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Showing posts with label ocean. Show all posts
Showing posts with label ocean. Show all posts

Saturday, September 6, 2014

Ode to a Loggerhead Turtle – Antiquity in Fluid Motion


A large loggerhead turtle was released on the beach yesterday after a long rehabilitation effort to make it well and strong. I shudder to think of the thousands of dollars this cost taxpayers.

On the other hand, I’m humbled by the familiar story called “The Star Thrower:”

“A young girl was walking along a beach upon which thousands of starfish had been washed up during a terrible storm. When she came to each starfish, she would pick it up, and throw it back into the ocean. People watched her with amusement.

“She had been doing this for some time when a man approached her and said, “Little girl, why are you doing this? Look at this beach! You can’t save all these starfish. You can’t begin to make a difference!”

“The girl seemed crushed, suddenly deflated. But after a few moments, she bent down, picked up another starfish, and hurled it as far as she could into the ocean. Then she looked up at the man and replied, “Well, I made a difference to that one!”

“The old man looked at the girl inquisitively and thought about what she had done and said. Inspired, he joined the little girl in throwing starfish back into the sea. Soon others joined, and all the starfish were saved.”

— Adapted from The Star Thrower
by Loren C. Eiseley
"Window on Pine Island" oil on wrapped canvas
It would be wonderful if we could save all the hurting children in the world and all the abused animals. What an enormous job for one person! But we can save the ones that are nearby. We can contribute to organizations that do the work for us. We can help our family, our neighbors, our friends and community.

That noble loggerhead turtle was valiant in facing the elements and the wide blue-green Gulf to transition back into the wild. I worried that our efforts to save him would be in vain. What danger awaits him out in the deep? Will he find his way back home? Although he was tagged for identification, we may never know.

"Pelican at Rest" oil on canvas; prints available
If we were to question every effort to help a living creature, a person, a child because the end result was unknown there would be little good done in the world. We help because we must. It’s called compassion, empathy and character. If we cease to act on these divine qualities that reside within us, the world would become a savage and brutal place.

Nature ravages earth's population enough without our adding fuel to the fire. This morning on our walk I saw a baby bird sprawled on the sidewalk. The storm of last night had blown him from his nest. He was a wet wilted pile of feathers; neck and legs outstretched in rigor mortis where he’d fallen. The sight brought back all the times I’d tried to nurse a baby bird back to life and failed.

The future is a blank slate. We can’t stop doing good things just because we don’t know if it will change the outcome. You or I could step off the curb tomorrow and that would be the end of us. Fearing the unknown is part of human existence. But that knowledge shouldn’t affect how we live our today's. 

For that reason, I’m going to assume that the loggerhead released into the ocean finds its way back to a wonderful existence where it may live for another 100 years. Marvelous creatures they enshrined with dignity and mankind’s history imprinted on their backs.
"Beach Buddies" mixed media on canvas


Tuesday, July 29, 2014

Stepping out of Your Comfort Zone

"Hey, Coconut Mon!" mixed media on canvas
When we’re young, we test the rules and skirt the ragged edge of danger. We experiment. We try on different styles and personalities. Some of us flaunt the rules and go into the unknown only to reap the consequences of our experimentation. But for most of us, somewhere along the way, we settle into what seems right and comfortable.

Don’t you wish that for a brief moment you could step out of the present paradigm and slip into another? Do you wish you were more daring and less predictable? A few days ago I decided to give it a go. I had a vague notion of what I wanted on canvas. I made no sketches. I didn’t even test the waters of my idea.
Work-in-Progress "Sea Breazes" acrylic on 30 x 24 wrapped canvas
I started to brush. It felt good! I slathered on paint and let my muse lead me. Swept along by intuition, I dabbed on color and highlights. Now I’m letting it rest while I contemplate my next move. Will the canvas require more changes? Probably. What will I do if it’s an utter failure? I’ll likely paint over it and start again. We all need to have that feeling of freedom. You know, when you just allow what you have learned and what you yearn for to take over?

If your idea doesn’t bloom and grow, it doesn't matter. You are experimenting with feelings, shapes, color and texture. The context is the story you are trying to tell. My current work-in-progress was inspired by my love for palm trees and my fondness for living near the ocean and the Gulf Coastal regions.
I added more color, but did it work? More contemplation!
The colors are those that I live with every day. I hope I can find the right combination of dazzle and sizzle to make my creation work. I’m calling this piece: “Sea Breezes” because that’s exactly what’s happening as the soft warm air flows across the Gulf through the palm fronds and into my world.

