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Showing posts with label Middle East. Show all posts
Showing posts with label Middle East. Show all posts

Sunday, August 16, 2015

Censorship is a Dirty Word in a Free Society - - a Way of Life under Tyranny

"India Rising -- the Lost" oil on acrylic background
Artists like to talk about passion and freedom of expression, but what if your hands were tied, literally. What if every brush stroke, each swathe of color, and every word you spoke was censored and shaped for you by the ruling body, the government or the proletariat?

How would you like to serve jail time or worse for breaking the rules or being accused of sabotage or treason? In many countries this is what happens to those who dare to speak out against their leaders through their work. They face suppression, ridicule, subordination and sometimes exile.

According to the National Art Education Association (NAEA) “The freedom to create and to experience works of art is essential to our democracy. At present this freedom is under attack. Private groups and public leaders in various parts of the nation are attempting to remove certain artworks from public display, to censor exhibitions, to label particular works as “controversial”, and to identify some artworks and artists as “objectionable”. These actions arise from a view that censorship is needed in order to avoid the subversion of politics and the corruption of morals.


“Moreover, it is not only artworks that are being subjected to efforts at suppression. These efforts are related to a larger pattern of pressure being brought against education, the press, film, and television. It is important to note that even when such efforts do not actually suppress particular types of expression, they cast a shadow of fear which leads to voluntary curtailment of expression by those who seek to avoid controversy. The arts cannot thrive in such a climate of fear.

“Freedom of expression is guaranteed by the Constitution. This freedom of expression includes both verbal expression—speech and writing; and non-verbal expression, which includes the “language” of the various arts. Free communication is essential to the preservation of a free society and a creative culture.
"Prayer Circles" oil on acrylic background
“Now, as always in our history, artworks—literature, theatre, painting, sculpture, music, and dance, are among our most effective instruments of freedom. They are powerful means for making available ideas, feelings, and social growth, the envisioning of new possibilities for humankind, solutions to problems, and the improvement of human life.

 “On the other hand, suppression of ideas and of artistic expression leads to conformity, the limiting of diversity of expression to a narrow range of "acceptable" forms, and the stifling of freedom."

The NAEA’s declaration continues:
“As art educators in a free society, we confirm the following:
    • Freedom of expression in the arts must be preserved.
    • The individual has the right to accept or reject any work of art for himself or herself personally, but does not have the right to suppress those works of art to which he or she may object or those artists with whom he or she does not agree.
    • The free individual and the free society do not need a censor to tell what should be acceptable or unacceptable, and should not tolerate such censorship. All censorship is contrary to democratic principles.
    • It is the duty of the art educator to confront students with a diversity of art experiences and to enable students to think critically. The art educator need not like or endorse all images, ideologies, and artists he or she makes available to students, but should allow the individual student to choose from among widely conflicting images, opinions, and ideologies. While some works of art may indeed be banal and trivial, and some works may be repugnant and unacceptable to some individuals, the art educator should insist upon the right of every individual to freely express and create in his or her own way and to experience, accept, or reject any particular work of art. 
    • The art educator should impress upon students the vital importance of freedom of expression as a basic premise in the free democratic society and urge students to guard against any efforts to limit or curtail that freedom.”

Adoption: Adopted by the National Art Education Association Board of Directors Motion #17, September, 1991


Communist countries, dictatorships, or religious or police states regularly interfere with the rights of free expression and seek to enforce their dogma on all avenues of expression.


Freedom is not just a fancy word ….it is a precious gift that must be preserved, respected, and fought for at all costs. Check out the link below for famous Middle-Eastern painters.




Tuesday, June 10, 2014

You ain’t seen nothing ‘til you’ve seen murrine

A glass dish using the murrine technique.

Glass Artwork has been around for centuries. But murrine is a 4000-year-old glass technique that dates back to the ancient Middle East. 

