There’s “Nothing new Under the Sun”

"Reggae Night" Acrylic on 18 x 24 canvas (Won Special Recognition, see below)

I was watching a PBS fundraiser featuring music from the Eighties.  All of the colors and geometric patterns of today were alive and well. No matter how advanced and contemporary we believe we are, as the ancient Biblical prophets said in Ecclesiastes 1:9 (NIV):

⁹ What has been will be again,
    what has been done will be done again;
    there is nothing new under the sun.

In most cases, everything has all been said and done before. Our challenge as creators and artists is to take the ideas from the past and remake them into something fresh and exciting. Even contemporary science and technology has its basis in history. Researchers and engineers always build upon the foundation of knowledge and facts established before them.

These molecular building blocks join the past to the present and create promise for the future. You can use these same principles in creating something different and forward thinking from what has worked before. They used to call it “thinking outside the box.” Now they are suggesting we get outside and look within at the interior and find different ways to relate, to see, to think.

(Work-in-Progress "Egrets and Mangroves)

Your own personal perspective generates the diversity and originality of thought that gives you an edge over those who came before you. Your unique skills and experiences shape how you express yourself and define your style. Whether you look within or explore exterior planes, there may be something vital and cutting edge in what you discover.

Being alert to opportunities and emerging trends gives you a head start. There are openings almost everywhere you look. Social media advertises jobs, creative connections and links that may lead to something promising; but along with those ads come risks.

I’ve received an abundance of spam and damaging email links over the past few months; most touting opportunities for jobs or products promising success. Even my medical records were tapped. The up-to-date ways physicians now communicate with patients are being used for profit. I was shocked that my email had been sold to other health advertisers and that the medical portals I once considered sacrosanct were up for grabs.

"Great Egret" 11 x 17 watercolor

Put your own name in a search bar and see how many times it comes up in places you never knew existed. Everywhere you post, comment, and “Like” links back to you. Be alert to scams, dead-end postings and emails. If you have any doubts at all, don’t click on them. They may transfer you to a site where you will be spammed or worse. 

My blog was shut down for several weeks last year from a code I picked up by clicking on one of those links. It took me weeks to track down where the code was embedded on my system. My LinkedIn friends gave me the necessary information to find it and shut it down.

In spite of that there are legitimate sites you can trust and several online contests which prove beneficial. One such place is located at this link:   http://www.art-competition.net/ where I am entered in their March 2016 competition for “Faces.”

I won an “Honorable Mention” for my painting “Reggae Night” shown above, and several weeks of Special Recognition along with other winners at this site: https://www.lightspacetime.com/ Give it a go!

Here are some other verified and authentic contest sites you may want to try:

http://www.theartlist.com/    http://www.asingularcreation.com/calls-to-artists.php http://www.myartcontest.com/  

"Beach Buddies" Oil on 20 x 16 canvas. . .popular with many buyers.

Tools and Technology are an Artist’s Best Friends

FINAL "Stir Fry" 16 x 20 Oil on Canvas -- framed.

I am a risk taker. I like to experiment. Sometimes I get lucky, and sometimes I’m disappointed. I stretch my skills and challenge myself to try different techniques and colors that enliven my palette. There is a certain light or glow I seek that emanates from my paintings. Until I have achieved that look and feel, I am not satisfied.

Using tools to build-up texture that ends up showing through may give you an unusual under painting over which you can layer, wipe off, or touch up with soft color, highlights or added lines.

(Underpainting; notice plastic rake tracks, swirls of color, mounds, etc.)

An artist from Australia, Robert Bosler, suggests that “how you apply paint (your technique) becomes a tool. There are refining techniques and empowering techniques.” Samples of both are at a link below for YouTube.

Tools of the trade for an artist can be digital or as simple as a plastic rake or a handful of tissue paper. 

I enlarge my drawings or photos on my PC to the size of my canvas. This allows me to block in the large items and saves me from always having to draw or transpose detail. Using my paint brush as a drawing tool, I can easily change or add to my composition. The details can be added later.

(This is the final result over that last underpainting--flipped
to portrait position.)

A novice once asked me for information on what it cost me to do a painting. He divided it into parts: supplies, paints, canvas, tools and time spent in the actual painting? 

