Racial Tensions are created not Born

"Celebration" 20 x 16 acrylic on gesso board

I’m always attracted to scenes comprised of people; especially of other cultures and races. I find people of color to be interesting and attractive; they manage to tell the most amazing stories like my latest painting, above, “Celebration."

How many times do you take photos of friends and family at special events or significant occasions? Most of us enjoy celebrating birthdays, graduations, promotions, weddings, engagements, births and deaths with our favorite people. The photos save the memories and document the life processes of the past. Sharing special times with those you care about creates bonds of love.

"Tansy's Pride" 9 x 12 Pastel on Bristol

Painting an intimate scene that reminds others of those joyful times gives me pleasure. If my artwork can help bridge the gap between racism and understanding then I am fulfilled. 

Each culture and people we come to know adds to our knowledge. Seeing people in new ways may eventually bring acceptance. We humans are more alike than we are different.

Creating meaningful relationships between people is a slow process. If I can help others see similarities rather than differences, I have achieved my goal.

Hatred is not born, it is taught and nurtured. Children show us the meaning of acceptance when they play. They make friends easily and seem to take people at face value in non-judgmental ways.

"With these Hands Hope" 16 x 20 mixed-media/canvas

Oppression and discrimination are learned traits that fester in a climate of fear. Why do some people think they are better than others or that white skin is somehow purer or better than colored skin? Why do some people think they are spiritually or religiously better than anyone else? Most likely they were shown this through ignorance and example; but in the eyes of God we are all equal.

I may not agree with everyone I meet, but I can certainly accept their uniqueness and the value that they bring into the world. My religion and my faith bring me joy and salvation, but someone else may have their own set of beliefs that I must respect and acknowledge.

When you judge others, you lose sight of your own faults and failings. Being self centered or allowing our own feelings and opinions to get in the way puts up a barrier that is difficult to remove. You come across as arrogant, unapproachable, and rigid.

"Fish Market" 24 x 18 acrylic on canvas

Everyone on this earth has their own perspective based on their environment, upbringing and life experiences. Rather than quarrel and try to disprove “the other guy,” we should listen and hope for understanding. We will never all agree. But we can become peacemakers, and listen with our hearts.

If other people are unwilling to meet you half-way or they become aggressive toward you and invade your space, you have every right to defend yourself. Better to “agree to disagree” than to come to blows. Don’t marginalize your own principles and beliefs out of fear or to assuage someone else’s anger. Stop this kind of behavior before it escalates. Get help if necessary. Walk away!

My Take on Milton Glaser's book: “10 Things I have Learned—The Secret of Art”

"Victims of War" 18x24 mixed-media on canvas

Reading is as important as marketing to an artist or any professional. Learning must be continuous; including the taking of classes as well as the viewing of other artist’s work, and studying materials from the library.

Another word for “reading” is “remembering;” at least that’s my opinion. Study brings back the things you’ve learned and forgotten. Milton Glaser’s book of “10” things” helped me remember. Here is my take on his list.

"in-progress painting"

1. You can only work for people that you like; looking back, I’d have to agree. My best work came out of friendly, cooperative relationships. There are some people you can never please. They are never satisfied. They can’t communicate what it is they want, and whatever it is, you can’t supply it. When the work is finally approved, all are left with a feeling of dissatisfaction and frustration.
   
2. If you have a choice, never have a job; an obvious deduction. Not all of us are so lucky. We don’t always have that choice. Offering imaginative ways to find time and money would have been more helpful. Glaser’s reasoning is that you need to dedicate real time and effort if you’re going to be successful. I think if you continually work at it, you’ll eventually reach your goal step by step. Then you will have that choice to dedicate yourself full time.
   
3. Some people are toxic avoid them. Well said! Toxic people pull you down, discourage you, and eat up valuable time you could be using to fulfill your own dreams. Toxic people poison the very air you breathe. They are unhealthy to be around and they make you feel bad about yourself. They consider what you’re doing a waste of time. Avoid them, leave them, or ignore them as much as possible.
4. Professionalism is not enough. From Glaser's point of view, if you work as a "professional" you become fixed into a style or mode. You're afraid to take risks. You begin doing things in the same old way, cranking out signature pieces that are recognizable, but may become boring. Within the professional parameters, you must explore, take risks, and grow.
5. Less is not necessarily more (just enough is more). I like detail. I have had artist chums who have said “well you can have too much detail!” Who’s to say when enough is too much? Only the intuitive artist or professional knows when a project is finished. If your gut tells you when you’re finished, put down the brush or pen, but not before.

"Sunset on the Nile" 22x28 mixed media canvas

I will continue my take on Glaser’s final five points in my next blog. Milton Glaser is a modern renaissance man — one of a rare breed of intellectual designer-illustrators, who brings a depth of understanding and conceptual thinking, combined with a diverse richness of visual language, to his highly inventive and individualistic work. Here is a link if you would like to read more about Milton Glaser:

http://www.miltonglaser.com/milton/#1

Featured Artist;
Cathy McClelland from rural Australia. Her painting “Tap Dance” below shows the delight and whimsy with which Cathy views the world. “I’m a farmer’s wife that loves to create paintings of what I have seen and experienced in my daily life,” Cathy says.
Cathy McClelland Fine Art | Facebook

Letting go, experimenting, and discovery

Today I attended an online seminar by Lisa L. Cyr, artist and author of several books, including her latest “Experimental Painting;” a book I purchased a few days ago. The book and class inspired me, and I’m eager to take some of my old canvases and repaint them using some of her techniques. Lisa has a blog at http://lisalcyr.blogspot.com/

India Rising Series -- The Found

I’m also showing the completed painting from my new India Rising Series “the Found.” I’ve included some preliminary stages to refresh your memory. I had always envisioned adding doves to represent the spirit of light flowing out of the women’s prayers. Some in my art group said: “I don’t think so,” or “I don’t know about doves.”

I’m a rebel of sorts, and once I get an idea in my head, I can’t get it out. When I discovered an Indian bride and groom online and learned about their traditions, it was a clincher. Part of the wedding ceremony in many Indian marriages includes the opening of a basket containing two doves. When the basket is opened, and the doves fly out and away, it is believed that the couple will be blessed with many years of peace.




That is exactly the message I wanted to portray in this painting. The women are “found” through their faith and blessed with “peace” and light. So the doves stay!

The next painting in my India Rising Series is called “Prince of Thieves.” This painting portrays the street children of India and how they survive. Perhaps this series will draw attention not only to India’s colorful history and beauty, and their rising status in the world, but will also highlight the plight of those who are less fortunate and need our compassion and help.

I lamented a few blogs ago that I’d failed to meet my goals for summer: more drawings and some experimentation with pastels. The “in progress” drawing below is done with charcoal and pastels. I call it: “Sareena Shines” a triumphant moment in Sareena Williams’ life as she wins at Wimbledon. At this point, I can see that I need to make adjustments to Sareen's right arm.

See Carol’s other drawings @ Etsy.com (Click on Etsy Icon at right), or http://carol-allen-anfinsen.artistwebsites.com/