Fullness of Joy – Where does it come from?

"Namesake" acrylic on canvas

My husband is a hummer. Sometimes it can drive me crazy, especially if he does it when he’s nervous. At other times, it’s his way to stay on task as he moves through his day.

People use music for a variety of reasons. We were in Home Depot the other day and an employee belted out a welcoming song and invited us to have a great day. The first time I heard him, I was surprised and somewhat embarrassed.

I’d forgotten all about him until a return trip to the store and the sounds of singing reminded me of his presence.

“Oh, you’re the singer.” I teased him to ease my own discomfort.

He smiled, waved and continued to sing a happy tune. His playfulness was infectious. In fact, I couldn’t resist. I walked back to him and shook his hand warmly between both of mine. In my exuberance, I felt like giving him a hug, but refrained.

"A Joyful Heart" 11 x 14 pastel on bristol; matted and ready to frame

Later in the day, we met another young man behind a deli counter. While he sliced our Swiss cheese and Virginia ham and offered us generous samples, he told us how much he loved working there and serving his customers. He didn’t have to tell us that it was obvious. Not only was he asking questions and making sure that we got exactly what we wanted, but he gave us a dose of happy wrapped in a smile.

Both of these men change lives every day. How rare it is to find people that are not only uninhibited, but full of joy.

When my oldest son was three years of age, he had a way of holding his hands together when he was super happy and didn’t know how to express it. His dad and I called it “fullness of joy.” Although his hands were awkwardly twisted, they seemed to say what his words could not.

After I painted my tiger painting “Namesake,” I was reminded of a poem I’d heard long ago about a tiger burning bright. I did an online search and found William Blake. Because he was a man of great faith, I suspect he was a man who experienced deep happiness.

He openly acknowledged his muse: “I am under the direction of messengers from Heaven daily and nightly.”

Here is his famous poem “The Tiger”

TIGER, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder and what art Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand and what dread feet? What the hammer? what the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee? Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry?

The Bible had an early and profound influence on Blake. It would remain a lifetime source of inspiration, coloring his life and works with intense spirituality.

One of the most traumatic events of William Blake's life occurred in 1787, when his beloved brother, Robert, died from tuberculosis at age 24. At the moment of Robert's death, Blake allegedly saw his spirit ascend through the ceiling, joyously; the moment, which entered into Blake's psyche, greatly influenced his later poetry. The following year, Robert appeared to Blake in a vision and presented him with a new method of printing his works, which Blake called "illuminated printing." Once incorporated, this method allowed Blake to control every aspect of the production of his art.

While Blake was an established engraver, soon he began receiving commissions to paint watercolors, and he painted scenes from the works of Milton, Dante, Shakespeare and the Bible.

What “Tiger” is burning brightly in your life? Where do the influences come for your art? Do you tap into the dark side or the light? What triggers your passion to create?

Tiger LIly

Dark Secrets about Black, the Color Artists Fear

(black background on this oil painting) "Sandhill Crane" 

A myriad of artists on LinkedIn argued over, under and around the use of the color black. Most were taught not to use black at all, but to mix their own shades from other colors.

Renoir called black “the queen of all colors.” Black is loved. It is feared. Most artists prefer mixing their own black rather than using it straight from the tube. Color combinations such as yellow and purple or other premixed combinations and Payne's gray are more subtle. 

According to one of my favorite artists, Robert Genn, “black works as a darkener because it’s near chromal neutrality does not sully the color it grays. While scorned on a few snooty palettes, black is the loyal friend that helps make other colors look more brilliant than they are. Wise artists do not say derogatory things about black.”

(black background) "Sunshine" oil on canvas

Here’s the real scoop (according to Genn):

1.       "Lamp black is a pure carbon pigment made by burning oils and collecting the soot from flues. It's one of the oldest manufactured pigments.

2.      Ivory black, originally made from burning real ivory, is now a bone byproduct of the slaughterhouse.

3.      Mars black is an iron-oxide product that in many ways is more stable than the other blacks. It does not effloresce, maintains total integrity in oil and water-based media and, to my knowledge, is the only paint that's magnetic."

(I used Payne's gray and a light purple in the highlights) "With These Hands--Love" 24 x 18 mixed media

Genn continues: “Give black a chance. A challenge is to work with only black and white for a day. After a week one begins to feel the brilliance of black. As seasoned artists have found out, if it works in black and white, it works.

“Try the method of grisaille--a monochrome painting executed in shades of gray. Used as an under-painting, grisaille was first popularized by the Northern Renaissance artists. These days, using bright white grounds and a range of grays, full value can be had by glazing with acrylics or other media. In painting, black is mother of learning.”

I did my own grisaille mini-paintings in a class on portraiture. I was amazed with the results at how life-like the models and forms appeared. It’s a great way to learn about value and shading.

(I had more difficulty with this one in the class. You can see it's not as fresh and loose as the first one)

“Timid souls use Payne’s Gray” Genn wrote. I gulped as I read this since Payne’s is my color of choice. 

Well, this timid artist is going to “break out.” I’m going to test the waters and use more black. If Genn is right, Mars black seems like the better choice.

"India Rising -- the Lost"  24 x 18 mixed media on canvas (I used Ivory black and Payne's gray)