"Skudeneshavn Norway" 16x20 Commission SOLD (Prints available) |
I have never done anything in my life the easy way. Art is no exception. After
spending half my life marrying young, raising six children, working as an
office manager and then a free-lance writer/consultant, I came to art in my
thirties. Unable to finish college because of my children’s university
expenses, I struggled on my own with the help of the Public Library and some
inspirational art teachers.
My interpretation of the “10 Things I have Learned—The
Secret of Art” by Milton Glaser continues.
"Inset Kirke" Original Sold (prints available) |
Glaser’s book seems to be designed for those who had the
money and encouragement to attend University and study abroad. It is designed
for those who plan from the start to pursue a career in art or design. But there
are things every artist can learn from his observations:
1. Style is not to be trusted. Life
is not static. It is in constant flux and usually unpredictable. That’s what
you never want your style to become; predictable. If it does, your buyers will
get bored; your work may become dated and obsolete. Glaser’s example was the
famous bull painted by Picasso. Several versions were made, each a variation of
the other beginning with realism and ending up with abstraction and a simple
line. Each was unique, each a different style by the same artist.
Glaser’s point? “Anybody who is in this for the long haul has to decide how to respond to change in the present moment (zeitgeist). What is it that people now expect that they formerly didn’t want? How do you respond to that desire in a way that doesn’t change your sense of integrity and purpose?”
Glaser’s point? “Anybody who is in this for the long haul has to decide how to respond to change in the present moment (zeitgeist). What is it that people now expect that they formerly didn’t want? How do you respond to that desire in a way that doesn’t change your sense of integrity and purpose?”
"Vikeholmen Lighthouse--Skudeneshavn, Norway" 16x20 Acrylic on canvas |
- How
you live changes your brain. This statement almost
sounds Biblical; “as a man thinks in his heart so is he.” (Prov. 23:7). Mahatma
Gandhi put it this way: “A man is but the product of his thoughts; what he thinks, he
becomes.” Ralph Waldo Emerson said: “A man is what he
thinks about all day long.” Drawing each day changes the brain. Repetition
and programming improves cognition. Your actions may literally change how
you see things.
- Doubt
is better than certainty. “You just have to know
what to compromise,” said Glaser. “Blind pursuit of your own ends which
excludes the possibility that others may be right does not allow for the
fact that in design we are always dealing with a triad – the client, the
audience and you.” My interpretation: Being open and teachable is more
important than being right all the time.
- On
aging Glaser said: “It doesn't matter!” I’ll
go with that!
- Tell the truth. If you’re in business, and art is a business, you must stand by your product, your word, and your promise. When you accept a commission or a project, you should seek to fulfill it. Customer satisfaction should be uppermost in your mind. You should go beyond what is expected and offer your customer some additional incentives for buying from you; free cards, a copy of preliminary sketches of the painting, or other gifts of appreciation. Never deceive a customer if you want a repeat customer.
"Egret Reflections" acrylic on canvas SOLD (prints available) |
Featured
Artist:
Kandy Cross, a teacher of art and art history who
has since been fortunate enough to live near the sea, visit many of the places
written down on her bucket list, and paint within the Mediterranean and
Caribbean-inspired areas visited across the globe. Shown is the painting “Boats
at Burano” and a link to Kandy’s online gallery.
Hi Carol - I don't know whether to be pleased or confused by Glaser's first point, the one about style! I've struggled to identify my 'style' with my greeting cards because I seem to have so many different 'styles'. But in these past two weeks of the surface pattern course I'm working on, we're being asked to identify our 'signature style' and to have a recognisable style is considered very important. I've written about (and given examples of) my difficulties in last week's blog post, asking for help in identifying my 'style'. You may be interested to have a look if you have time?
ReplyDeleteI was confused also, but the Picasso example helped me deal with it. We have a "Signature Artists" group on FAA. The styles there are very predictable and look similar. People tell me they can recognize my style, however, the variety of material in my portfolio makes that difficult. I paint what I feel strongly about or feel inclined to paint. I don't fret about whether it fits or not. An artist's style is represented in his brush strokes, I think.
DeleteI'll go read your blog and comment.