We learn from our Mistakes, even when we repeat them

"Flash Dance" was not juried in, but continues to be one of my favorites!

I don’t know about you, but I get frustrated with myself. I seem to learn everything the hard way. “Why can’t you do it right, the first time,” I chide myself. “Why does it have to be so doggone hard?”

Not until I’ve done something more than a few times do I get the hang of it. I’m left handed by nature and birth, but was forced into using my right hand. My brain never adjusted. I have frequent bouts throughout the day where I reverse things during the thought process. I know I’m supposed to turn on the right front burner of the stove, but when I’m finished with the action, the back left burner is turning hot.

It happens more than I care to mention. I’ve been known to try to go down an up escalator, especially under stress, and reverse numbers or text in my head when I’m working on a newsletter. Luckily the errors are glaring when I print out a proof copy.

"The Perfect Ending" was not juried in, but continues to be popular online.

And why is it so easy to overlook a composition fluke or the way an object overlaps and turns to create shadow? Because artwork is really about teaching people how to see, including me. Some people are more detailed than others. There are not only intellectual choices to be made, but intuitive ones that come from experience.

Beginning artists should not give up because the learning curve is long. Over time, you will master the techniques and foundational skills that make the difference between novice and professional. Even seasoned artists make mistakes. But they have weathered the storms of criticism and error. They have found ways to accommodate mistakes and have discovered dynamic artistic surprises in the process.

When the confluence of color and line diverge in ways to capture the viewer’s attention and lead them through pathways you’ve created, exciting things happen. Energy, emotion, and pure delight emerge and create sensations that effect lasting impressions. This is the mark of perfection and success.

"Home at Last" was not juried in because they didn't like the frame.

Remember, if you’re not excited by your creation, it isn’t likely anyone else will be, either. On the other hand, if you are able to harness your passion and express it on canvas, others will feel it, too, and be drawn to the vibrancy of your vision.

Don’t worry about the canvases that go unsold, or the ones you may paint over. It’s all part of the experience. Nothing needs to go to waste. Watercolorists often cut out small portions of a ruined painting and frame petite ones that sell well on the market.

I've had a few paintings rejected in juried competition that later sold. I continue to sell prints from the originals. It’s all in the “eye of the beholder.” If you feel strongly about what you’re doing, eventually other people will feel it and become buyers.

"The Pose" a barred owl on my daughter's porch. (Acrylic on canvas)

Birds of prey are beautiful, too

Have you ever noticed how tenacious birds of prey are in pursuit of their supper?

A red shouldered hawk frequents the southern oaks behind our villa. I observed him sitting on a nearby branch for at least 15 minutes. I assumed he was waiting for one of the unsuspecting squirrels that romped through the branches.

He sat frozen, except for his eyes that darted from limb to limb. While he waited, a flock of finches gathered; first one or two birds, and then a huge swarm. They chattered away, calling attention to their common enemy waiting beneath them.

Would they have the nerve to dive-bomb him or attack him, I wondered? The hawk didn’t wait to find out. Exasperated, he flew off to find a new perch. For awhile, the bold finches chased after him. If they couldn't beat him, they were going to give him a run for his money and tire him down.

An osprey chose his hunting site in a dead tree at the south end of our pond. I took a picture of him as he scanned the water searching for fish. When he spotted his prey, he lifted off with wide wings and literally performed what looked like water skiing as he skimmed the water's surface

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His huge legs and clawed feet sent out a spray of water before he lifted upward, clutching a huge sunfish. I’m told that ospreys have valves in their nostrils which close on impact, preventing the water from getting inside. Their feathers also repel water from an oily substance that coats the plumage. He made a great catch, without having to dive in as many other birds do.

Because tree owls hunt mainly at night, it is rare to see them. Their keen hearing protects them as they sleep during the day, and helps them pinpoint their prey even in the dark of night.

On my daily walk, I saw a suspicious shape in a tree. I chalked it up to my vivid imagination, but instinct pulled me closer. When I was only a few feet away, the owl’s eyes flew open. His keen hearing alerted him to my presence. The owl blended into the bark so well that until I saw the yellow of his eyes, I was never really certain.

The owl was sitting on a limb that was much too close to the ground for his safety. He must have fallen asleep before sunrise and didn’t recognize the danger. His seeming negligence didn’t last. Before I could get a picture, he took off, flying swiftly but surely to safer climb.

Luckily, my daughter is a quicker photographer. She caught this photo of a Barred Owl outside on her deck. The glare of the window kept him from noticing the pair of eyes and the camera lurking inside. What a beauty! I couldn't resist painting him. Stay tuned for the preliminary drawing and finished painting.

Featured Artist:

Jovica Kostica is an artist from Belgrade, Serbia. His detailed and delicate drawings and paintings are filled with emotion.

A sample of his artwork is below. You may explore more of his paintings at:

http://www.facebook.com/#!/jovica.kostic.31 

When Paintings Sing and Images Dance

I finished my bird house painting, and decided to add a couple bluebirds for interest. The painting has an old-fashioned look, but the colors are bright and modern. This 16x20 acrylic was done on a panel which makes it less expensive to buy. Prints may be purchased online at: http://carol-allen-anfinsen.artistwebsites.com  The original may be purchased by contacting me.

Before I begin a painting, I see a finished product in my mind. I know how I want it to look, what colors I want to use, and almost everything about it. So why does it change as I go along? In the grip of creating and expressing, unexpected things happen. Happy coincidences occur with the swipe of a brush or an addition of color.

A dash of pink or coral in one place ends up in the wood on the bird house or branches making an ordinary painting sing! Subtle changes in form or line create unusual negative shape. Playful brush strokes end up giving a painting more fluidity, more energy. Each element becomes part of a whole that creates cohesiveness, consistency and energy.

 I’ve written about the “evolution” of a painting before; but each time it happens, I’m still amazed with the process.

I shared with you how the images I see on my bathroom floor in the wet or dry imprints left after a shower inspire ideas. Seeing a “Whirling Dervish,” I did some preliminary research and made my first sketch.

When I transferred the drawing to a larger canvas (18x24), I was struck by how symmetrical it was. I looked at some reference photos I’d found online, and made a second drawing over the first with charcoal. That way, if I changed my mind, I could easily wipe off the charcoal and go back to the first penciled sketch.

I like the second drawing better than the first. Although there are no scimitars, the irregular negative space is much more interesting. Variation in size and position of the prayer dancers, contribute more energy and smoother eye flow. The next time you see this canvas it will be as a finished painting.

Featured Artist
Paul Hilario’s name, style and life match his upbeat name and his paintings.

“My style is eclectic,” Paul says. “I mix and match impressionism with pop, low brow, fauvism, and cubism. You can see that sometimes my backgrounds are impressionist, my light and composition is cubist but my characters are always pop and cartoonish in nature. Most galleries will label my work as naive art."

Paul was featured in 1^st Angel Arts Magazine. To read about Paul and see more of his paintings go to:

http://1stangel.co.uk/talkthetalk/paul-hilario-talks-the-talk-with-1stangel-arts-magazine/