There’s “Nothing new Under the Sun”

"Reggae Night" Acrylic on 18 x 24 canvas (Won Special Recognition, see below)

I was watching a PBS fundraiser featuring music from the Eighties.  All of the colors and geometric patterns of today were alive and well. No matter how advanced and contemporary we believe we are, as the ancient Biblical prophets said in Ecclesiastes 1:9 (NIV):

⁹ What has been will be again,
    what has been done will be done again;
    there is nothing new under the sun.

In most cases, everything has all been said and done before. Our challenge as creators and artists is to take the ideas from the past and remake them into something fresh and exciting. Even contemporary science and technology has its basis in history. Researchers and engineers always build upon the foundation of knowledge and facts established before them.

These molecular building blocks join the past to the present and create promise for the future. You can use these same principles in creating something different and forward thinking from what has worked before. They used to call it “thinking outside the box.” Now they are suggesting we get outside and look within at the interior and find different ways to relate, to see, to think.

(Work-in-Progress "Egrets and Mangroves)

Your own personal perspective generates the diversity and originality of thought that gives you an edge over those who came before you. Your unique skills and experiences shape how you express yourself and define your style. Whether you look within or explore exterior planes, there may be something vital and cutting edge in what you discover.

Being alert to opportunities and emerging trends gives you a head start. There are openings almost everywhere you look. Social media advertises jobs, creative connections and links that may lead to something promising; but along with those ads come risks.

I’ve received an abundance of spam and damaging email links over the past few months; most touting opportunities for jobs or products promising success. Even my medical records were tapped. The up-to-date ways physicians now communicate with patients are being used for profit. I was shocked that my email had been sold to other health advertisers and that the medical portals I once considered sacrosanct were up for grabs.

"Great Egret" 11 x 17 watercolor

Put your own name in a search bar and see how many times it comes up in places you never knew existed. Everywhere you post, comment, and “Like” links back to you. Be alert to scams, dead-end postings and emails. If you have any doubts at all, don’t click on them. They may transfer you to a site where you will be spammed or worse. 

My blog was shut down for several weeks last year from a code I picked up by clicking on one of those links. It took me weeks to track down where the code was embedded on my system. My LinkedIn friends gave me the necessary information to find it and shut it down.

In spite of that there are legitimate sites you can trust and several online contests which prove beneficial. One such place is located at this link:   http://www.art-competition.net/ where I am entered in their March 2016 competition for “Faces.”

I won an “Honorable Mention” for my painting “Reggae Night” shown above, and several weeks of Special Recognition along with other winners at this site: https://www.lightspacetime.com/ Give it a go!

Here are some other verified and authentic contest sites you may want to try:

http://www.theartlist.com/    http://www.asingularcreation.com/calls-to-artists.php http://www.myartcontest.com/  

"Beach Buddies" Oil on 20 x 16 canvas. . .popular with many buyers.

Choose your Preference: Experienced, Mature, or Seasoned Professional?

"Release" 24 x 30 mixed media on canvas. (Currently adding two smaller side panels)

The “Old Masters” offered artists the fundamentals of drawing, painting, and envisioning. Today we shun the label “old” preferring “mature” or “seasoned” to describe our depth of Professionalism, whether as an athlete, a writer, a musician or an artist; it’s all in how you look at it.

In reading the “Life of Pi” this statement caught my eye: “Life can either be a dry, yeastless factuality, or the better story.”

I don’t know about you, but I want my life to be the “better story!” I want everything I do to reflect what I am and who I am. I want my voice to resound with truth and clarity. I want my paintings to sing, my words to dance, and my vision to connect with others. I want to live my life with passion and enthusiasm.

Still, in comparison to the Masters, I’m a novice. I’m still a student learning from my mistakes, and struggling to become better.

"Cafe Costa Rica" acrylic on 20 x 20 canvas in floating frame

In an article written by J. Thomas Soltesz called: “Everything I Need to Know I Learned in Kindergarten” posted in the April 2007 issue of “the artists magazine,” this truth hit me square in the face. “To me,” Soltesz said, “the most important aspects of painting are to be able to see, remember what you see, and have the skills to reinterpret what you see in unique and beautiful ways.”

I try to do this, but sometimes my efforts are met with frustration and the risk of being misunderstood. Many of my landscapes have an abstract quality that veers from realism. Some traditional artists are taken aback and offended; others see the vision or the feeling I’m trying to convey. In taking risks, we all face the dilemma of exploring new ground on the cutting edge, or of caving in to safety by producing what everyone else is doing.

"Sunset on the Nile" 24 x 30 acrylic on canvas in silver frame

I acknowledge that I sometimes go out on a limb. I try something different and sometimes it works and sometimes it doesn’t. But we have to try! Like many self-taught artists, I fell into a few traps in the beginning.

Soltesz goes on to say “Simplicity is key: It’s the simple color changes and blending of edges that ultimately determine whether the painting works or not. For example, the experienced painter tries to see what he can leave out of a painting to make it successful, while the beginner puts everything in.”

Does this sound familiar? He continues: “Know where you’re going. See the painting already complete on the canvas before you start. Richard Schmid is the master of what I call ‘realism out of abstraction,’ which he describes the way the retina actually sees images, focusing on one area of contrast and making the rest an abstraction.”

"Kelly's Rose" mixed media on wood panel

When I read this article, it was like Thomas was speaking right at me. Another concern I have is that my portfolio is too diverse going from serious portraits to contemporary paintings to illustrations and cartooning. I was so pleased to read his closing comments:

“Always challenge yourself to explore new avenues to avoid falling into a rut.” Amen!

Ace Hardware has a new sales slogan: “Find Your Soul Paint.”  I’m making it my own in reverse: “Paint Your Soul.”