This picayunish breakdown was designed to belittle me and other artist’s work with little regard to the years it takes to perfect a skill or the knowledge required to assimilate what one sees and to interpret it on canvas.

I gave him a simple mathematical tool to determine costs: Multiply the width of the painting by the length, add any overhead costs the artist may have (leased space / gallery, etc.), add in the cost of a frame or other embellishments. Include in this equation, the artist’s background and notoriety and the worth of a painting is much easier to understand and appreciate. This exercise at least gave him a basis from which to judge.

Reducing a painting to a dime-store print or knock off which has been photographed on canvas and then given a few swipes of paint is an insult. This is not a serious buyer, but a person who wants something for nothing. Walk away!

Common artist tools.

Beginning artists get overwhelmed when they see the big picture and know all the work that must be done to be successful. If this is you, try to slow down and take one piece at a time. A child doesn’t learn how to walk all at once. Neither does success come without a series of mini-steps and hurdles.

Focus on one thing at a time: 

• Prioritize your work list in order
  of importance 
• Do as much as is humanly possible
  in your 24 hour day
• Don’t neglect your health or there
  will be no business
• Small increments of time are better
  than nothing Use down time for planning, organizing your thoughts, and creatively solving problems. When your body is at rest, your mind can take over.

I mentally paint even when I’m not at the canvas. I solve problems in this way. At other times, an idea completely changes and moves in another direction. By the time I’m able to actually work at the canvas, I can move ahead quickly with confidence.

(The palette knife -- a favorite tool!)

Use your time wisely and it can be an asset not a liability. Experiment or you will never get your career off the ground. Don’t hesitate to try new tools or new mediums. You’ll never find your own niche until you do!

(Scrapers, spatulas, sponges, odd-ball tools in a handy bucket)

In addition to your home and kitchen, here is a fun place to look for unusual tools.

American Science & Surplus Catalog   http://www.sciplus.com/

Here is Robert Bosler’s demonstration

https://youtu.be/dvJKYzb4Nt8

A Second video demonstrates how to add texture to giclees

https://youtu.be/O6R4HdDGYLw

Self-Taught Artists Emerge after Grueling Hard Work and Physical Pain

"Cafe Costa Rica" 20x20 acrylic on canvas (SOLD), Prints available

As a self-taught artist myself, I wanted to shine a light on the anguish and healing that many of us share in common. I’ve chosen a few artists that are famous and well-known, and a few who never got above the sad circumstances of their lives until long after their deaths.

Many artists were driven to art in the process of mending from a long-term illness or accident. Once they tasted the sweet wine of creation, they found the healing balm of discovery and newness of life. While their minds and hearts were caught up in the rapture of creativity, they forgot about self-pity and pain and unleashed it instead upon paper, wood and canvas. 

My own early beginnings happened after a painful divorce. Remarkable magic occurs when emotions travel from brain and heart through the arm, into the fingers, down the brush and onto a blank surface. Explosions of the mind keep you focused and stayed on what’s happening before your eyes. The smoothness of paint encourages experimentation and afterward, you are never the same.

Frida Kahlo was born in 1907 and died in 1954. In 1922, she entered the National Preparatory School with the intent to study medicine and medical illustration. Three years later, she was in a near-fatal bus accident, which left her with many broken bones, including her legs, ribs, back, and collarbone. While recovering from the accident, she began to paint.

In 1928, she sought out Diego Rivera, a Mexican Rivera, for advice on her works, and would later marry him. Her paintings were surrealist. She used bright colors, and often depicted Mexican folk themes. Her first one-woman art show was in New York in 1938. In 1953, she had her first solo show in Mexico. Her work began to gain more attention in the 1970s, and many of her works are displayed in her former residence. Her bright outdoor scenes and bold self-portraits continue to amuse and delight us.

(Henri Rousseau -- Fight between a tiger and a buffalo)

Henri Rousseau was a post-Impressionist painter who was born in 1844 and died in 1910. He worked for a lawyer and a toll collector to support his mother and wife. It was his job as a toll collector that would earn him the nickname "Le Douanier" (customs office.) Ridiculed during his lifetime by critics, he came to be recognized as a self-taught genius whose works are of high artistic quality.

