There is Art and then there is Art

FINAL "Egrets and Mangroves" 14 x 18 acrylic on canvas; original in barn wood frame

Because the appreciation of art is subjective and personal, it is difficult to define what is and what isn’t. There are standards and elements that may be judged in one way or another; but here again, the perspective of the judge is also a personal opinion call.

I admire people who experiment and risk all in their creative journey. Sometimes you don’t know what will work unless you give it a try. In art and fashion I hate the claim that “One size fits all.” They never do! That one size may drown a small person or embarrass those who are too large.

Painting styles and techniques are never the same either. New artists may copy their teacher or the masters until they discover what works best for them. But you never will if you don't explore on your own the possibilities.

One such experimenter was Charley Harper, Illustrator. Some of his bird artwork was presented on Antiques Roadshow in Iowa a few weeks ago. The owner was amazed that at auction the suggested going price was between $12,000 to $24,000 each. 

According to the Roadshow expert, Harper’s work is a “hot” item. His style blends in well with today’s contemporary straight lines and patterns. On Charley’s professional web site we learn that:

“Charley Harper's unique minimalist approach is unmistakable. From his groundbreaking mid-century illustrations for Ford Times Magazine and Golden Books and his impeccably composed posters for the National Parks and other wildlife organizations, to his whimsical serigraph and giclée prints, Charley Harper's art is a beloved treasure and an inspiration to an entire generation of artists and designers.”

In a style Harper called "minimal realism", Charley Harper captures the essence of his subjects with the fewest possible visual elements. When asked to describe his unique visual style, Charley responded:

"When I look at a wildlife or nature subject, I don't see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures.

"I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lays the lure of the painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe."

He contrasted his nature-oriented artwork with the realism of John James Audubon, drawing influence from Cubism, Minimalism, Einsteinium physics and countless other developments in Modern art and science. His style distilled and simplified complex organisms and natural subjects, yet they are often arranged in a complex fashion. On the subject of his simplified forms, Harper noted:

"I don't think there was much resistance to the way I simplified things. I think everybody understood that. Some people liked it and others didn't care for it. There's some who want to count all the feathers in the wings and then others who never think about counting the feathers, like me."

The results are bold, colorful, and often whimsical. The designer Todd Oldham wrote of Harper, "Charley's inspired yet accurate color sense is undeniable, and when combined with the precision he exacts on rendering only the most important details, one is always left with a sense of awe."

https://charleyharperartstudio.com/

Charley, on numerous examples, also went outside the medium of graphic art and included short prose poems for the artwork he made. We can learn so much from Harper's life and illustrations. Whatever you decide to do as you develop your artistic style, enjoy it and love what you do!  (I decided to add my tiger painting below as it's a similar composition as Charley's but in a far different style)

"Namesake" 24 x 18 acrylic on canvas

There’s “Nothing new Under the Sun”

"Reggae Night" Acrylic on 18 x 24 canvas (Won Special Recognition, see below)

I was watching a PBS fundraiser featuring music from the Eighties.  All of the colors and geometric patterns of today were alive and well. No matter how advanced and contemporary we believe we are, as the ancient Biblical prophets said in Ecclesiastes 1:9 (NIV):

⁹ What has been will be again,
    what has been done will be done again;
    there is nothing new under the sun.

In most cases, everything has all been said and done before. Our challenge as creators and artists is to take the ideas from the past and remake them into something fresh and exciting. Even contemporary science and technology has its basis in history. Researchers and engineers always build upon the foundation of knowledge and facts established before them.

These molecular building blocks join the past to the present and create promise for the future. You can use these same principles in creating something different and forward thinking from what has worked before. They used to call it “thinking outside the box.” Now they are suggesting we get outside and look within at the interior and find different ways to relate, to see, to think.

(Work-in-Progress "Egrets and Mangroves)

Your own personal perspective generates the diversity and originality of thought that gives you an edge over those who came before you. Your unique skills and experiences shape how you express yourself and define your style. Whether you look within or explore exterior planes, there may be something vital and cutting edge in what you discover.

Being alert to opportunities and emerging trends gives you a head start. There are openings almost everywhere you look. Social media advertises jobs, creative connections and links that may lead to something promising; but along with those ads come risks.

I’ve received an abundance of spam and damaging email links over the past few months; most touting opportunities for jobs or products promising success. Even my medical records were tapped. The up-to-date ways physicians now communicate with patients are being used for profit. I was shocked that my email had been sold to other health advertisers and that the medical portals I once considered sacrosanct were up for grabs.

