Pros and Cons of Control – when Enough is Enough

(A good example of "controlled" looseness)

We all like to feel in control of our lives, but some things are simply unpredictable. This year, travel and medical problems and procedures made it difficult to keep my blogs up to date on a regular basis. The interruption into my routine of writing and painting brought to mind the catch-all phrase emphasized in the movie Forrest Gump “Shit Happens.”

When this chaos affects. me and you, our projects and paintings may get messed up; and sometimes they turn into mud.  Almost every aspect of artwork must be supervised and controlled meaning that you should have some idea what you want to say, how you’re going to say it, and a visual image of how you want your composition to look.

(Yes, the artist knew what he or she wanted, but left room for creativity)

Even when you loosen up and release your tight grip on the brush, you are still in control. Taking a feathery fan brush and holding it loosely doesn’t mean you don’t know what you’re doing. I watched Lynne Pittard expertly push her oil paint with the tip of a fan brush softly and lightly; lifting as she finished each stroke. Lynne left behind perfectly separated sea grass in her wake. When she wanted to indicate seed, she simply pushed slightly downward (See YouTube video below).

The brush dangled loosely in her fingers as she moved the creamy oils with gentle persuasion. Although her touch was light, she remained completely in control because she knew what she was doing.

(Expressive Control -- A vision and a plan without rigidity)

Clouds can be made in much the same way making them look wispy and fluffy. Control comes in when you understand the feeling you wish to create and exactly where the clouds are needed. Keeping the paint smooth and flowing assists in the process. But if you get too carried away, the clouds may take center stage rather than settle into the background. Let’s face it. There is fun and pleasure in applying paint to canvas. But if you get lost in the process, you lose your overall vision and focus.

Certain techniques such as glazing require a soft touch. Waves that rise and fall spilling frothy foam over translucent layers must be executed with a gentle hand; but in every case, the artist is still in control.

The secret to a successful painting is to make it look effortless, as if the paint has been laid down with a feather rather than labored over or overworked. In order to do this your vision must be clear. On the other hand, you don’t want to be so rigid that unexpected splashes of color or shape are withheld because they weren’t part of your original plan.

Style dictates how brush strokes are laid down. Bold colors and broad swashes of paint help tell a different story. I have a new painting in mind that will require this approach. I personally believe the diversity in our world is beautiful and the people in it have unique individual stories to tell. Cultural differences may also require a bolder brighter touch.

Somewhere I heard the expression: “Let it happen.” If that’s a bit too unstructured for you, then have at least a concept or a story that must be told. Sometimes simple is enough.


Lynne Pittard's "sea grass" tutorial:

Abstract Realism – Yes, you can do it!

"Moonshines" acrylic on 18x24 canvas (abstract realism)

There’s tremendous freedom in doing an abstract painting. To do them well is the greatest challenge. What attracts the viewer? The colors, shapes, values, and most especially the mood. How does the painting make you feel?

Some abstract paintings are stark and limiting. Others may distort shapes or simplify images. According to Sue St. John, author of Journeys to Abstraction “The choices are vast and nothing is wrong. Abstract art can be incredibly liberating.”

Think of abstract art as fluid. Allow your brush to intuitively follow your imagination and mood. Take an idea, a theme, a feeling and express it in liquid motion. Keep in mind that an abstract artist is expressing “concepts” rather than exact depictions.

Abstract realism combines the best of both depending on what you choose to emphasize. Shapes and colors may be in the abstract with one part of the painting rendered true to life as the focal point. The reverse is also possible. Take a realistic background and an abstract center of interest. Inspiration is all around you.

I have an artist friend who gets inspired by fabrics. She can turn a small element of design into a full-blown abstract painting.

Look for shapes and patterns in your environment: the way light and shadow play out and create designs, structures, and lines. The world is full of texture, color and form. Examine how they work together and how they make you feel.

"My Trail of Tears" mixed-media on canvas

To advance a theme or emphasize a point, some artists incorporate symbols into their artwork. They are interesting. They provide additional information. For example, if the artist’s vision is “new birth” or change, a butterfly would help signify this metamorphous.

Many symbols are already familiar such as the circle (infinity, cycle of life, wholeness); the Egyptian Ankh which symbolizes the harmony between the physical and the spiritual worlds. Pentagrams (five-sided stars) represent the four elements of earth, wind, water and fire and how they are bound together with the fifth element of spirit.

