Racial Tensions are created not Born

"Celebration" 20 x 16 acrylic on gesso board

I’m always attracted to scenes comprised of people; especially of other cultures and races. I find people of color to be interesting and attractive; they manage to tell the most amazing stories like my latest painting, above, “Celebration."

How many times do you take photos of friends and family at special events or significant occasions? Most of us enjoy celebrating birthdays, graduations, promotions, weddings, engagements, births and deaths with our favorite people. The photos save the memories and document the life processes of the past. Sharing special times with those you care about creates bonds of love.

"Tansy's Pride" 9 x 12 Pastel on Bristol

Painting an intimate scene that reminds others of those joyful times gives me pleasure. If my artwork can help bridge the gap between racism and understanding then I am fulfilled. 

Each culture and people we come to know adds to our knowledge. Seeing people in new ways may eventually bring acceptance. We humans are more alike than we are different.

Creating meaningful relationships between people is a slow process. If I can help others see similarities rather than differences, I have achieved my goal.

Hatred is not born, it is taught and nurtured. Children show us the meaning of acceptance when they play. They make friends easily and seem to take people at face value in non-judgmental ways.

"With these Hands Hope" 16 x 20 mixed-media/canvas

Oppression and discrimination are learned traits that fester in a climate of fear. Why do some people think they are better than others or that white skin is somehow purer or better than colored skin? Why do some people think they are spiritually or religiously better than anyone else? Most likely they were shown this through ignorance and example; but in the eyes of God we are all equal.

I may not agree with everyone I meet, but I can certainly accept their uniqueness and the value that they bring into the world. My religion and my faith bring me joy and salvation, but someone else may have their own set of beliefs that I must respect and acknowledge.

When you judge others, you lose sight of your own faults and failings. Being self centered or allowing our own feelings and opinions to get in the way puts up a barrier that is difficult to remove. You come across as arrogant, unapproachable, and rigid.

"Fish Market" 24 x 18 acrylic on canvas

Everyone on this earth has their own perspective based on their environment, upbringing and life experiences. Rather than quarrel and try to disprove “the other guy,” we should listen and hope for understanding. We will never all agree. But we can become peacemakers, and listen with our hearts.

If other people are unwilling to meet you half-way or they become aggressive toward you and invade your space, you have every right to defend yourself. Better to “agree to disagree” than to come to blows. Don’t marginalize your own principles and beliefs out of fear or to assuage someone else’s anger. Stop this kind of behavior before it escalates. Get help if necessary. Walk away!

Home Décor Trending Natural and Exotic

I love to nurse my morning cup of coffee while reading the newspaper. In the “Home Section” the trending accents are natural and exotic; a way to temper the modern geometric patterns and shapes of the present.

There’s nothing like wood and wood tones to anchor the run-away-dizziness of today’s busy patterns and blockiness. Natural woods and round shapes provide a bold statement while adding an element of curviness and softness to angular designs.

According to Mark Stewart of “The News Press” in Fort Myers, Florida, the perfect wood comes from reclaimed forests where unusual wood grains and shapes are found. This wood inspires unusual shapes for tables and functional furniture.

The “Associated Press” in an article by Beth J. Harpaz discussed the renewed popularity of “Molas,” a unique textile created in the Panama region by the Kuna people. Although China and other countries are trying to duplicate the process, if you want something authentic, look for the Kuna label.

Originally Molas were used as body art. Eventually they were made into cloth squares and turned into clothing. The process is a layering of different colored fabric, which is then cut away in a reverse appliqué technique.

Unlike the appliqué many of our mother’s did in the past to make delicate tablecloths, Kuna appliqué combines many layers rather than one. Little by little fabric is clipped away and the edges stitched to hold them down and to keep them from fraying.

Very much in demand, Molas have a folk art appeal, and are a natural and colorful way to brighten your home.

I’m a big collector of unusual woods and woody seeds and pods. I’ve also painted masks on woody palm fronds. Now I’m thinking I should polish the fronds and leave the wood natural; perhaps painting a delicate scene or using a stain on an all natural mask as the African’s do.

Keep your eyes peeled and reclaim some of the natural woods near your home. It may surprise you what you can restore and turn into something beautiful. So next time you create – think wood; think natural.

Contemporary furniture almost demands wood tones and grains to bring them down to earth and create warmth. Wood floors are not the only way to add this natural appeal. Wall art and furniture are a secondary way to bring the outdoors inside. The addition of color and live green plants are the perfect balance to complement leather furniture and modern creations.