"Great Egret" 11 x 17 watercolor

Put your own name in a search bar and see how many times it comes up in places you never knew existed. Everywhere you post, comment, and “Like” links back to you. Be alert to scams, dead-end postings and emails. If you have any doubts at all, don’t click on them. They may transfer you to a site where you will be spammed or worse. 

My blog was shut down for several weeks last year from a code I picked up by clicking on one of those links. It took me weeks to track down where the code was embedded on my system. My LinkedIn friends gave me the necessary information to find it and shut it down.

In spite of that there are legitimate sites you can trust and several online contests which prove beneficial. One such place is located at this link:   http://www.art-competition.net/ where I am entered in their March 2016 competition for “Faces.”

I won an “Honorable Mention” for my painting “Reggae Night” shown above, and several weeks of Special Recognition along with other winners at this site: https://www.lightspacetime.com/ Give it a go!

Here are some other verified and authentic contest sites you may want to try:

http://www.theartlist.com/    http://www.asingularcreation.com/calls-to-artists.php http://www.myartcontest.com/  

"Beach Buddies" Oil on 20 x 16 canvas. . .popular with many buyers.

The Mating Game is a Fascinating Dance of Chemistry and Attraction

"This will be perfect!"

I'm not a photographer, but sometimes I get lucky and come up with a winning photo or two. I decided to repost one of my favorite blogs with photos.  

Mating season is underway here in Florida. The other day, I drove into a parking lot and nearly mowed down a great egret that was wandering about in a drunken erotical swagger. In the movie Bambi, Disney’s Thumper called it “twitterpated;” and by the flashy green down between the egret’s eyes and bill, I had to agree with that spunky rabbit. 

Being twitterpated is not limited to birds. Alligators get downright mean and nasty when the urge to mate overtakes them. One lusty gator saw its reflection in the sliding glass door of a local resident and pursued the image aggressively thinking it was a prospective mate. The terrified homeowner called animal control when the twitterpated reptile stood upright against the glass to “get a little closer.” Lucky for her the door held until local authorities arrived. 

One memorable morning, a “testy” gator proceeded to crawl across the road in front of me. Apparently a grate at the edge of the pond prevented the gator from swimming under the roadway to the other side, presumably, to meet its prospective mate. The gator drew quite a crowd as it hissed and snarled across the asphalt, warning passers by to stay their distance.

"This will be a fine nest."

Even anoles get in the act; pumping their bright red throat fans to impress the opposite sex. This undulating process goes on all summer and into fall as these lizard-like creatures mate and nest. During the winter months, anoles and lizards hibernate, and I rarely see them scurrying across my path.

Love bugs are another southern phenomenon. These red-headed black bugs spend their entire adult life copulating. The male and female attach themselves at the rear and remain that way even while flying. They splatter themselves over windshields and car radiators from April through May.

Shortly after mating, the love bug male dies; but that doesn't dampen the female's incredible urge to reproduce. She simply drags her dead mate around until she lays her eggs in the grass; and then she dies, most likely from exhaustion. Her eggs will hatch in the warmth of rotting grass mulch and become the next season's wave of love-bugs.

"Do I smell alll right?"

Squirrels in my neighborhood get downright silly during the mating season, which usually happens two or three times a year. They showoff, turn backward somersaults, and play games like “twitch” the tail and “tag you’re it!”

For two seasons running, squirrels built their nest in our cabbage palm. The mated pair cleaned and secured their nest in the spiked bark that protruded from the top of the tree. Their nest included escape tunnels and front and back points of entry.

During the gestation period, all was quiet except for excursions, in turns, by the parents to obtain food. After about two plus weeks of silence, three babies appeared. The youngsters brazenly crept to the edge of the palm fronds that made up their front porch and peeked over the side. Before long, they were chasing each other through the tunnels and playing “hump” games in preparation for future mating and nesting experiences of their own.

"It's a long way down, father. Will our babies be safe?"

When the squirrel mama decided her litter was ready for life outside the nest, she carried each baby by the scruff of its neck much the same way a cat carries its kittens. One by one the tiny squirrels were transported to a nearby live oak. The process was repeated until all three babes were safe. 

Two families of squirrels were born and nurtured in my cabbage palm, and then hurricane Charlie whipped through the area and scattered the nesting bark to the far winds. Many times the squirrels and their offspring returned perplexed, sniffing and searching my cabbage palm for evidence of their former home. I miss those squirrels.

"Three Newborns" (photo a little blurry -- they move around fast!)