Take time once in awhile to leave your comfortable habits behind and open yourself to discovery. Switch things up. Change your usual canvas size. Go bigger (or smaller). Use a larger brush. Try a new color combination on canvas. Add a collage or two and a smattering of design in the background. The point is to do something different from the norm.

I recommend these books. They will not only inspire you, but dare you to experiment and then show you how: “Experimental Painting” by Lisa L. Cyr; “Art Revolution” by the same author (see Youtube fideo below), and “Journeys to Abstraction” by Sue St. John. 


If you discover something new about yourself in the process, please share it with me. I’d love to hear what happened when you crossed over into that ethereal place where things of wonder are created and magic happens!
"Window" oil on oval canvas


Tuesday, April 8, 2014

Success is a Lonely Walk we must take by Ourselves

"Siesta"  8 x 10 original drawing (reminds me of Key West!)
Being an artist is a lonely pursuit. Remembering what you know and putting it into practice requires self-motivation, skill and continued study. I’ve known artists who are professional students. They constantly take classes, but never quite get beyond the stage of exploration. They think that the next great class will surely make the difference between success and failure and in their ability to paint that perfect painting. Sadly, it never happens.

Only you can develop your brush strokes and style. You may learn value and color, you may understand another person’s technique and recommendations, but unless you continually practice your brush strokes and develop your own process for painting, you’ll be stuck.

"The Neptunes -- Octoband"   http://etsy.com/shop/anfinsenart
Plugging away and working while everyone else is at play is difficult. In order to climb, you must put in the time. It is by doing that we learn. We can read every book on the planet, and take all the classes available to us, but if we don’t put into practice what we have learned, our dreams of success remain in limbo.

"The Neptunes -- Trumpeteers" http://etsy.com/shop/anfinsenart
The biggest hurdle for most artists is finding time and space. Don’t wait until all your ducks are in a row. Don’t put off painting until you have the ideal space or allocated chunks of time. Delays are excuses. They keep us from making commitments.

Robert Genn’s twice-weekly newsletter is being done by his daughter, Sara, in his absence. Sara shared this gem a few days ago:

“Here's my version of English author and illustrator Neil Gaiman's Eight Rules for Writing. I've modified them for painters:

1. Paint.

2. Put your first stroke down and move on with another stroke. Work your strokes and let your strokes work you.
 
3. Stop the painting before you think you should.
 
4. Put your painting aside and start another painting.

5. Always keep in mind that you are your own best critic.

6. Perfection in painting is probably not possible. Excellence in painting is for people who appreciate the poetry of your soul.
 
7. Your style is what you're doing academically wrong. Radicalize yourself -- you only have one life to show you've got style.

8. You need to paint with enough assurance and confidence to know you can do whatever you like. So paint your story and make painting your life. Be honest with yourself about your progress. Always try to do a better job than you did the day before. I'm not sure there are any other rules. Not ones that matter.”

And finally another quote from Gaiman’s book: "I hope that in this year to come, you make mistakes," says Gaiman, "Because if you're making mistakes... you're Doing Something."


That’s all we can really do, friends. We can keep on making mistakes, and sometimes we may get lucky. (Below: work in progress "Fuchsia Fantastic #1, #2)



Saturday, April 5, 2014

A Small Island Packs a Huge Wallop

(Our Ferry to Key West)
On Wednesday; I left my paint brushes and canvases behind to join my husband and our friends on a one-day trip to Key West. When we arrived at Fort Myers Beach it was still bright and early. Too late we discovered that others had beaten us to the punch. There were only a few seats left on the boat as we boarded.

After four long hours of bobbing and bouncing across the water, meeting new people and watching a movie, we arrived. We decided to take a train ride around the island to orient our sea legs and find out what the island had to offer. Big mistake! After our two-hour journey, we had only 3.5 hours left to eat and get back to the ship.


We enjoyed a magnificent lunch and friendly chatter only to discover we were running out of time. We didn’t make it back to tour Earnest Hemingway's home or the Harry S. Truman domain. We learned that an overnight stay is a must if you’re going to really experience Key West. We heard the night life is unbeatable!


We learned that the island has no water supply and depends almost entirely on rainfall which is captured in huge tanks. Because of the moisture, tin roofs are being replaced with stainless steel. Most of the island is very old and has a rich history. The newer areas are located on the boardwalk that frames the harbor where new restaurants are in abundance.