Rousseau began to paint in his early 40's and would retire at 49 to focus on painting full-time. He taught himself by copying art displayed at the Louvre, but would go on to establish his own style of painting. His paintings are noted for their flat style and great imagination. His most famous works depict jungle scenes, though he never saw a jungle. Several of his paintings are on display at the Louvre.

Winslow Homer was an American landscape artist who was born in 1836 and died in 1910. He was mainly self-taught and spent 20 years as a commercial illustrator before taking up oil painting full-time. He would open his own studio in New York City in 1859 and started to take classes at the National Academy of Design. By this time, he was already producing a great number of works. His early paintings often depict rural farm scenes. Later paintings would display marine subjects, such as fishermen and boating. He would later become best known for his paintings with marine themes.

Riet van Halder is a Dutch housewife who began to draw and paint at the age of fifty-nine after a voice urged her to do so while she was vacuuming the house.” Her family found it strange to see her suddenly become absorbed in painting. In the Netherlands, she had easy access to a vast array of ink, paint, and other media, which she explored in her art. She preferred paint applied with a multitude of implements on a variety of high quality paper and linen. Fittingly, she used a varied color palette. Her paintings are often densely populated with swirling, free form human and animal figures, which have predominately benevolent expressions.

“Her drawings are a response to an imagined world that is revealed, dreamlike, in the act of drawing and painting.” She explained that after finishing a work she was as captured by its beauty and mystery as a first time viewer. In 2004, her ability to create was ended abruptly by chemotherapy, which she received for a melanoma on her ear.

Woodie Long grew up in a family of twelve in a racially mixed sharecropping community in Plant City, Florida. As a young man, he worked as a sharecropper and itinerant laborer. He told me that he had picked just about every crop that existed in the southeastern US. Most of his life, Long was employed as a professional contract painter. This work took him as far as Saudi Arabia, where he met his wife, Dot. Long said that there he became acquainted with the Prince, now King, while painting the Palace and other Royal buildings. Dot and Woodie subsequently traveled for a year in Southeast Asia before they settled in south Alabama to be near family.

Long began his memory paintings in 1988 while recuperating from a respiratory illness brought on by long-term exposure to oil paint. 

He was a great storyteller, and was often encouraged by family and friends to recount his own experiences. He saw his wife’s hobby watercolor set as a good way to record his memories. Long certainly knew how to handle a brush and during his career had experimented occasionally with painting figures. He told me that on jobs, he often created a large image on each wall before painting over it.

Melissa Polhamus was born in Ludwigsburg, Germany. She is the adopted daughter of a U.S. military serviceman and his wife and grew up in several different East Coast military towns. She earned a degree in history from Virginia Polytechnic University. “In 1989, she began to draw from her own imagination while recuperating from depression suffered in the wake of an automobile accident.”

Polhamus is self-taught as an artist. Her undiluted watercolor and ink drawings are characterized by intense, densely fragmented compositions. “She has described the process of creating these works as entirely spontaneous and intuitive.” They have a dreamlike narrative quality in which convoluted environments are typically inhabited by cartoonish clothed figures as they carry out various activities that are alternately mundane, mysterious, or sinister, through a labyrinth of interconnected spaces. “Her drawings often include peculiar vehicles, weaponry, musical instruments, stylized vegetation and jaggedly geometric patterns that contribute to a pervasive sense of anxiety.” They are mysteriously compelling and consistently original in style. From a distance, the palette and patterns of her work may resemble certain Mexican Folk drawings.

Thank you to the following Gallery for providing these bios and paintings:

Mud Pies, Pottery and Mankind’s Passion to Create

"India Rising -- the Lost"  24x18 acrylic on canvas (based on legend)

Why I didn’t go into pottery, I’ll never know. As a child I loved puttering with clay. Its sensual pliable warmth gave me my first thirsting for creativity. 

In grade school, a classmate and I made some clay figures. Our teacher gave us two empty cubby holes to use, and we fashioned a home for our two families that even included two dogs and a cat.

Our imaginations went wild as we moved our stubby people from place to place. We spoke for them, barked and meowed for them, and created furniture for them to use for meals, sleeping and being together. Our primitive characters came alive under our fingertips and tutelage.

