Living Waters Undulate, Inundate, and Facinate Artists

"Skudeneshavn Norway" 20 x 16 Oil on canvas

It’s always hard to get ahead of the curve. Just when you think you’re pulling forward, someone or something pulls the plug on you.  Last week it was a leaky roof. Our place is about 17 years old, and one by one, the houses around us have been getting new tile roofs. Now it’s our turn.

Once the water gets through, however minimal, the damage above has already occurred and wood rot begins. We’ve repaired three fascias’ already, and there may be more. But that’s “water under the bridge.” (I couldn’t resist).

When our family lived in Kansas City, we battled water continually. Except for a bedroom for our teenage son, the leaky parts of the basement had prevented us from refurbishing it.

Finally we found a solution to the crack that ran diagonally down one wall. A friend who repaired swimming pools slathered it with a rubber adhesive that sealed any leaks. We were ecstatic.

"Arabesque" 18 x 14 Oil on canvas

After several dry months went by, we painted and laid carpet in our new family room. The children and their friends finally had a place to hang out. And then the spring rains started up with a vengeance. We held our breath, but the patch held.

The rains continued; one of the heaviest downpours in K.C. history. The front window well filled and flooded into the basement, and then another and another. We started a bucket brigade, but couldn’t keep up with the water filling the wells back up again.

We ended up taking out our soggy new carpet and replacing it with area rugs that could be rolled up in a hurry and put away. We dug trenches around the wells and added pipes to draw the water away. We slanted the front yard so the water wouldn’t come towards the house. Alas, nothing worked. A hard rain could still wipe us out in a matter of minutes simply by filling up the window wells.

"Egret Reflections" SOLD/Prints available.

Water is one of the necessities of life we cannot live without. We fear it. We’re drawn to its sparkling surfaces and its shadowy depths. Without water we would perish; and yet, we have difficulty controlling its unpredictable movements and enormous strength.

Recent flooding this summer in the Midwest brought back so many memories. Artists try to capture the violence and beauty of water; its serenity and peace.

How do you make reflections both in the water and on top of it? Small wavelets on the surface create white netting in the sunlight. Depth changes color. Clarity demands a different technique to indicate a translucence that depicts the sandy or rocky bottom below. 

Painting water requires practice. Once you get the hang of it, brushing on water is fun and addictive. 

Water droplets seem almost impossible until you realize that you have to get away from the canvas before they appear realistic. When you learn how to make them, you have to learn when to stop. Too many of them may give your canvas the look of poke a dots.

"Kelly's Rose" (A rose heavy with rain water) 16 x 12 Acrylic on Panel

It is easy to get carried away as you get better and better at painting lakes, seas, oceans, rivers and puddles. Samples of my own work throughout this blog illustrate how you get better at painting water with practice.

“To live a creative life, we must lose our fear of being wrong.”
Joseph Chilton Pearce

I chose the following three artists to demonstrate their personal techniques for water paintings done in acrylics.

Marion Boddy-Evans shows you how to paint water droplets 

@ Marion Boddy-Evans Water Drops

Lori McNee has the best suggestions for painting different types of water 

@ Lori McNee Painting Tips

Mark Waller shows you the fine details and colors that make up the ocean’s surface.

Five More Things from Milton Glaser’s Book

"Skudeneshavn Norway" 16x20 Commission SOLD (Prints available)

I have never done anything in my life the easy way. Art is no exception. After spending half my life marrying young, raising six children, working as an office manager and then a free-lance writer/consultant, I came to art in my thirties. Unable to finish college because of my children’s university expenses, I struggled on my own with the help of the Public Library and some inspirational art teachers.

My interpretation of the “10 Things I have Learned—The Secret of Art” by Milton Glaser continues.

"Inset Kirke" Original Sold (prints available)

Glaser’s book seems to be designed for those who had the money and encouragement to attend University and study abroad. It is designed for those who plan from the start to pursue a career in art or design. But there are things every artist can learn from his observations:

1.    Style is not to be trusted. Life is not static. It is in constant flux and usually unpredictable. That’s what you never want your style to become; predictable. If it does, your buyers will get bored; your work may become dated and obsolete. Glaser’s example was the famous bull painted by Picasso. Several versions were made, each a variation of the other beginning with realism and ending up with abstraction and a simple line. Each was unique, each a different style by the same artist.

Glaser’s point? “Anybody who is in this for the long haul has to decide how to respond to change in the present moment (zeitgeist). What is it that people now expect that they formerly didn’t want? How do you respond to that desire in a way that doesn’t change your sense of integrity and purpose?”

"Vikeholmen Lighthouse--Skudeneshavn, Norway" 16x20 Acrylic on canvas

2. How you live changes your brain. This statement almost sounds Biblical; “as a man thinks in his heart so is he.” (Prov. 23:7). Mahatma Gandhi put it this way: “A man is but the product of his thoughts; what he thinks, he becomes.” Ralph Waldo Emerson said: “A man is what he thinks about all day long.” Drawing each day changes the brain. Repetition and programming improves cognition. Your actions may literally change how you see things.
   
3. Doubt is better than certainty. “You just have to know what to compromise,” said Glaser. “Blind pursuit of your own ends which excludes the possibility that others may be right does not allow for the fact that in design we are always dealing with a triad – the client, the audience and you.” My interpretation: Being open and teachable is more important than being right all the time.
   
4. On aging Glaser said: “It doesn't matter!” I’ll go with that!
   
5. Tell the truth. If you’re in business, and art is a business, you must stand by your product, your word, and your promise. When you accept a commission or a project, you should seek to fulfill it. Customer satisfaction should be uppermost in your mind. You should go beyond what is expected and offer your customer some additional incentives for buying from you; free cards, a copy of preliminary sketches of the painting, or other gifts of appreciation. Never deceive a customer if you want a repeat customer.

"Egret Reflections" acrylic on canvas SOLD (prints available)

Featured Artist:

Kandy Cross, a teacher of art and art history who has since been fortunate enough to live near the sea, visit many of the places written down on her bucket list, and paint within the Mediterranean and Caribbean-inspired areas visited across the globe. Shown is the painting “Boats at Burano” and a link to Kandy’s online gallery.

http://kandy-cross.artistwebsites.com/featured/boats-at-burano-kandy-cross.html