Racial Tensions are created not Born

"Celebration" 20 x 16 acrylic on gesso board

I’m always attracted to scenes comprised of people; especially of other cultures and races. I find people of color to be interesting and attractive; they manage to tell the most amazing stories like my latest painting, above, “Celebration."

How many times do you take photos of friends and family at special events or significant occasions? Most of us enjoy celebrating birthdays, graduations, promotions, weddings, engagements, births and deaths with our favorite people. The photos save the memories and document the life processes of the past. Sharing special times with those you care about creates bonds of love.

"Tansy's Pride" 9 x 12 Pastel on Bristol

Painting an intimate scene that reminds others of those joyful times gives me pleasure. If my artwork can help bridge the gap between racism and understanding then I am fulfilled. 

Each culture and people we come to know adds to our knowledge. Seeing people in new ways may eventually bring acceptance. We humans are more alike than we are different.

Creating meaningful relationships between people is a slow process. If I can help others see similarities rather than differences, I have achieved my goal.

Hatred is not born, it is taught and nurtured. Children show us the meaning of acceptance when they play. They make friends easily and seem to take people at face value in non-judgmental ways.

"With these Hands Hope" 16 x 20 mixed-media/canvas

Oppression and discrimination are learned traits that fester in a climate of fear. Why do some people think they are better than others or that white skin is somehow purer or better than colored skin? Why do some people think they are spiritually or religiously better than anyone else? Most likely they were shown this through ignorance and example; but in the eyes of God we are all equal.

I may not agree with everyone I meet, but I can certainly accept their uniqueness and the value that they bring into the world. My religion and my faith bring me joy and salvation, but someone else may have their own set of beliefs that I must respect and acknowledge.

When you judge others, you lose sight of your own faults and failings. Being self centered or allowing our own feelings and opinions to get in the way puts up a barrier that is difficult to remove. You come across as arrogant, unapproachable, and rigid.

"Fish Market" 24 x 18 acrylic on canvas

Everyone on this earth has their own perspective based on their environment, upbringing and life experiences. Rather than quarrel and try to disprove “the other guy,” we should listen and hope for understanding. We will never all agree. But we can become peacemakers, and listen with our hearts.

If other people are unwilling to meet you half-way or they become aggressive toward you and invade your space, you have every right to defend yourself. Better to “agree to disagree” than to come to blows. Don’t marginalize your own principles and beliefs out of fear or to assuage someone else’s anger. Stop this kind of behavior before it escalates. Get help if necessary. Walk away!

Success is a Lonely Walk we must take by Ourselves

"Siesta"  8 x 10 original drawing (reminds me of Key West!)

Being an artist is a lonely pursuit. Remembering what you know and putting it into practice requires self-motivation, skill and continued study. I’ve known artists who are professional students. They constantly take classes, but never quite get beyond the stage of exploration. They think that the next great class will surely make the difference between success and failure and in their ability to paint that perfect painting. Sadly, it never happens.

Only you can develop your brush strokes and style. You may learn value and color, you may understand another person’s technique and recommendations, but unless you continually practice your brush strokes and develop your own process for painting, you’ll be stuck.

"The Neptunes -- Octoband"   http://etsy.com/shop/anfinsenart

Plugging away and working while everyone else is at play is difficult. In order to climb, you must put in the time. It is by doing that we learn. We can read every book on the planet, and take all the classes available to us, but if we don’t put into practice what we have learned, our dreams of success remain in limbo.

"The Neptunes -- Trumpeteers" http://etsy.com/shop/anfinsenart

The biggest hurdle for most artists is finding time and space. Don’t wait until all your ducks are in a row. Don’t put off painting until you have the ideal space or allocated chunks of time. Delays are excuses. They keep us from making commitments.

Robert Genn’s twice-weekly newsletter is being done by his daughter, Sara, in his absence. Sara shared this gem a few days ago:

“Here's my version of English author and illustrator Neil Gaiman's Eight Rules for Writing. I've modified them for painters:

1. Paint.

2. Put your first stroke down and move on with another stroke. Work your strokes and let your strokes work you.
 

3. Stop the painting before you think you should.
 

4. Put your painting aside and start another painting.

5. Always keep in mind that you are your own best critic.

6. Perfection in painting is probably not possible. Excellence in painting is for people who appreciate the poetry of your soul.
 

7. Your style is what you're doing academically wrong. Radicalize yourself -- you only have one life to show you've got style.

8. You need to paint with enough assurance and confidence to know you can do whatever you like. So paint your story and make painting your life. Be honest with yourself about your progress. Always try to do a better job than you did the day before. I'm not sure there are any other rules. Not ones that matter.”

And finally another quote from Gaiman’s book: "I hope that in this year to come, you make mistakes," says Gaiman, "Because if you're making mistakes... you're Doing Something."

That’s all we can really do, friends. We can keep on making mistakes, and sometimes we may get lucky. (Below: work in progress "Fuchsia Fantastic #1, #2)

Are You a Neat Freak or do You Thrive in Organized Clutter?

"Kelly's Rose" oil on board 12x16

I used to pride myself on being organized. I had to be with six children! I prepared meal plans so I wouldn’t have to think about “what’s for dinner?” A monthly meal plan gave me an edge. Shopping smart and planning ahead kept our meals on time and within budget.

Over time, I did give up on having our home look like “Better Homes and Gardens.” I learned to tolerate a lived in look; cleaning only once a week. I ignored what happened in between because I valued my time, and it was impossible for me to do anything more.

I became an avid list maker. I found that once I put it on a list, I could forget about it. The worry and the guilt were “out of sight and out of mind.” It cleared my head. I looked at my list at the start of each day and checked off my priorities. No worry. No fuss.

"Hibiscus Glory" Oil on 16x20 canvas  SOLD

Of course, there was always the unexpected pushing some items to another day. For the most part, these lists kept me in line. I took classes, I was a free-lance writer, and I was active in my church and community. I have found over the years that too much neatness can kill creativity

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I’m not knocking organization. I’m just saying that organized clutter, for me, is the best way to manage stress and to meet deadlines. Take my desk. It’s never clean. There are small piles (organized piles) everywhere. Each one represents a different project. When someone comes to visit, I arrange the piles in orderly fashion, but they stay! Like fingertip files, I know where to look when I need something.

"Jack's Roses" oil on canvas  SOLD

My guest room/art room is the same way. I have organized piles on the bed, in the closet, and behind the door. The difference between the desk and my art room is that everything disappears and is moved to another area for the duration of guests when necessary.

My palette is no different. To another painter, it may seem sloppy and disorganized. But to me, I know exactly what I need and want at any given moment. When I use acrylics, I put out only the paint I think I’ll need for a specific purpose or it dries out. With oils, I’ll put out more paint. I don’t organize my palette as well as some artists do. I place light colors on one side and medium to dark on the other; that's it.

By the time I’m through painting for the day, there is no definition left, anyway.  I mix and match. I take swipes of different colors, mixing on the canvas when appropriate. I have watched other artists paint; their “neatness” is amazing. Their clothing or cover-ups, their arms and faces are clean. During their painting session, they wipe their palette of residue and to separate piles of paint. Neat. Neat. Neat.

"He Lives"  oil on 16x20 wrapped canvas

When I’m through painting, I may have splotches of color on my nose, my arm, and my clothes.  I lose myself in painting. My imagination soars when I’m unfettered by rules and restrictions from the “how to” experts.

Some people may see a big mess, a desk in disarray or an unworkable palette. I see organized clutter ready to be turned into something magnificent and memorable.