According to Visual News: “Using long rods of glass cane, intricate patterns can be built into a loaf like form, only revealing the hidden details when a slice is cut off. While you’ve probably seen the technique used in patterned glass work at your local art gallery, you’ve never seen the astounding level of detail achieved in these reinterpreted paintings from Loren Stump."

I was so impressed with his work; I decided to feature him in my blog. Amazing was my first reaction. When I finally saw the incredible detail in each piece, I could only say “Wow!” Stump’s work truly has that wow factor.



As a native of Sacramento, California, Loren Stump’s career began over 41 years ago as a stained glass artist. In 1993 Loren discovered his natural talents with glass in molten form. Self-taught, he quickly mastered advanced shaded murrine, intricate sculpture, and paperweight encasement. One innovative technique Loren is known for is the manipulation of a two dimensional murrine sliced into a three dimensional form.

Mr. Stump is also showcased for his large scale lamp work, sculptures made of soft glass, and masks. Loren’s progressive methods and expertise, along with the use of his own inventive tools, keep him in demand as a remarkable glass artist and instructor. Traveling throughout the United States and abroad, Loren is known for sharing his wisdom openly as an entertaining, patient, and tireless instructor and demonstrator.



Loren’s incredible artwork has been displayed or is currently on display at the Corning Museum of Glass, The Ertz Israel Museum, and the Kyokei Fujita Glass Museum.

Link to view Loren Stump’s incredible glass artwork:


Another master glass blower Davide Salvadore can be seen at work here:

The Corning Glass Museum has a series of videos not only on murrine, but on glass blowing in general that are both interesting and educational. Here is their link:

Tuesday, October 9, 2012

A Perfect Way to Deal with Anger – Paint it!



 The Alliance for the Arts capitalized on the “angst” that divides people in this current political season. They sponsored a juried competition titled: “State of Mind: Politics 2012.” It isn’t the first time they’ve used a political theme, and it won’t be the last. But judging from the crowd on opening night, the strategy is still working.

I was fortunate to be selected for the show. Although I wasn’t one of the winners, I was the only one who represented the chaos in the Middle East. In my blog is a sampling of the diversity of subject matter and materials that were used.

Today, politics seems to be played like a football game; each side cheering for their side at all costs. In the past, more people seemed to vote for the person, rather than the party. At least, I did. I’ve been an independent, a democrat and a republican, depending on who's running. Now it seems that people support the party rather than the person, and choose to ignore voting record or the past of their own candidate. Instead of offering solid policies and solutions, there is more slander and mud throwing.




Historically, this has always been so, but the ugliness today is right in our faces and the values once cherished are no longer in play. In the show, it was interesting to see how artists expressed these concerns.

Putting your anger and emotion to canvas is invigorating and healthy. It allows an artist to express his inner turmoil and share either a vision or a torment with his or her audience. Van Gogh had so much suffering and discouragement in his life. He allowed people to see his anguish, his joy, his exultation and pain in a style that today is considered brilliance from an  unfettered imagination.


If you have joy or pain that eats away at your heart, try expressing it on canvas instead of burying your soul under a pillow of tears. Discouragement comes to all of us.



I painted a scene of two brothers on the beach watching the sun go down. I wanted it to have a magical feel, one that was almost fanciful and full of wonder. I submitted my painting to a critique group and they literally slaughtered it! There were so many criticisms; I had trouble absorbing them all. Only one person gave constructive criticism. I printed out her suggestions and kept them.


What happened to the painting? I was so ashamed of it I put it in a box with a protective cardboard over the top along with other stored canvases. I quickly forgot where it was. I opened that box several times over the course of the next year, but the cardboard I’d placed on top of the painting created a false bottom.

A year later, I found that painting and finished it according to the constructive criticism I’d received. Ironically, not only the first version of the painting that was critiqued, but the final version sold prints from the digital images online. I consider this a valuable lesson. Listen to your own heart and paint what you love. If you receive criticism, weigh it carefully. Take what is of value and blow the rest away!


Please share your experiences with critique and the value of belonging to an art league with us.