I did some research and discovered the “Daily Mail” and in their “Science & Technology Section” an article on the history of clay works:

“Prehistoric pottery shows that man mastered clay 17,500 years ago - before we settled and became farmers.” That means man actually made animal figures artistically before there is a record of clay being used for functional purposes.

• “Finds prove that man mastered pottery 17,500 years ago
• “Pottery may have been invented - and forgotten - several times in human history
• “Later, technology was used for carving animals - NOT for making cooking vessels
• “Discovery came from before time when humans settled down into farming communities”

By Rob Waugh

“Earlier theories have held that the invention of pottery happened during the period about 10,000 years ago when humans moved from being hunter-gathers to farmers.

“But our ancestors didn't use the technique to make pots - instead, they created ceramic animals using clays baked in ovens.

“The finds - along with other recent discoveries in China - have forced scientists to rethink the history of pottery. It's now thought that the use of ceramics was invented - and forgotten - several times during history by different societies.

“The new find in modern-day Croatia is evidence of a community of prehistoric artists and craftspeople who ‘invented’ ceramics during the last Ice Age – thousands of years before pottery became commonplace.” As an artist, I find this positively amazing!

"Hey, Coconut, Mon!"  16 x 20 mixed media on canvas

And from the late Robert Genn:

“The Big Picture

“In life, in art, a major problem is failing to see the big picture. Individual parts may be just fine but the overall doesn't get off the ground. Together with your individual sensitivity and your own vision, what you're looking for is strength, pattern and character. We're talking art here: 

• “Go a long way back; I mean a long way--into the other room. 
• “Small room?--look at it through binoculars--backwards.
• “Look at it in a mirror.
• “Half close your eyes and look at it. 
• “Half close your eyes and work on it. 
• “If you're working from a slide, throw the projector out of focus and find the compositional faults. 
• “If you're working from a color photo, run it through a black-and-white photocopier and find the faults. 
• “If you're working from your head, try holding pieces of toned paper here and there to see improvements by adding color.
•  “If you're working on location, don't let yourself be tyrannized by the scene. Keep asking, "What could be?
• “If you're working on location, look through the viewfinder of a camera without taking the picture.” 

 “It's easier to get the big picture in a little picture, so think of your big picture as a little picture and your big picture will fly.”  Well said!

Robert & Sara Genn Twice-Weekly Letter

Below:  "Prayer Circles" acrylic on canvas

The Time for Growing is Now -- Why Wait Until You’re Too Old to Dream?

(My African Violets)

Today, one of the things on my “To Do” list was “find pots and plant Christmas cactus and Amaryllis.” The cactus was a broken branch that I discovered on the original plant. It was barely hanging on and was shriveling up for lack of moisture. I plopped it into a glass of water and watched it not only take root but come back to life. Now it would become the basis for another beautiful cactus.

The Amaryllis was a large bulb my son had given me a few years ago. The first year it had nine enormous blooms!  I didn’t know how to preserve the bulb and mistakenly put it in a paper bag in my refrigerator (“store in dark cool place, right?”). Wrong!  Apparently, the lack of air and the interaction with other produce is deadly to the root.

When I discovered this, I pulled it out, re-potted it and prayed for the best. For almost two years it failed to bloom. I kept caring for it hoping that some day it would not only reach for the light, but flower. Last year I got my wish. We had 12 blooms from this amazing bulb. Now because of cooler temperatures mid-winter, she is blooming again. We’ll see what happens. I keep this plant on my lanai, which is Florida speak for screened in patio.

I love to experiment with plants. My African violets, a gift from my oldest daughter, are blooming in my kitchen window. My Kalanchoe Jeans were in two pots. I planted them directly into the ground (after all, this is the “Tropics.”) and they are now blooming their hearts out. You can get almost anything to grow down here. The only thing I’ve had trouble with is Hydrangeas. Something about the sandy soil and the acidic quality it lacks. Even adding nutrients didn’t work.

(Kalanchoe Jean)

 It’s fascinating the way plants and animals alike take root and thrive in places where they feel grounded and comfortable. Give me a place where I can settle in and make my nest and I’m happy. In fact, you can turn a tiny apartment into a show place or a hovel into a home. It’s all about attitude and the skill to “make do.”