Are you Spreading yourself too Thin?

(In honor of Martin Luther King)

If the New Year is any indication of how the next year will go, I’m in trouble. Last year was filled with illnesses, surgeries, and accidents. This year started out with a chest cold and flu in spite of the fact that I had a flu shot. Hence the title of this blog.

Sometimes life throws you a curve ball and it’s all you can do to keep up with its demands. My blogs have been late more often than not. I feel I'm lagging behind and that I"ll never catch up. I haven’t felt like painting or doing anything, but I’m slowly getting back to normal.

(Shadow patterns on pavement)

One thing that's been on my mind is how much art and design is in nature. Inspiration comes naturally when you take a look around and try to recognize the intricacies of detail, contrast and color that exist all around us each day, but we're either too distracted or busy to notice.

Art usually replicates life, and nature is a big part of the equation. Even man-made objects add to the beauty of our surroundings. A brick walkway, tile roofs, sculptured or oriental rugs, baskets, wood grains, leaf patterns, light play and shadow. We are surrounded by artistic designs from our clothing to the food we put on our plates to eat.

Architecture and interior design complement our tastes and become the building blocks that highlight our personalities. Texture adds a tactile dimension and an element of fun. Our homes should reflect who we are and what we enjoy.

(I really need a hair cut!  My painting "Sandhill Cranes" behind me.)

(More beautiful shadow patterns)

You don’t have to be an expert to combine what you love with what brings you joy. Art and design are not complicated. They are simply an expression of who you are. Within your reach, note how many patterns and designs already exist in your home even without the obvious artwork. Wall art adds a third rail by accenting the colors that already exist and by providing an element of surprise or interest to an otherwise boring wall.

Wall art is like the final gilding on a non-descript room. It provides excitement and completion. Artwork ties everything together and adds a finished look to your entire scheme. Linking up with a few interior designers is a good way to get your personal artwork out there and become familiar with the local scene.

Next time you're in a slump, or you feel you've simply spread yourself too thin. Magnify your surroundings. Soak up detail. You don't have to travel or go to foreign lands for inspiration. You just have to remove the clutter from your own mind and focus on the unique that is already in front of you.

How to Tell Good Abstract Art from Bad

"Queen of Diamonds" 20 x 20 acrylic on canvas

I found an interesting article at Keeton’s Office & Art Supply, Jan. 19, 2015 written by Nicole Tinkham that answered all of my doubts and questions:

1. Consistency
This refers to the consistency within a painting as well as the consistency of an artist’s portfolio. If a portfolio is all over the place with a few stunning pieces mixed with low quality work, the artist is either still developing or doesn’t quite know what they’re doing. Same goes for within a single painting. The flow must be consistent from one side of the painting to the other with planned and precise strokes.

2. Color
Colors that don’t mesh well together are a dead giveaway that the artist isn’t a professional unless of course it’s done deliberately in which case it has to be obvious.

3. Texture
Most of the time, good abstract art is compiled of layers. There’s typically and under-painting and these layers often create texture.

4. Meaning
All great art has some sort of meaning behind it. Some type of emotion, whether positive or negative gets thrown onto the canvas. There’s thought and planning put into it. You’ll know when an abstract piece is done at random. It lacks personality.

5. Complexity
As an artist completes more and more pieces, they grow and learn new techniques, which is evident in their work. In contrast to what you may think about abstract art, the techniques used in this style (by a professional) cannot be easily replicated.

6. Comfort
Uncomfortable paint strokes will tell you right away that the artist is an amateur. Experienced artists are confident and produce every mark with intention. Paint splatters may look random but they’re put there for a reason.

There are so many different feelings toward abstract art. There are many people that simply don’t understand it, others who think they can replicate it, and of course the abstract artists themselves who put much more time and thought into it than many non-artists realize.

Tell us, what do YOU think? Does this research and the qualities of good abstract art change your mind about it?

"Moonshines" mixed media on canvas

Respond to the authors article at:

https://keetonsonline.wordpress.com/2015/01/19/how-to-tell-good-abstract-art-from-bad/

Are you Uninhibited or Style Conscious?

"Prayer Circles" Acrylic on 24 x 18 canvas

We always wonder if our personal artwork presents a style that is unique and recognizable by others. The answer is yes. Even though your style may be imperfect and perhaps full of “beginner’s” mistakes or careless errors, your style is evident in almost every painting.