Remodeling Blues have put a Crimp in my Plans

"Arabesque" oil on canvas

My husband and I decided that putting new cabinets in the kitchen and vanities/sinks in the bathroom was a must this year. The original woodwork was a slapdash effort by the builder 20 years ago to come in under budget and on deadline. We were not aware of this until my husband put storage cabinets in our garage and discovered that the inexpensive white laminates sold by Home Depot were the exact same ones as in our kitchen and bathrooms.

Our project was supposed to start one week ago, and we’re still waiting. Living out of suitcases and boxes is much like camping out. We’ve also been eating a lot of T.V. dinners and dining out. Finding space and time to paint has been difficult.

I appreciate the inspiration I continue to glean from all of you, and from the late Robert Genn and his daughter Sara who keeps up their traditional newsletter. These two quotes were my favorites:

"Where you struggle, there lies your treasure." (Joseph Campbell)

Think about this! The things you work the hardest for are usually worth more to you than the simple enjoyable pleasures that last only a short time. Trying to master a new skill, a new language, or working on a relationship that you recognize as important is worth the effort and the tears because the final product or result will be priceless!

Where does your treasure lie? What do you put the most time into? When you’re finished, will you be a stronger and better person than before? This is a good measuring stick or criteria from which to build. “Where you struggle, there lies your treasure.”

"Release -- my Trail of Tears" mixed media on canvas

I devoted one of my paintings to Campbell for this quote: “Art is the Set of Wings to carry you out of your own entanglement.” The painting: “Release – my Trail of Tears” was a real metamorphose of color and emotion for me. My son had given me "A Joseph Campbell Companion" several years ago, and the quotes are profound and stick in your mind.

Here’s another beauty: "What the caterpillar calls the end of the world, the master calls a butterfly." (Richard Bach)

When we fail, we see it as a disaster. Like the caterpillar, we may think our life, our career, our romance is over. But if we’re patient, if we’re willing to try again, we may discover something new and wonderful! A fragile butterfly may emerge from the ashes of our defeat and lift us into new spheres of possibility. 

I’ve had to face a lot of obstacles recently. My career has been in a slump and one crisis has replaced another in my efforts to gain a foothold. Life may slow me down, but I will not be deterred. How about you?

"The Perfect Ending" acrylic on canvas

Giving Yourself Permission to Fly

"Arabesque" 14x18 oil on canvas

Do you notice how often you hold yourself back with negative thinking? “I’m not good enough. I don’t want to make a fool out of myself. Others may think I’m weird. Who am I to compete with the “pros?” And on and on, we tear ourselves down.

When we let ourselves go, when we “let it all hang out,” so to speak, we acknowledge that we trust our own instincts and ideas. We give ourselves permission to try, to experiment, and to create what is uniquely ours. This requires boldness and courage on our part. But there is no other way.

"Anhinga in Paradise" 16x20 watercolor

If we want to excel, to soar, and to release the grandeur that is in us. We must let go of fear, doubt, and dependency. We must stand alone and seek our own place in the sun. We must value our own opinions and ideas at least as much as we value others.

Skill cannot be increased if we decrease the motivation behind it. We add fuel to our dreams when we fan the flames of confidence and hope. Strength comes gradually as we forge ahead in spite of fear. We keep working toward our goal, letting go of the things that weigh us down or hold us back.

"Loggerhead Shrike in Springtime" 16x20 acrylic on panel

The adage “If at first you don’t succeed, try, try again,” may be old, but the concept is still fresh and new. We must pick ourselves up after we fall or fail, and try again. Repeating this behavior over and over again will eventually lead to success.

Hard work, blood, sweat and tears are still the only way to achieve anything worthwhile. If you take the easy way out or cheat on the principles, you end up hurting yourself.

A friend of mine had a mentally disabled child.  She started standing and walking before she learned to crawl. There were many things she did “out of order” and her brain had devised alternative patterns that slowed down and impeded her mental development.

Volunteers came in each day to work with the child. They moved her young legs across the floor and taught her how to crawl. They worked with her hands, and played games to provide new patterning for her brain.

"Berry Christmas" 16x20 acrylic on panel

In God’s wisdom, a person must learn to crawl before he can walk. He must learn to read before he can gain knowledge. He must practice before he can play or perform.

These are the same patterns and “models” for success. Developing skill is difficult, but it is essential. Talent is a plus. Love and desire are important components. But practice and hard work are the wings on which we fly.

"Sandhill Cranes at Twilight" 24x30 mixed-med on canvas

Featured Artist
Light & shadow video by Stan Prokopenko

Spring Green, Lime Green, and Fern Green are Hot Trends

In the 70s, I had a hallway that had light green walls, white baseboards and door, and a black table. Flipping through a current “Better Homes and Gardens” magazine, I discovered those same colors are a new trend teemed up with orange, hot pink or watermelon accessories.

