Foibles, Inhibitions or Plain Old Fear – The Show Must Go On!

"Para-sailing Roseate Spoonbill" watercolor drawing

I’ve been working this week, filling in for a friend who is on vacation. The next few weeks will be hectic, to say the least. But push forward I must! As a result, my paintings will not get done as soon as expected, but there are other ideas waiting in the wings.

I have only painted one rooster and love the magnificence of these fine creatures. Their color and regal splendor fascinate me. Each has a definite personality. You can see it in the glint of their eyes and in the way they proudly strut their stuff to an adoring throng of chicks.

"Star Billing" mixed media on wrapped canvas

A rooster is a male at its best. A "cock of the walk." Not only are they showy, they can sing in their own unique way as they wake us in song: “Here I am world!”

I plan to do some drawings called “Cockadoodles to Crow about” (If I don’t get plagiarized first). But instead of using ordinary color, I want to use the henna designs from India that I showed you a few blogs back to fill in their wings and tail feathers.

Ideas are the lifeblood of artists and writers. They come and go and we must nail them down before they get away. I’m consumed by ideas every moment of every day. I have difficulty answering questions or following a conversation, especially if I’m interrupted in thought (Just ask my husband!).

Egyptian lure, clothing, and sculpture intrigue me. I want to explore some paintings and drawings, but then my personal sensibilities slap my hand and say: “no, no, no!” Why is that? Why do we allow our inhibitions, our religion or our squeamishness to come between us and the inspirational vibes that sent them in the first place?

I’d be curious if any other artists or writers run into these same barriers; these self-induced walls of fear?

Since I love to draw people, I thought I’d like to do some “discreet” boudoir drawings or paintings; but again my prudish conscience holds me back. 

On the light side, I tell myself, that God created everything and it is all good and beautiful. Perhaps it depends on the way we handle the subject. We can make lewd artwork not only by what we draw or paint but how. The how is the overriding question.

How we compose or position the human body can make the difference in how it’s perceived. The model’s pose and facial expression can change the mood and influence people’s reaction. Is he/she smirking or flirting? Is the work seductive? Is the model a temptress or a shy virginal innocent? Suggestive angles may verge on the pornographic. These unlikely positions may titillate some people while offending others.

Each time a canvas or idea is conceived, we must grapple with our choices while fighting our inner demons or angels. The battle rages on until the canvas is confronted and the paint begins to run. After that we cannot stop ourselves. The show must go on!

"The Neptunes -- Golden Girls" acrylic on panel

Reality Shows can teach us about Survival (Tooth and Nail!)

(An old Norwegian photo showing my husband's great grandfather's land)

I’ve watched a few reality shows in my day. After awhile, I get tired of the arguments, the scheming and the pettiness. But if that’s your cup of tea, you may like the cutting edge changes coming up next season.

The Discovery channel is pushing the envelope with “Naked and Afraid” where the participants mirror savages, except without the loin cloths. If the forbidden jungles are not enough, these survivors are baring it all in an attempt to get more ratings and viewers which may end up mushrooming into a popular new trend.

(1840 Solbulck -  Norway) family photos

You never know what the reaction of viewers will be. I remember showing my nude drawings to relatives at a family reunion years ago. I was so proud! One of my drawings had won first prize in the linear category. It was a brush and ink drawing of a live model where the brush had never left the page from the first touch to paper.

I expected a compliment, perhaps even praise for my amazing prize-winning fete. Instead, I got hushed and whispered reactions. People were embarrassed. They glanced down or turned away. I was shocked by their reactions of what I conceived as a beautiful work of art. 

Some viewers of the new reality shows may have the same feelings of disgust or rejection. While nudity may be a ploy to grab attention and get new viewers, the show actually has a different purpose. Pitted against the most stark and difficult surroundings imaginable, the real focus is not the challenge of nature, but the difficulty in juggling human relationships.

(Fjords -- Norway photos taken 1995)

That’s the case in almost any undertaking: marriage, divorce, friendships, neighbors and
co-workers, parents and youth. Take it a bit further by delving into art leagues where people jockey for position pitting artistic genius against talented newcomers and you have a recipe for angst, envy and failure.

The battle is to the fittest and the prize (sales) often goes to the best marketer, the most prolific painter, or the most outspoken. The fact that fresh talent is discovered and newbie’s have a platform to show their wares is often a pleasant byproduct.

(Port City -- Norway; family photo taken 1995)

How do you handle stress? Do you have good communication skills or do you have prickly rough edges that others may have to negotiate. Sometimes it’s not enough to be a talented artist. You must learn how to sell your art and push your talent without ruffling other people’s feathers.

"Twigs and Twitters 11 x 14 oil on canvas