Art Biz Coach, Alyson Stanfield, describes it this way: “Style is a characteristic or group of characteristics that we can identify as constant, recurring, coherent, etc. that is identified with an individual.”

And from the late Robert Genn: “Each artist’s uniqueness and individualism brings endless variations. The dynamism invites the “keeping-in-mind-God” to play a part in the work’s evolution, enriching the process. The job becomes an intellectual as well as a technical and emotional exercise. The idea is to stretch your brain so your act of art is your very own.

There are also designated types of art that differentiate themselves, one from another. For instance, impressionism, realism, surrealism, expressionism, painterly, folksy, primitive, abstraction, etc. Most of us learned about these different genres in school. But within each category, there are definitive components such as the compositional elements, the brush strokes; are they flamboyant and wide, or detailed and soft?

"#hopeful in India" Acrylic, 24 x 18 canvas

And what about color? The hues and values chosen and the way they have been applied are all recognizable; even the lines and shapes and how they’re rendered are unique to each artist. Your style is a combination of the mediums, techniques, and subject matter you choose. It’s the extra things you do to distinguish your work from other artists.

As you gain experience, your work evolves. Your colors become more sophisticated. The composition more interesting and leading. Increased subtleties and innuendo begin to tone down the brasher elements and enhance the message. The painting becomes a soft-spoken message from your heart that is both appealing and convincing.

You the artist become an expert at playful seduction and illusion. There are often multiple messages that beckon and coalesce into one cohesive center of interest. You begin to sense where and when intensity is needed to mirror your own passion. You triumph when this melding of heart and soul on canvas are transfixed in the viewer’s mind long after they have left the scene.

Some may be riveted in place, studying the twists and turns of your color and vision. This may not happen overnight. This evolution of style is like giving birth. The process may be long and hard, but you know it will eventually happen. The struggle to overcome and to achieve has been done before by all those who profess to be artists.

"Fish Market" Acrylic on 24 x 18 canvas

Is it worth the intensity of emotion and the grief of failure? Is climbing to the top of Mount Everest ever worth the risks? Only those who reach the top may feel exultation. The building blocks you leave behind (those crass unfinished canvases, those embarrassing compositions and tacky mistakes) litter the highways and byways of your history and become the building blocks of your destiny. It is not over until you lay down the brush and either give up or give in to the overwhelming hold artistry has on you.

At the Heart of the Matter are Matters of the Heart

(Is it an experiment, a combobulation of paint, or the beginnings of somethiing interesting?)

Today a woman dressed in shorts and obviously wearing a wig came into the church office. She was distraught and wanted to see a pastor. The more we chatted, it became obvious to me that this was a man dressed in women’s clothing.  She (he) had attractive legs and a nice face.

I told her to come back in one hour and perhaps our Youth Pastor would be here. She insisted that she really wanted to see a Senior Pastor, and she would come back later. This situation reminded me of an incident that happened in our Art Gallery.

I was working there one day when an older looking woman in glasses came in. Her “disguise” was purposely made to look artificial: an obvious curly wig sat askew on the top of her head, and she wore a frumpy skirt with a man’s shirt. She had no makeup and made no attempt to act feminine. The minute she walked in, I knew she was male. Since this happens often in the art world, I treated her as any other art lover.

(Add a glaze or two, wipe out, and something new
and interesting appears) I will define some of the
detail and show you the next two phases. I need
to add some more color for depth.)

She stayed for over an hour discussing art with the workers and indicating that she, too, was an artist. We told her about our group and suggested she look into joining because it sounded like she had great experience and exposure.

A couple days later, she came back dressed as “himself” with a partner. I acted as if I hadn’t seen him before, and showed them the pieces they were interested in. His partner was a collector.

I believe in both of these instances, the gay person was there to establish acceptance and to see if there was any prejudice or alienation in our attitudes or treatment. The “Gay marriage vote” was on the docket in the Fall in our area. But this recent experience with a Pastor was new to me. Perhaps the individual was sincere. I have no way of knowing.

When our youth pastor arrived, the woman returned. Unfortunately, Pastor had to leave again for a meeting. He invited her to come back at 2 p.m. As she left, I asked her if she intended to come back. Her reply: “No he’s too self-righteous.”

I was surprised at that judgment call since they had had only a few words. No one should expect to walk into a business or a church and expect that someone is going to be there for them at a moment’s notice. I think Christian churches are going to be tested in the next few years. “Hate speech” is coming to the forefront and some are even implying that the Bible be changed because of the hate speech it contains.