Key West was once a wild life preserve. The locals had their own livestock as well. Today Chickens and roosters are protected on Key West and run wild everywhere. I tried to snap a photo, but they are also very fast!


The island is much smaller than I anticipated. Most people rent mopeds or bicycles for getting to and from work or for sightseeing. If we do get back, we definitely would stay overnight. During “Season,” however, the average rate is $279 per night and up. We were told there were two cheaper hotels, but I’m sure they were booked solid.


The weather is always temperate. The restaurant we ate in had no air conditioning, but had ceiling fans which brought the exotic air in from the open windows and doors. The food was excellent. Prices are inexpensive to moderate during the day and somewhat higher at night.

There is a large artist population and gays have put their stamp on the community. One hotel boasted “all men,” while a restaurant/museum suggested that “clothes are optional.” They may have been making reference to the bathing suit and bikini clad patrons or they may have meant what they said. Since we had no time to explore, we never found out.


What I will always remember are the tropical plants, colorful flowers, and unusual trees. Above all else, the exquisite tropical blue waters have left their imprint on my artist’s heart and soul forever.


   Molly the Fun Dog gave me this award! Copy and give to your favorite bloggers.

Saturday, November 30, 2013

“A Change is as good as a rest,” or so they say

"Arabesque" oil on canvas
Sometimes we don’t realize the traps we set for ourselves on a daily basis. We get caught up in minutiae, and use every excuse in the book to stay put; feet firmly planted in the ruts we’ve dug. Let’s face it; the chores at home never end. Soon they begin to grind and irritate us. Not a good prescription for progress or creativity!

Thanksgiving Day I left the confines of home with my husband heading north toward other family members in the area. As was our tradition, we made Thanksgiving reservations at a restaurant located mid-point between our two separate locations.

A morning chill turned temperate, and the warmth of the sun made our road trip bright and pleasant. Our once Northern blood has thinned from years of living in Southern climes, and we were wrapped in sweaters dressed for any outcome unable to tolerate even the slightest drop in temperature.

"Pelican at Rest" oil on canvas
I realized too late that I’d forgotten the camera. When we drove over our first bridge across the inland portion of the Caloosahatchee River I remembered. There’s nothing like an expanse of tropical blue water against brilliant green trees and variegated grasses to make you regret being unable to capture a photo memory.

When we got closer to our destination, I was even more dismayed. The Gulf waters were blue-green and crystal clear near the shoreline. We crossed two bridges to reach our destination of St. Armand’s Circle on the ocean side of Sarasota. Seagulls fluttered overhead and pelicans dive-bombed for fish. On the underside of the bridges where palm trees, sandy beaches and lounge chairs beckoned, fishermen cast their baited lines into the water.

"Seashells by the Seashore" acrylic on canvas
Our reservation was at the Columbia Restaurant, a famous old chain popular for Cuban food. Our traditional dinner had a distinctive Cuban flair, it was both exotic and delicious. The stuffing was the best I have ever eaten and the gravy was exceptional! Not only were the mashed potatoes fluffy and white, they were tasty. A sweet potato dish was topped with sugary, buttered pecans. I longed for more, but my aching stomach kept me from asking for seconds.

When dinner was over, I had a pumpkin flan instead of the traditional pumpkin pie. The rest of my family had a generous wedge of scrumptious key lime. Unlike its cousins, this key lime was made from scratch using fresh limes. It was heavy, tart, and succulent. “So this is how a key lime pie is supposed to taste?” I thought to myself.

"St. Armand's Beach" taken two years ago
As we moaned and groaned and loosened our belts, I couldn’t help but miss the faces that weren’t there; the ones of my own family members, especially my children who reside in the distant corners of the United States. I hoped they’d had a lovely time with their families. Time and distance has taken a toll on our closeness as has the divorce that first tore us apart. 

I know many of you are in the same boat. We can only make the best of what happens to us and move on. If nothing else, my excursion on the road with its breathtaking views, and photo-ready snapshots gave me a much needed journey out of myself and into this wondrous world we live in!
"Canals at St. Armand's" taken two years ago

Tuesday, November 12, 2013

If You’re not having Fun – Re-evaluate your Priorities

"The Neptunes -- Trumpeteers" acrylic on 11 x 14 panel
Some time ago, I began to feel stressed out, pushed, and out of control. I was trying to be all things to all people. Once I started asking myself: “What do you want and need?” I gravitated back to basics and to what I felt were the most important priorities in my life.

