Walking in the Shoes of the Masters and Trail Blazers

"The Neptunes -- Trumpeteers" 1st in the Neptune series 11 x 14 acrylic

Sometimes the most mundane things can trigger the subject for an article. While I was mulling over what to wear Friday night, my eyes fell on my choice of shoes. The weather was colder than usual in Florida, and I was lamenting the fact that all I had were sandals; a result of living in southern climes where the weather is usually warm year round.

I found a closed-in pair of black patent tennis shoes which should have been the end of that; but instead, I thought about shoes for the rest of the day. Not my shoes mind you, but those of others: the people on this earth and those who have gone before us who leave behind their achievements, their example, their courage, strength and love.

Work in Progress "The Neptunes -- Golden Girls" 11 x 14 acrylic

How do I fill the shoes of my mother, for instance, who had more courage in her little finger than most people have in a life time? Or the shoes of my sister, who struggled with multiple sclerosis a major part of her life, yet never complained and always had a smile on her face?

I don’t know about you, but the master painters of yesteryear have left behind some rather large shoes that artist’s of today, including me, must fill. Who is your inspiration? Who do you try to emulate?

Some of us get distracted by glitter and glitz. We jump into the shoes of the bombastic, the bully, or the billionaire’s expensive and glamorous Cesare-Paciotti’s trying to imagine what it would feel like. There’s not a “Techie” alive who doesn’t want to become another Bill Gates. But do you really want to experience his cancer, his pain?

We all have our lone walk to the end of our days. Our path is unknown. It may be rocky and filled with terror. The harder we struggle, the more apt we are to get blisters and calluses. Our shoes may become worn and dusty. We look “at the other guy,” and we think his road, his load is easier to bear. Not!

An American Indian proverb goes like this: “Never criticize a man until you've walked a mile in his moccasins.” Sometimes we think we know a person and what his or her life might be like, but unless we walk in their shoes, we can only guess. We fail to see their heartache and pain.

The trail blazers who go before us can show us how to persevere. They can enlarge our vision and teach us skills. They can inspire us to emulate them, follow them, and walk in their footsteps, but we can never fill their shoes nor replace them. We must forge ahead on our own two feet in our own uniquely soiled shoes.

Many years ago, I wrote a short play for the youth of our church called: “In the Shoes of the Master.” In the script, a teenager is trying to choose what kind of shoes he will wear and what kind of life he wants to live. The shoemaker represents the seductive snares that we all encounter as we make choices.

Of course, in the beginning the young man chooses a pair like the rock star he admires; his female counterpart selects a pair that shimmers and shines. At this point in their lives, it is all about the fame, the money, and the sizzle.

As the play progresses, the youth experience some of the downfalls of their choices. They suffer crudities, experience failure, and come up against hurdles they don’t know how to overcome. They want new shoes (or a new life). When they go back to the shoemaker, they see on the shelf a pair they failed to notice before: a dusty, worn-out pair of sandals. In this instance, the shoes of Jesus Christ “the master” of life.

Our choices are not always this clear. We stumble, we fall, and we pick ourselves up. History can teach us who and what to emulate. Experience can show us those things that outlast time and prove to be of great worth. Choose which moccasins you want to wear and make your own footprints in the sand.

"The Neptunes -- Octoband" 11 x 14 acrylic

Vindication – What Goes Around Comes around

When we moved into our villa, everything was white; the tiled floors, the walls, the cupboards. Over the last few years, we watched the trends go from white to color and from pastel to bright and bold. Through it all, we stoically held our own as we watched our friends slather on reds, golds, teals, and yellows.

Our dark bold furnishings complimented our world of white. I did admire the bright gleam of graceful white flowers and white woodwork against the latest trending colors, but we stood firm on grounds of economics and the fact that our walls were freshly painted when we moved in.

"Blending In" 11x14 acrylic on panel / in barnwood frame

Trends have a way of reaching their peak. People tire of intensity and they long for peace and non-distraction. Enter the new white; not only exhibited on walls and cupboard doors, but in furnishings. The scuffed up well-worn white of yesteryear has been replaced by shiny smooth. We’re back in style! Vindication -- oh, sweet reprieve!

The same holds true for clothes. If you leave them hanging in your closet long enough they will be back in style in a few short years. What goes around does come around. The same holds true for art. Styles and trends cycle; but if you go back far enough, you’ll find some of the same trends with a slight twist.

Today’s trendy art boasts a large following of buyers. It is hip, techie, and speaks to the young at heart. Ignore the trends if you must, or climb on board and take advantage of the upswing; in either case, as Ralph Waldo Emerson once said: “Passion, though a bad regulator, is a powerful spring.”

But don’t let your heart or your eyes be fooled. Even though art is trending free and wild, the successful still follow the tried and true rules of color theory and composition. In fact, this is the very reason an artist is able to get away with so much. Knowing what colors to use, how, and when is the key to their popular draw. Rules of composition still apply, perhaps even more so as the subjects and images become more outlandish.

Andy Warhol once said that “rules are meant to be broken.” Knowing how to break them creatively and within the bounds of good art is another matter. Once you know all the rules that govern art, then choosing which one you will break for a given effect is not stupid, it’s creative license.

My own journey has been one of trial and error. I’ve always been a non-conformist of sorts, and my internal creativity screams at sameness, blandness, duplication, or compliance with other people’s rules of beauty or completeness.

We’re told as artists that we should be “loose,” and that we should “fly.” But at the same time, our journey is bound by strict compliance to certain codes of behavior and performance. I don’t know about you, but I get confused. I’m hoping something “clicks” sooner than later!