Trends come and go; they also get revived and recycled. The problem is so does taste in fashion and art. Instead of buying art for aesthetic reasons or because of how it makes you feel, people buy art to decorate a room or to add a pop of color.

It has always been so. Our day and age is no different. At least there is a reviving interest in the arts, if only for its ability to shock or entertain. Street artists and their messages of activism and boldness are exposing more people to art and its impact on political action.

Chalk artists spend hours on three-dimensional art that is often a singular experience enjoyed by a few. Temporary by nature, better ways are being found to save and preserve these artistic expressions by housing them in covered walkways and on interior walls. 

Acrylic paints enable bigger and broader coverage that is changing the urban scene and filling its dark decaying walls with hope and color.

Artist Joe Bucci, who combines impressionist and expressionist styles was featured in a June “the Artist Magazine.” I was impressed with his colorful landscapes and his use of vibrant color.

Speaking about the changing art scene down through the centuries, Joe said: “one thing hasn’t changed: in order for a visual statement to become art, it must have an abstract quality. It’s not enough that a painting be a picture of something—it must communicate via composition, shape, color, rhythm, line, texture, mass and planes (visual or ‘plastic’ elements).

“The skill that causes an outstanding artist to rise above the pack is not the talent to draw or paint objects, but the ability to see relationships between those visual or "plastic" elements and their relationship to the artist's overall vision.”

How well an artist pulls this relationship off makes the difference between remarkable art that's remembered or so-so art that's soon forgotten.

Featured Artist

Deb Haugen – the “Organic Artist” has been featured in galleries and museums, and has won many prizes and awards. Deb is from Malibu, California. Here is a fantastic sample of one of her paintings. To see more of her work, go to Deb’s facebook page (see below):

http://www.facebook.com/pages/Deb-Haugenthe-organic-artist/112218349805?ref=stream#!/pages/Deb-Haugenthe-organic-artist/112218349805

"Swamp Angel"

Swamp Angel was inspired by a trip to Babcock Ranch, a wonderful place north of Fort Myers. The diverse lay of the land includes swamps, pastures, wetlands, and glimpses of wading birds, alligators, cracker cattle, and panthers (if you're lucky).

Painting is 16x20 oil on canvas; $325 w/o frame. Free U.S. shipping; Plus shipping outside U.S. For giclees, prints, or cards please go to:
http://carol-allen-anfinsen.fineartamerica.com/

"Arabesque," egrets in flight

Another beautiful day in paradise. This is what living in southern Florida is like; there's always something to see, another new thing to learn, a wealth of nature's bounty right at my doorstep.

Today was no different. The Alligator Flag are in full bloom. This large leafed plant may grow up to 12 feet tall, sprouting slender stalks of odd-shaped purple flowers at its peak. The winter snowbirds who flock to our community usually miss their bright green leaves which frame the ponds and lakes from June through November.

Sometimes called arrowroot or fireflag, the plant announces the beginning of the summer season, and the end of fall when they wither into wheat-colored shards, dry and crisp.

Next to the flag is a gray wood piling that juts from the pond and serves as perch for the anhingas in the area. Today a new bird paid a visit. At first I thought it was a snowy egret, but noticed that the bill was shorter and thicker. The legs were blackish, but without the yellow feet attached. The bird was also too small for an egret.

I filed away an image of the bird in my head until I could refer to my audubon guide. According to the description, my visitor was an "immature" little blue heron. My reading explained why the legs didn't look black; they were actually a "dull slaty olive." In time, this juvenile will sprout the slate-blue wings and body of its parent and the long purplish back and head plumes of courtship.

As I walked past the second lake on my journey, a piercing "killdee" turned my head. Three killdeer, members of the plover family, had seen me before I had seen them. They scissor-stepped across the grass, heading closer to water's edge; their ear-piercing shrieks loud in my ears.

The killdeer are brown above and white below, with two black-striped chest bands; a striking contrast against the brilliant white chest feathers. Up close, the killdeer's black eyes pop out against a red backdrop. Even in flight their high-pitched song is unmistakable.

This is the same lake that inspired my painting: "Arabesque," named for the graceful white egrets that frequent the area. Landing, lifting, or flying across the lake, their movements resemble a graceful dance.

Brilliant white feathers make a striking contrast against the blue-green waters and the copse of trees in the background.

Arabesque" is a 14x18 oil on canvas with barnwood frame; for sale at $275 plus shipping. Giclees, prints, or cards may be purchased at:
http://carol-allen-anfinsen.fineartamerica.com/