When I was a young newlywed, I learned how to use an old Singer sewing machine that was once my grandmother's. I made quilted and stitched quilt squares and circles that adorned our bare walls. I would purchase fabric remnants and imagine what I could do with them. I didn’t realize it at the time, but that was the beginnings of my art career.

Art is all about beautifying space or making a statement. Look around at where you are right now. What could you do to enhance the space you’re in and the budget you have to work with? As one photographer said, “Find beauty in imperfection;” you can improvise and capitalize on what you have on hand.

This lovely Tiger Lily was a "jumping off" place for my imagination, and it inspired me to paint "Namesake" below, using acrylics on canvas. Let your thoughts run wild and then settle on the idea that drives you! 

 Creativity isn’t always about “selling” things or becoming famous. It’s about completing yourself and challenging yourself to become what you were meant to be and to do. 

Allowing yourself to spread your roots and grow in the direction that satisfies your long-held yearnings will make you happy. Begin creating now. Don’t wait until you’re too old to dream or imagine. Turn your “imperfection” into beauty.

(Lichen growing on a Southern Pine stump)

What do Artistic People create and why do they do it?

"Home at Last" 16 x 20 acrylic on canvas

As an artist, I’ve thought a lot about that question. What is it that makes me create and why do I do it? Perhaps my answers will also be yours:

An artist wants to share what touches him or her visually and emotionally, and may find it difficult to impart these feelings in any other way.

Artists have a driving passion to put down on paper or canvas the experiences in their hearts and souls that would either cause them to explode in joyful ecstasy or painful agony if not expressed. Artists and writers often share these same passions, but articulate them through different mediums.

We all have a need for intimacy, some people more than others. When someone views an artist’s work it is like inviting them to share an intimate moment of our personality and perspective on life.

"First Daffodil" 16 x 20 acrylic on canvas; model Kayla Dahm

An artist may create a mini-story, a glimpse into the human soul, a taste of the human condition, or they may take us on a wonderful adventure either through realism or exciting plains of color and movement.

The viewer may virtually walk the terrain of uncharted territory, explore the shape and form of facial structure, and fathom in a new way the miracle of life, the struggle of humanity, or the joy of rebirth.

By altering line, angle and space through color, light and shadow, an artist controls the mood and mind of the viewer and leads them on an intimate journey around the canvas and back again to the focal point or center of interest.

Viewers are rarely aware of the invisible companion who leads them from one point to another as the story unfolds. When the onlooker experiences pleasure, happiness, or darkness the artist has done his or her job.

“So this is what old age brings?” an observer may comment on seeing an unfulfilled wastrel lamenting over his fateful actions.

"Reggae Night" acrylic on canvas

“That’s exactly how I felt when I was dancing,” says another, as they sway in their mind and remember the cadence of drums, sand, and the smells and sounds of the Caribbean. As an artist, you brushed this scene onto canvas using your own fond memories where they lingered playfully in your mind waiting for you to give them the breath of life.

Fulfillment happens when the artwork is finished not when it’s viewed, commented on, or sold. As artists we rarely get to see or know the experience of the viewer, or whether they perceived our art in the same way as we created it. 

Once we have “put it all out there,” we have done our part. The rest is up to chance, fate, or destiny. For some of us, it is a blessing from God for which we are eternally grateful and joyful.

"Blending In" 11 x 14 acrylic on panel (The feathers replicate the petals, which is how I
saw this scene and painted it.)

We learn from our Mistakes, even when we repeat them

"Flash Dance" was not juried in, but continues to be one of my favorites!

I don’t know about you, but I get frustrated with myself. I seem to learn everything the hard way. “Why can’t you do it right, the first time,” I chide myself. “Why does it have to be so doggone hard?”

Not until I’ve done something more than a few times do I get the hang of it. I’m left handed by nature and birth, but was forced into using my right hand. My brain never adjusted. I have frequent bouts throughout the day where I reverse things during the thought process. I know I’m supposed to turn on the right front burner of the stove, but when I’m finished with the action, the back left burner is turning hot.

It happens more than I care to mention. I’ve been known to try to go down an up escalator, especially under stress, and reverse numbers or text in my head when I’m working on a newsletter. Luckily the errors are glaring when I print out a proof copy.

"The Perfect Ending" was not juried in, but continues to be popular online.