We all get lost sometimes. We struggle with peer pressure, with other people’s expectation’s for us, and with simple lack of time. When we rediscover our own power and the freedom that we have to make choices, everything else falls into place.

Next in The Neptunes series: "Octoband" drawing (Marachi theme)
Yes, our choices belong to us. If they don’t, we’re allowing ourselves to be manipulated. Since we are the only one who is accountable for our choices, shouldn’t we be the one making those important life decisions?

Time is money. We’ve all heard that statement. We should live by it. Time is not only valuable, it is essential to our growth. If we can’t manage our time then time (and outside forces) will manage us!

We must harness the power within us to make choices that are right for us. For me that means listening to my heart of hearts and weighing and measuring those things that I consider meaningful and valuable in my life or that will help me promote my professional goals, my family goals, and my eternal goals.

Then comes the hard part: ordering those goals so that they fulfill our emotional, physical and spiritual needs. People are complex. We are not machines owned and operated by chance or fate. We have free will and determination. The power is within us to guide our own lives.

"Stepping Out" pencil drawing (prints available)
Instead of whining about what we don’t have or what we think we can’t do, we should be celebrating life itself. We are free. We can think our own thoughts, feel our own unique emotions, and allow ourselves to be as successful as our dreams.



"I'll never fly again!" from the book: "Inez
Ibis Flies again; the story of a courageous
ibis who never gave up!"






We can conquer fear. We can move forward in spite of deprivation or ill will. Through our thoughts, our choices, our determination, we can soar where we dream. If we link our hopes to a power greater than ourselves, we get a hand up and a hand out to greatness. We can be inspired. We can become.

"Bob White" drawing (prints available)


Saturday, February 2, 2013

A Damaged Canvas is Tragic, but not the End of the World!

(Sold several prints from this painting the last three months) "Beach Buddies;" 16 x 20 mixed media

I had made up my mind. I was going to enter a favorite painting in a juried gallery. All it needed was a frame; one that would complement the colors in the painting without distracting. I had a framer already in mind, who never disappointed me.

I pulled out the canvas from a box it shared with two other paintings, and horror of horrors there was a screw sized hole in the canvas. Sometime, either in transport or storage, the canvases had been weighed down by enough weight to cause a puncture.

Lesson learned: Always have sufficient cardboard or materials between each painting so this never happens!

(This painting has sold more prints than any others) "With these Hands -- Wonder" mixed media
Could I repair the canvas; absolutely! Was its value compromised? Unfortunately, yes. I found several web sites on instructions for repair, but I also discovered that once a canvas is damaged, most collectors don’t want it. In addition, even if you could find a buyer; you must declare the damage (or ruin your reputation if discovered), and the price of the painting must be slashed by at least 30-50%.

If that doesn’t push you into protecting those precious original creations, I don’t know what will..Here are a few remarks from a helpful site and a link:

“The worst possible course of action in the event of damaging an art piece is for the artist not to tell the buyer, repair the problem, and hope the buyer doesn't notice. If the buyer does happen to discover the repair at some point down the road, ask about it, and find out the hard way what happened, that will pretty much ensure the end of any relationship between the two of you. And now for some facts about how the condition of a work of art impacts its value...

(This commissioned painting is still selling prints) "Skudeneshavn Norway" 16 x 20 oil on canvas
“Condition is a paramount consideration in any decision about whether or not to buy-- both from the dealer's and collector's perspectives. Original untouched condition is best by far. In fact, unless a work of art is excessively rare or important in some way, many experienced dealers and collectors won't even consider adding it to their collections or inventories if condition is anything less than perfect.

“But wait; there's more. Approximately 100% of dealers and collectors will tell you that a work of art with repaired damage is worth less than a comparable work of art in perfect original untouched condition.

“. . . People are less interested in owning art that has been damaged at some point in its existence than they are in owning art that's in perfect original condition. It's precisely that simple and no more complicated.”


Never put your coffee next to your turp!
If you’re still intent on repairing the canvas, you must declare that it has been damaged, and the price better be discounted. We all make mistakes, but this one we have to live with!

If you want to forge ahead and fix the canvas, at least for yourself, here are some links to help you. The following site Suggested pasting the back of the canvas with another piece of canvas to reinforce and aid in appearance. Use a pallet knife to paste and flatten under the spacer bars.