Ironically, when the Youth Pastor left for his meeting at another church, guess who was sitting in the foyer waiting for an appointment? Either serious help was needed, she wanted to be married in a Christian church or she was simply testing the church environment.

When we meet new people, we never know where they’re coming from. That’s why everyone should be treated with courtesy and respect. There’s no need to generate animosity or ill will. Our job as individuals and entrepreneurs is to avoid making judgment calls on other human beings. How they live their lives is none of our business. In like manner, no one should tell us what to paint, who we may sell to, and when as long as we are obeying the law. Freedom of choice should be every person's prerogative as long as they are operating within the law.

(I did this painting in much the same
way, except the parrot was planned.
It's mate is on the right.)

Since when did we become a society of “busy bodies” meddling into other people’s affairs? Why must our “free speech” be labeled? Who is the authority that designates what is and isn’t “hate speech?” Did they receive our vote? Why have they been given so much power and control over us?

Hate speech can work both ways. Recipients of hate have no race, ethnicity, color, gender or orientation. All are susceptible. Each is unique with specific traits and needs.

Tolerance and understanding can bridge the gap that seems to widen when hatred and anger are used instead. Deal with your fellow human beings honorably no matter which side of the spectrum they’re on.

Foodies who Love to Paint, and Artists who Paint what they Eat

We all love to eat. Food is the essence of family get-togethers and camaraderie. Dining is our point of caring, celebrating, and nourishing those we love. There is an intimacy in eating together and biting into succulent morsels of exquisitely prepared food in the warmth of family and friends.

Food is also survival. It is life. Food is pleasure. It’s not only pleasing to the palate, but to the eye. Good cooks and chefs are as creative as any artist. Their finished products look like works of art and taste even better!

I’m not the only one who’s noticed. Artists from past to present have recognized the richness of color and the distinction of form that food presents. Photographers and advertisers have been aware of its beauty for a long, long time. Artists are again turning to the variety and fun that food can provide. In recent years, there has been a revival of sorts in the painting of everything scrumptious.

Today many artists are using their culinary skills in designing and presenting food as art. Their tantalizing compositions literally look “good enough to eat.” 

If you want to know what’s trending in the world, check out Twitter, Pinterest, and YouTube. In all likelihood, food is playing a major part. Recipes are being tried and shared as never before. People are concerned about nutrition, gluten, lactose, fats, and GMO’s (genetically modified organisms).

Our food sources are not only at risk, but more people have allergies and food sensitivities than ever before. I’m lactose intolerant and, in addition, was forced to restrict myself to gluten free products. People in general are focused on eating healthier foods.

Even that staple golden honey is at risk. In a Monsanto AD recently, the discussion centered on endangered honey bees. Without honey bees, some of our most nutritious fruits, vegetables and nuts would not be pollinated. 

Farmers rely heavily on honey bees in order to grow a crop. When the Biblical heroes talked about wanting a land “of milk and honey,” they knew how important these creatures were to the production of good things to eat. Even here in Florida, 80% of the orange groves are pollinated by honey bees. Without them there would be no oranges and no honey!

Beginning artists often focus on food in learning about color and form. Still life works with fruit is popular in practicing shape, shadow, and light. This is a wonderful way to experiment and branch off into cubism and abstraction. Pick up a brush and try it! The results may be delicious.

Balance and Harmony Keep a Composition or a Design in Check

"Victims of War" acrylic on canvas

I know an art teacher who also owns an art store. One day he showed me his paintings that were hung around the entire shop near the ceiling. He used these in classes for examples and demonstration.

“My paintings used to go so fast, I couldn’t keep any hanging,” he said. “Now I can’t sell any of them.”

The paintings were stunning landscapes of Florida scenes and of the Gulf; traditional compositions that once “brought a hefty price,” he complained.

Today “wild is in.” Even the works of amateurs are being bought up if they are unusual, colorful, and a tad weird. Perhaps it’s a reflection of the times and our confused and undisciplined society. Anything goes as long as it entertains and dazzles the eye; fads that may in time become the new “norm.”

Finding the right balance is a real dilemma every artist grapples with. Keeping one foot in the real world and the other in the solid traditions of the past is a struggle. When you allow yourself to push against the outer limits, or by way of contrast show restraint, a judgment call must be made based on each artist’s level of experience and training.