And why is it so easy to overlook a composition fluke or the way an object overlaps and turns to create shadow? Because artwork is really about teaching people how to see, including me. Some people are more detailed than others. There are not only intellectual choices to be made, but intuitive ones that come from experience.

Beginning artists should not give up because the learning curve is long. Over time, you will master the techniques and foundational skills that make the difference between novice and professional. Even seasoned artists make mistakes. But they have weathered the storms of criticism and error. They have found ways to accommodate mistakes and have discovered dynamic artistic surprises in the process.

When the confluence of color and line diverge in ways to capture the viewer’s attention and lead them through pathways you’ve created, exciting things happen. Energy, emotion, and pure delight emerge and create sensations that effect lasting impressions. This is the mark of perfection and success.

"Home at Last" was not juried in because they didn't like the frame.

Remember, if you’re not excited by your creation, it isn’t likely anyone else will be, either. On the other hand, if you are able to harness your passion and express it on canvas, others will feel it, too, and be drawn to the vibrancy of your vision.

Don’t worry about the canvases that go unsold, or the ones you may paint over. It’s all part of the experience. Nothing needs to go to waste. Watercolorists often cut out small portions of a ruined painting and frame petite ones that sell well on the market.

I've had a few paintings rejected in juried competition that later sold. I continue to sell prints from the originals. It’s all in the “eye of the beholder.” If you feel strongly about what you’re doing, eventually other people will feel it and become buyers.

"The Pose" a barred owl on my daughter's porch. (Acrylic on canvas)

The Wounded Warriors within our Ranks

"Broken Hearted" 11 x  14 pastel on Bristol

There are hundreds of outstanding artists who either have a disability or work at what they love with debilitating pain or discomfort. If that describes your circumstances, I want to hear from you.

Artist’s have much to share with each other. When the darkness comes, the pain cripples or the heart is grieving, welcome relief comes when we share our stories with others and reach out to someone else in need.

My arthritis is making it more and more difficult to paint or draw. And now stomach issues prevent me, at least for a time, from taking pain meds. I’ve purposely kept on typing because it keeps my fingers loose, but I’m limited to shorter and shorter time periods.

"Moody Blues" 16 x 20 mixed media on canvas

After a short time at the keyboard, my hands cramp up and stiffen into a claw and I can’t move at all. I will say that once I’m painting, I forget the difficulty and get lost in this marvelous thing we call art. I’m still limited, and work in two-hour sessions, but I keep on keeping on.

When I start to feel sorry for myself, I think about those artists who paint with their teeth or their feet. These great souls of courage persevere in spite of their disabilities. Art is therapy. Art is depth and feeling. Art is the expression of faith, gratitude and pain. Art captures the details that others miss and examines or exaggerates their complexities and simplicity.

"Broken" 9 x 12 mixed media on panel SOLD; prints available

Van Gogh is one of the best examples of a troubled artist who continued to paint his vision of nature; his vision of life. His struggles and emotional pain clarified the world he painted and made it all the more poignant for us.

Degas tied his stiff arthritic fingers to his paint brushes and continued to work up to his death. His works are timeless. He poured out energy, tears, and heart into every brush stroke.

Scars tell us where we’ve been. They also remind us of past sorrows and tragedy. Sometimes Army buddies compare wounds and talk about their battle scars and shared trauma. Scars are the visible testimony of their anguish and pain.

"A Joyful Heart" 9 x 12 pastel on Bristol

Some wounds are invisible to others. Their pain is felt deep within the human soul. The scars left behind are not easily shared, and other people doubt that they exist. These wounds are the most devastating because our sanity is questioned; our experiences are belittled or denied. We have no physical wounds to show others. These internal scars go deep. They are slow to heal. Sometimes the pain goes unnoticed or ignored for a lifetime and affect our relationship with others.

How do you see grief; except for a sad countenance? Grief that is held in too long may cause ill health. Unshed tears may prolong the healing. Without an outlet or a voice, the spirit may be crushed to the breaking point. Thank God for art. Truly God has led me through it (pain) and around it.

"Sunset on the Nile"  22 x 28  acrylic on canvas

Wear any physical and emotional scars like a personal badge of courage, friends. Use your pain to help others see the world through your eyes. Create like your life depended on it because it does.