The study of symbols alone would provide you with an astounding number of paintings and the basis for combining realism with abstraction. This should not only release you from preconceived notions about earth and life, but inspire you with countless stories and designs that are unique and personal. Above all, have fun!

"Moonlight Magic" 11x14 mixed media, layered acrylics

The following link should provide you with some great ideas. I’ve also included a quote by well-known artist Sherrie McGraw:

“A painting is more than the subject matter or the story it might depict. Good painting carries an undercurrent of beauty that expresses something beyond subject matter, beyond the tangible reality. It is this level of seeing that makes a painting a living thing, something that speaks even centuries after the artist is gone.”

http://emptyeasel.com/2009/03/31/3-ways-to-add-abstract-elements-to-a-realistic-painting/

Censorship is a Dirty Word in a Free Society - - a Way of Life under Tyranny

"India Rising -- the Lost" oil on acrylic background

Artists like to talk about passion and freedom of expression, but what if your hands were tied, literally. What if every brush stroke, each swathe of color, and every word you spoke was censored and shaped for you by the ruling body, the government or the proletariat?

How would you like to serve jail time or worse for breaking the rules or being accused of sabotage or treason? In many countries this is what happens to those who dare to speak out against their leaders through their work. They face suppression, ridicule, subordination and sometimes exile.

According to the National Art Education Association (NAEA) “The freedom to create and to experience works of art is essential to our democracy. At present this freedom is under attack. Private groups and public leaders in various parts of the nation are attempting to remove certain artworks from public display, to censor exhibitions, to label particular works as “controversial”, and to identify some artworks and artists as “objectionable”. These actions arise from a view that censorship is needed in order to avoid the subversion of politics and the corruption of morals.

“Moreover, it is not only artworks that are being subjected to efforts at suppression. These efforts are related to a larger pattern of pressure being brought against education, the press, film, and television. It is important to note that even when such efforts do not actually suppress particular types of expression, they cast a shadow of fear which leads to voluntary curtailment of expression by those who seek to avoid controversy. The arts cannot thrive in such a climate of fear.

“Freedom of expression is guaranteed by the Constitution. This freedom of expression includes both verbal expression—speech and writing; and non-verbal expression, which includes the “language” of the various arts. Free communication is essential to the preservation of a free society and a creative culture.

"Prayer Circles" oil on acrylic background

“Now, as always in our history, artworks—literature, theatre, painting, sculpture, music, and dance, are among our most effective instruments of freedom. They are powerful means for making available ideas, feelings, and social growth, the envisioning of new possibilities for humankind, solutions to problems, and the improvement of human life.

 “On the other hand, suppression of ideas and of artistic expression leads to conformity, the limiting of diversity of expression to a narrow range of "acceptable" forms, and the stifling of freedom."

The NAEA’s declaration continues:

“As art educators in a free society, we confirm the following:

• Freedom of expression in the arts must be preserved.
• The individual has the right to accept or reject any work of art for himself or herself personally, but does not have the right to suppress those works of art to which he or she may object or those artists with whom he or she does not agree.
• The free individual and the free society do not need a censor to tell what should be acceptable or unacceptable, and should not tolerate such censorship. All censorship is contrary to democratic principles.
• It is the duty of the art educator to confront students with a diversity of art experiences and to enable students to think critically. The art educator need not like or endorse all images, ideologies, and artists he or she makes available to students, but should allow the individual student to choose from among widely conflicting images, opinions, and ideologies. While some works of art may indeed be banal and trivial, and some works may be repugnant and unacceptable to some individuals, the art educator should insist upon the right of every individual to freely express and create in his or her own way and to experience, accept, or reject any particular work of art. 
• The art educator should impress upon students the vital importance of freedom of expression as a basic premise in the free democratic society and urge students to guard against any efforts to limit or curtail that freedom.”

Adoption: Adopted by the National Art Education Association Board of Directors Motion #17, September, 1991

Communist countries, dictatorships, or religious or police states regularly interfere with the rights of free expression and seek to enforce their dogma on all avenues of expression.

Freedom is not just a fancy word ….it is a precious gift that must be preserved, respected, and fought for at all costs. Check out the link below for famous Middle-Eastern painters.

Famous Middle-Eastern Artists