Abstract Realism – Yes, you can do it!

"Moonshines" acrylic on 18x24 canvas (abstract realism)

There’s tremendous freedom in doing an abstract painting. To do them well is the greatest challenge. What attracts the viewer? The colors, shapes, values, and most especially the mood. How does the painting make you feel?

Some abstract paintings are stark and limiting. Others may distort shapes or simplify images. According to Sue St. John, author of Journeys to Abstraction “The choices are vast and nothing is wrong. Abstract art can be incredibly liberating.”

Think of abstract art as fluid. Allow your brush to intuitively follow your imagination and mood. Take an idea, a theme, a feeling and express it in liquid motion. Keep in mind that an abstract artist is expressing “concepts” rather than exact depictions.

Abstract realism combines the best of both depending on what you choose to emphasize. Shapes and colors may be in the abstract with one part of the painting rendered true to life as the focal point. The reverse is also possible. Take a realistic background and an abstract center of interest. Inspiration is all around you.

I have an artist friend who gets inspired by fabrics. She can turn a small element of design into a full-blown abstract painting.

Look for shapes and patterns in your environment: the way light and shadow play out and create designs, structures, and lines. The world is full of texture, color and form. Examine how they work together and how they make you feel.

"My Trail of Tears" mixed-media on canvas

To advance a theme or emphasize a point, some artists incorporate symbols into their artwork. They are interesting. They provide additional information. For example, if the artist’s vision is “new birth” or change, a butterfly would help signify this metamorphous.

Many symbols are already familiar such as the circle (infinity, cycle of life, wholeness); the Egyptian Ankh which symbolizes the harmony between the physical and the spiritual worlds. Pentagrams (five-sided stars) represent the four elements of earth, wind, water and fire and how they are bound together with the fifth element of spirit.

The study of symbols alone would provide you with an astounding number of paintings and the basis for combining realism with abstraction. This should not only release you from preconceived notions about earth and life, but inspire you with countless stories and designs that are unique and personal. Above all, have fun!

"Moonlight Magic" 11x14 mixed media, layered acrylics

The following link should provide you with some great ideas. I’ve also included a quote by well-known artist Sherrie McGraw:

“A painting is more than the subject matter or the story it might depict. Good painting carries an undercurrent of beauty that expresses something beyond subject matter, beyond the tangible reality. It is this level of seeing that makes a painting a living thing, something that speaks even centuries after the artist is gone.”

http://emptyeasel.com/2009/03/31/3-ways-to-add-abstract-elements-to-a-realistic-painting/

Make Time your Friend not your Enemy

"Release" 24 x 30 mixed media
(Currently I'm adding two panels on each side and turning this into a triptych.)

Get a group of people together and their number one concern is time or the lack thereof. Their problem isn’t a lack of ideas. It isn’t money, although, this is a restricting factor. What worries small business owners the most is time. Every decision that is made is concerned with time: what it’s worth, how to set priorities, where to focus it for optimal growth. Marketing alone requires enormous amounts of time, and making product requires time. Without a product, there is nothing to sell.

(Sketch on panel)

A novice once asked me for detailed information on what it cost me to do a painting. He divided it into parts: supplies, paints, canvas, tools, and time spent in the actual painting. This picayunish breakdown was designed to belittle me and other artist’s work with little regard to the years it takes to perfect a skill or the knowledge required to assimilate what one sees and interpret it on canvas.

I gave him a simple mathematical tool he could use to consider basic costs: Multiply the size of the painting (i.e. 24 x 30), add any overhead costs the artist may have incurred (leased space / gallery, a model, etc.), and add the cost of a frame. This exercise at least gives you a basis from which to judge. Add into the equation, the artist’s background and notoriety and the worth of a painting is much easier to appreciate.

To reduce a painting to a dime-store print or a knock off which has been photographed on canvas and then given a few swipes of paint is an insult. This is not a serious buyer, but a person who hopes to get something for nothing. Walk away!

"1st panel on left" Will require many layers of paint to complete.

Some people get overwhelmed when they see the big picture and understand all the work that is required to become successful. If this is you, try to slow down and take one piece at a time. A child doesn’t learn how to walk all at once. Neither does success come without a series of mini-steps and hurdles to overcome.

Focus on one thing at a time:

• Prioritize your work list in order of importance
• Do as much as is humanly possible in your 24 hour day
• Don’t neglect your health or there will be no business
• Small increments of time are better than nothing
• Use down time for planning, organizing your thoughts, and creatively solving problems.

When your body is at rest, your mind can take over. I mentally paint even when I’m not at the canvas. Sometimes I solve problems in this way. At other times, an idea completely changes and moves in another direction. By the time I’m able to actually work at the canvas, I can move ahead quickly with confidence. Use your time wisely and it can be an asset not a liability.

"Bella Bellissiomo" 16 x 20 Acrylic on canvas
Currently on display at the SWF Coop Gallery at Coconut Point

Two other paintings are on display at this Gallery: "Hey, Coconut Man" and "With These Hands -- Hope"