery darts and jabs to take down the candidates, but the tables were turned as the candidates fired back. The media ended up with mud on their faces for asking “gotcha” questions, and the candidates were cheered for answering the questions that should have been asked.

Sometimes you have to go beyond the comfort of “fitting in” by daring to do something different and innovative. Entrepreneurs must follow their gut instincts to stand out. They go above and beyond expectations. I came across a great web site designed to motivate and inspire entrepreneurial thinking.

The 12 Greatest Innovators of all time

These innovators were at first ignored then criticized, but they were not deterred. There is a learning curve to greatness. You have to be willing to make mistakes and let others witness them in order to get the experience and the skill necessary to overcome them.

 

(The two canvases here are a sample of how different editing and photo programs change the color of paint. The canvas on the right is the true color and the one below has been given a purplish hue. This is a work-in-progress and an attempt to recycle a canvas.)

For your enjoyment: 

Mike Myers went on to do the Austin Powers series and to continue to make people laugh. I don't know what he's into these days, if you have a current update, please share them here. 

Below is the trailer for "Wayne's World" and another clip of well-known quotes from the movie that will be remembered for a very long time.

Developing Style one Brush Stroke at a Time

"First Daffodil" acrylic on canvas

If you’re like me, you keep your eyes on trends: What are people buying? What’s the new hot color? How long will this geometric craze last?

When circles, lines and shapes were popular in the 60s and 70s, I grew tired of them within a few years. The revival of this psychedelic conglomeration of zigzags and prisms hit me at a time when my home is full of traditional furniture. But one thing I’ve learned about trends and fads, they never last.

Today driving to an appointment, I noticed that new white cars are multiplying as are white vans and trucks for business. Even the latest auto ads are featuring white and chrome.

(Picasso's Blue Period 1903)

(Picasso's African Period 1907)

In the September Better Homes and Garden (BHG) and Woman’s Day magazines, white walls are making a comeback. These virginal surfaces allow bold and bright accents to add zing and a bit of flare to an eclectic mix of modern and traditional.

Recent issues featured vintage finds that tone down and anchor the bright colors and soften the angular lines and shapes they bump into. Designers call it a “happy blend.”

Kishani Perera, who loves traditional finds from the past, is a designer, author, and owner of the LA boutique and Rummage (featured in BHG Sept. 2015). She said: “So many pieces from earlier times were made to last forever. That’s the beauty of vintage.”

VARIOUS STYLES OF FINE ART

So, dear friends, don’t give up. Use those old pieces your mother left you. Incorporate those interesting and universal items gleaned from garage and estate sales and relax. Surround yourself with what makes you happy.

The same goes for your own artistic skills. If you do what makes you happy, eventually you’ll develop your own style. Don’t get sucked into every fad that comes along unless it becomes a part of your style. Your work should be unique and recognizable.

According to definition: “In the visual arts, style is a ...distinctive manner which permits the grouping of works into related categories."^[1] or ..any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made."^[2] It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, ‘school’, art movement or archaeological culture: "The notion of style has long been the art historian's principal mode of classifying works of art. By style he selects and shapes the history of art".^[3] (Wickipedia)

Balance and Harmony Keep a Composition or a Design in Check

"Victims of War" acrylic on canvas

I know an art teacher who also owns an art store. One day he showed me his paintings that were hung around the entire shop near the ceiling. He used these in classes for examples and demonstration.

“My paintings used to go so fast, I couldn’t keep any hanging,” he said. “Now I can’t sell any of them.”

The paintings were stunning landscapes of Florida scenes and of the Gulf; traditional compositions that once “brought a hefty price,” he complained.

Today “wild is in.” Even the works of amateurs are being bought up if they are unusual, colorful, and a tad weird. Perhaps it’s a reflection of the times and our confused and undisciplined society. Anything goes as long as it entertains and dazzles the eye; fads that may in time become the new “norm.”

Finding the right balance is a real dilemma every artist grapples with. Keeping one foot in the real world and the other in the solid traditions of the past is a struggle. When you allow yourself to push against the outer limits, or by way of contrast show restraint, a judgment call must be made based on each artist’s level of experience and training.

"Prayer Circles"  mixed media on canvas

I enjoy the humor that many artists use to invite people into their perspective. There are so many fearful and chaotic events happening at home and around the globe to cause anxiety. Some “comic relief” is healthy and relieves stress. Conversation pieces that cause laughter rather than thoughtful reflection may be just what the doctor ordered.

Tactile paintings: pop art, half art and half craft invite us to touch and examine. Critics lament that this practice degrades and gives real works of art a tawdry and cheap appeal. But they are selling none-the-less because they’re affordable and fun.

Trends come and go. What is in fashion today may be gone tomorrow. Artists must learn to adapt to the changing scene and create a unique and appealing style that sets them apart from the rest; keeping in mind that the classics, the centuries old tried and true methods of the past have weathered the test of time and will endure.

"Moody Blues" mixed media on canvas

Vibrant color is a significant part of this new genre. From the book: “Color Design Workbook” by Adams Morioka and Terey Stone, the authors’ state: “Color is a visual language in and of itself; it can attract the eye and focus attention on the intended message in the work. Color can be used to irritate or relax, encourage participation or alienate.

Advertiser Josef Albers remarked that “Whether bright or dull, singular or complex, physiological or psychological, theoretical or experiential, the persuasive power of color attracts and motivates.”

Also from the book: “As humans, we seek balance, especially in terms of color. For example, when exposed to a particular hue, our brains seem to expect the complementary color. If it is present, the combination looks vibrant. If it is absent, our brains tend to produce it to form a balance.” 

These very reasons alone explain why one painting is chosen over another. Although people see colors in different ways, they almost always choose that which is pleasing to the senses. With knowledge and experimentation, you too can be a part of those who sell on a regular basis.

"Cafe' Costa Rica" acrylic on canvas

Innovate or Placate? Experiment or Languish? How’s your Painting Libido?

Some artist’s are making a big splash. They are non-conformists doing things their way. Not afraid of criticism or worried about “staying in line,” they follow their gut instincts; and in the process, they’re making money. Wish that were you?

Self taught artists probably have more daring. What have they got to lose? But there are artists who get bored by the tried and true methods of the past and just want to make waves. They want their art to sizzle and sing. They manage to push the envelope to the outer limits.

Don’t get me wrong. These artists have already proven themselves in traditional ways. They are color and value experts who wave the brush expertly and intelligently. They also follow trends. They understand that what’s popular today may not be hot tomorrow. They have found a way to capitalize on the here and now in hopes of making some money and it seems to be working.

I watched a street artist use nothing but spray paint and window scrapers as a brush. The work was not as crude as I’d expected. He layered colors from light to dark, and while still wet, expertly scraped off top layers to expose the light. Shapes formed. Buildings appeared. Different sized palette knives and scrapers exposed a cityscape and a sunset. The end result was breathtaking.

His “street art” was produced quickly and expertly. The wrapped canvas paintings sold like hotcakes! People were intrigued. They were in awe as landscapes and city streets appeared in living color. The canvases were affordable and inspiring. This artist had found a way to tap into the pulse of the buyers who lived and worked in the city.

Chloe Morris Sketchbook

Who is your audience? Does your work appeal to the culture and clime of potential buyers or are you focused on your own drumbeat drowning out the sounds of the marketplace? Do you live in a seaside community or a rural farm area? Do your buyers hail from suburbia or Harlem? Who do you want to reach? How do you want to touch them or influence them? Does your work have universal appeal or is it specific?

These are questions every artist needs to ask before proceeding with a work. If you paint only to please yourself, you may have only an audience of one.