I discovered after I’d repaired my small hole that I had done all the right things. I’d applied a small piece of canvas on the back with adhesive, and put modeling paste and gel on the front side over the hole. It worked well because the hole was where a worn stone wall appeared. Paint wouldn’t even be required, but I will still add the needed acrylic with a dry brush to avoid any shiny appearance.



If you want specific help and details, the following sites are helpful!


http://www.wikihow.com/Repair-Canvas

Saturday, November 3, 2012

Your Name is Your Brand – Protect it at all costs!

"Collecting Sea Shells" 8x10 acrylic on panel

What’s in a Name? Ask a person who has had his identity stolen, and he’ll say everything! Ask a person who has just had her name dragged through the mud in error, and she’ll tell you how hard it was to regain her reputation.

A small business or corporation will tell you that name recognition is everything! They spend billions of dollars on advertising and marketing techniques to find the right brand for their market. Then they defend that brand name even if they have to go to court.

Men have their names for a lifetime. Women change their names, sometimes several times, before the end of their lives. But times are changing.

"Military Regatta"
I vowed I would never go through that hassle again, but yesterday I found myself sitting across a desk in the Social Security office to do just that. I did not change my name when I married my husband, and vowed I never would. People know me as his wife and they use his name, but legally, my name was my own.

We all have our reasons. As I told my husband yesterday, once you start a name change, you start an avalanche that keeps on going. Your name affects your will, your inheritance or that of your children. Your name is on census records, voting records, bank accounts, magazine subscriptions, medical records. Your name is your identity. When you change it, the world becomes topsy turvy, at least for awhile.

"Regatta" 18x24 acrylic on canvas (work-in-progress)
An artist’s name is his brand. Although, I have an artist friend who signs her paintings “Hope,” even though that isn’t her real name; that will become her brand, for better or worse. 

Name recognition is paramount in selling a product or yourself. Your name is linked to your reputation. They are inseparable. This combination becomes your character and affects your references and your repeat business. What’s in a name? Everything! Protect it at all costs.


Tuesday, October 9, 2012

A Perfect Way to Deal with Anger – Paint it!



 The Alliance for the Arts capitalized on the “angst” that divides people in this current political season. They sponsored a juried competition titled: “State of Mind: Politics 2012.” It isn’t the first time they’ve used a political theme, and it won’t be the last. But judging from the crowd on opening night, the strategy is still working.

I was fortunate to be selected for the show. Although I wasn’t one of the winners, I was the only one who represented the chaos in the Middle East. In my blog is a sampling of the diversity of subject matter and materials that were used.

Today, politics seems to be played like a football game; each side cheering for their side at all costs. In the past, more people seemed to vote for the person, rather than the party. At least, I did. I’ve been an independent, a democrat and a republican, depending on who's running. Now it seems that people support the party rather than the person, and choose to ignore voting record or the past of their own candidate. Instead of offering solid policies and solutions, there is more slander and mud throwing.




Historically, this has always been so, but the ugliness today is right in our faces and the values once cherished are no longer in play. In the show, it was interesting to see how artists expressed these concerns.

Putting your anger and emotion to canvas is invigorating and healthy. It allows an artist to express his inner turmoil and share either a vision or a torment with his or her audience. Van Gogh had so much suffering and discouragement in his life. He allowed people to see his anguish, his joy, his exultation and pain in a style that today is considered brilliance from an  unfettered imagination.


If you have joy or pain that eats away at your heart, try expressing it on canvas instead of burying your soul under a pillow of tears. Discouragement comes to all of us.



I painted a scene of two brothers on the beach watching the sun go down. I wanted it to have a magical feel, one that was almost fanciful and full of wonder. I submitted my painting to a critique group and they literally slaughtered it! There were so many criticisms; I had trouble absorbing them all. Only one person gave constructive criticism. I printed out her suggestions and kept them.


What happened to the painting? I was so ashamed of it I put it in a box with a protective cardboard over the top along with other stored canvases. I quickly forgot where it was. I opened that box several times over the course of the next year, but the cardboard I’d placed on top of the painting created a false bottom.

A year later, I found that painting and finished it according to the constructive criticism I’d received. Ironically, not only the first version of the painting that was critiqued, but the final version sold prints from the digital images online. I consider this a valuable lesson. Listen to your own heart and paint what you love. If you receive criticism, weigh it carefully. Take what is of value and blow the rest away!


Please share your experiences with critique and the value of belonging to an art league with us.