"Prayer Circles"  mixed media on canvas

I enjoy the humor that many artists use to invite people into their perspective. There are so many fearful and chaotic events happening at home and around the globe to cause anxiety. Some “comic relief” is healthy and relieves stress. Conversation pieces that cause laughter rather than thoughtful reflection may be just what the doctor ordered.

Tactile paintings: pop art, half art and half craft invite us to touch and examine. Critics lament that this practice degrades and gives real works of art a tawdry and cheap appeal. But they are selling none-the-less because they’re affordable and fun.

Trends come and go. What is in fashion today may be gone tomorrow. Artists must learn to adapt to the changing scene and create a unique and appealing style that sets them apart from the rest; keeping in mind that the classics, the centuries old tried and true methods of the past have weathered the test of time and will endure.

"Moody Blues" mixed media on canvas

Vibrant color is a significant part of this new genre. From the book: “Color Design Workbook” by Adams Morioka and Terey Stone, the authors’ state: “Color is a visual language in and of itself; it can attract the eye and focus attention on the intended message in the work. Color can be used to irritate or relax, encourage participation or alienate.

Advertiser Josef Albers remarked that “Whether bright or dull, singular or complex, physiological or psychological, theoretical or experiential, the persuasive power of color attracts and motivates.”

Also from the book: “As humans, we seek balance, especially in terms of color. For example, when exposed to a particular hue, our brains seem to expect the complementary color. If it is present, the combination looks vibrant. If it is absent, our brains tend to produce it to form a balance.” 

These very reasons alone explain why one painting is chosen over another. Although people see colors in different ways, they almost always choose that which is pleasing to the senses. With knowledge and experimentation, you too can be a part of those who sell on a regular basis.

"Cafe' Costa Rica" acrylic on canvas

Light Reveals Truth, Darkness Provides a Contrast

"Hibiscus Glory" 16x20 mixed media SOLD; prints available

I was intrigued by a recent study about people’s fears. It was done broadly (worldwide) to see if there were any differences in race or culture. The conclusion was that what people fear most, no matter who they are or where they come from, is darkness.

I wondered if fear was a part of us at birth or if it’s simply human nature to fear what we do not understand or that which is unknown? For whatever reason, the study concluded that most people, most children all around the world fear darkness.

As a Christian, this set my spiritual wheels turning. Scripture declares that every person “that comes into the world” is born with the light of Christ in his heart. (John 1:9 KJV) It would only make sense then that coming from our creator God “trailing clouds of glory,” as Wordsworth put it, we would be afraid of the dark which has always represented evil.

Believers hunger and thirst for light in much the same way that all living things reach for the light. A seedling pushes through the dark earth in search of the life-giving light of the sun that will nourish it and feed it as it grows. Even the lowest of animal forms seeks out light for warmth. On any given morning in Florida, my sidewalk is filled with lizards that crawl out of their dark havens to warm themselves in the light.

Snakes slither from their dark holes in much the same way. They become intoxicated and lethargic as they drink in the warmth of the sun seemingly blinded by the brightness. You can walk right by them and they barely notice.

Darkness is often used as a reference to evil, and good is portrayed as light. Darkness can also be seductive and intriguing. It is more difficult to ignore sin and temptation in the darkness. We are deceived into thinking that darkness somehow hides or “covers” our sin.

Light reveals and exposes truth and evil. No wonder we run from the light when we feel guilty or “bad.” No wonder people, especially children, fear darkness because it leads us into the unknown and may cause us to do bad things.

Darkness also has its own beauty: a starlit sky, the moon glowing through wisps of clouds, the skylights of a city sprinkled across the landscape. Darkness provides contrast. In a painting it’s all about light. The tiniest glow of light against a dark canvas looks even brighter. If the whole composition were light, the objects would appear flat and uninteresting. It is the contrast in color and intensity that gives a painting life.

How an artist handles the play between light and darkness, shadow and changes in value tells you a lot about his or her style. Some creatives like subtle changes and soft values. Others passionately splash color boldly and provide luminous eye-popping light that defines shape and creates depth. In this way darkness can define space and provide a backdrop for light making it glow with luminescence. 

The subject of the composition and its treatment determines whether evil is present or perceived. The color red may also indicate evil if the images are coarse and vulgar. A red rose may also appear holy and beautiful if the petals are delicate and soft. Treatment has as much to do with how evil is perceived as darkness itself.

Study the Masters and see how they contrast light against darkness. Analyze your own reaction to it to see if the painting registers somber, illuminating, inspiring or degrading. Your response indicates the power of darkness to reveal the essence of goodness or of light.