What do Artistic People create and why do they do it?

"Home at Last" 16 x 20 acrylic on canvas

As an artist, I’ve thought a lot about that question. What is it that makes me create and why do I do it? Perhaps my answers will also be yours:

An artist wants to share what touches him or her visually and emotionally, and may find it difficult to impart these feelings in any other way.

Artists have a driving passion to put down on paper or canvas the experiences in their hearts and souls that would either cause them to explode in joyful ecstasy or painful agony if not expressed. Artists and writers often share these same passions, but articulate them through different mediums.

We all have a need for intimacy, some people more than others. When someone views an artist’s work it is like inviting them to share an intimate moment of our personality and perspective on life.

"First Daffodil" 16 x 20 acrylic on canvas; model Kayla Dahm

An artist may create a mini-story, a glimpse into the human soul, a taste of the human condition, or they may take us on a wonderful adventure either through realism or exciting plains of color and movement.

The viewer may virtually walk the terrain of uncharted territory, explore the shape and form of facial structure, and fathom in a new way the miracle of life, the struggle of humanity, or the joy of rebirth.

By altering line, angle and space through color, light and shadow, an artist controls the mood and mind of the viewer and leads them on an intimate journey around the canvas and back again to the focal point or center of interest.

Viewers are rarely aware of the invisible companion who leads them from one point to another as the story unfolds. When the onlooker experiences pleasure, happiness, or darkness the artist has done his or her job.

“So this is what old age brings?” an observer may comment on seeing an unfulfilled wastrel lamenting over his fateful actions.

"Reggae Night" acrylic on canvas

“That’s exactly how I felt when I was dancing,” says another, as they sway in their mind and remember the cadence of drums, sand, and the smells and sounds of the Caribbean. As an artist, you brushed this scene onto canvas using your own fond memories where they lingered playfully in your mind waiting for you to give them the breath of life.

Fulfillment happens when the artwork is finished not when it’s viewed, commented on, or sold. As artists we rarely get to see or know the experience of the viewer, or whether they perceived our art in the same way as we created it. 

Once we have “put it all out there,” we have done our part. The rest is up to chance, fate, or destiny. For some of us, it is a blessing from God for which we are eternally grateful and joyful.

"Blending In" 11 x 14 acrylic on panel (The feathers replicate the petals, which is how I
saw this scene and painted it.)

Shadow-Ghosting -- A Technique that Helps to Create Flawless Line Drawings

"India Rising -- the Found" mixed media on canvas (50% off)

I like to put people in my paintings. When a canvas or landscape doesn't include people, something is missing in my book.  I find that peoples' expressions and body language not only contribute to a scene but “round out" a painting's story.

The more I paint, the more this holds true for me. I find I’m more engaged in the painting and have more passion for doing it when a few lines and shapes form a character and become real before my eyes.

"Fish Market" 18 x 24 acrylic on canvas

Design also fascinates me, although, I’m not very good at it. I like to incorporate unusual background designs that have a subtle impact on the story I’m trying to create. The secret is to make them compliment the subject or center of interest without dominating it. Sometimes I succeed and sometimes I fail.

A painting should also have magnetism; a component that draws the viewer’s eye into the scene and around the composition. Once, I got so carried away with this principle that I led the viewer right off the canvas and into LaLa Land. I didn’t recognize my mistake until someone pointed it out to me.

"Serena Shines" 9 x 12 Pastel on Bristol

I recently took a class on “letting go.” The purpose was to encourage “loose” brush strokes and to allow your imagination to fly. My imagination flew, all right. Right off the page! There’s something to be said for “control,” and knowing what you want to see on canvas.

Portraits especially require a steady hand and even strokes of brush or pencil. Scratchy, broken lines make a drawing look weak and tentative. Lines that give the appearance that they know where they’re going and where they’ve been, are strong and definitive.

"Does this hat make me look fat?"  11 x 14 pencil on bristol

If you’re not sure if a line is accurate, don’t put it down on paper. Wait until you’re sure the placement is correct. Wave or draw a shadow line over the paper to test the distance and the dimensions without making a mark. If your shadow or “ghost” line seems accurate, place your unbroken line with confidence and freedom.

 Learning a new technique or genre takes time and patience. Making mistakes and recognizing them is just as important as being perfect. Sometimes we get lucky the first time, but continued practice is certain to improve your work over time.

"First Daffodil" 16 x 20 acrylic on canvas

Featured Artist:  Dorina Costras is an artist who seems to have mastered the art of drawing and color. Please enjoy her work and explore her web site at the following link:

http://kasturinic.wordpress.com/2013/07/12/wings-of-fire/ 

Painting Perfect Hair is a Harebrained Idea

Work-in-Progress -- "First Daffodil" 16x20 acrylic on canvas

Imagine that – painting hair can be both difficult and satisfying. To illustrate:  my “work-in-progress” at this stage, simply looks messy. Finding the right color is also tricky. In my efforts to add lightness, my basic color turned somewhat gray, muddy even. I will have to rectify that with warmer tones.

Of course, there is no such thing as perfect hair or there wouldn’t be the expression “bad hair day!” If you study the way hair frames the face and falls, you’ll see that to get the hair right, you have to get the shape of the head in proportion first. Once you have that down, block in the shapes of dark and light hair that follows the contours of the head. The more uneven these light shapes are the better.

"With these Hands -- Love" 24x18 mixed media on canvas

The next step in the painting process is painting the strands of hair or the shapes of hair that stand out or seem separate. Texture comes last of all as you fill in the strands and shapes with the “illusion” or appearance of hair. Getting the right color and texture is a matter of practice, trial and error.

For some reason, I find painting texture easier on birds and animals than I do on people. Perhaps because I’m not quite so obsessed with getting every hair or strand of feather and fur right. The patterns must be correct, but the individual strands of hair, not so much. Capturing the sunlight glistening from hair and contrasting that with shadow makes the fur or hair look realistic.

"Raccoons at Sunrise" 16x20 acrylic on canvas

Because of the way people and animals move, their covering is constantly changing. Don’t worry that you don’t get it exactly like your initial photograph or drawing. As long as it looks realistic, it will ring true.

Sometimes a painting can get slightly off as we apply paint. Paint is malleable. It changes and moves depending on the tool or brush we use and the medium we choose.

 I use a ruler to see how much my painting has enlarged from the original drawing. Has the width on either side of the face changed from the hair to the outer eye? Has the width of the nose between the eyes changed? When these distances increase, the shape of the head will change and throw the hair proportions off as well.

Once you fix the proportions, the hair will begin to take shape and form. Some people are genius when it comes to hair. Don’t be upset that yours doesn’t fall into place as you think it should. Practice does make perfect. In order to move beyond self doubt and floundering, keep attacking the problem until you find a modicum of improvement. Learn from your mistakes and you will become a better artist.

"Day Dreams" 11x14 oil on canvas