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Showing posts with label Wonder. Show all posts
Showing posts with label Wonder. Show all posts

Tuesday, March 18, 2014

Thiis Artist’s Heart is at one with the Earth

"Sand Crane Dreams" acrylic on canvas
I was a tomboy growing up. I preferred monkey bars or playing cowboys and Indians to playing with dolls. When my mother couldn’t find me, I was usually up a tree, literally. I viewed every tree as a challenge that must be conquered.

My favorites were the mulberry trees that grew near our street. I’d straddle a branch and stuff my face with unwashed mulberries until their semi-tart taste had satisfied my sweet tooth. When someone walked beneath me, unaware of my presence, I felt all knowing and powerful.

From up here, I could see into adjoining yards. I knew who was home and who wasn’t. It was a hiding place where childish secrets could be discovered and shared later when the time was right. It also gave me space and time to ponder the wonders of the world and my place in it.

"Beach Buddies" mixed media on canvas
In those days I often ran around in my underpants, especially on hot summer days. Once while helping my mother with the ironing, I burned an elongated triangle on my mid-section. That was the last time I ironed without being fully clothed.

The next day, dressed in a sun top and a pair of shorts, the burn now covered with a still-wet scab, I climbed a wide-spreading oak tree. By this time my legs were so long it was easy to step from one branch to another and scale to the highest gnarled branches.

In the process of climbing, I scraped my midriff against the rough bark peeling back the scab and revealing a seeping red sore. The pain was excruciating. I scrambled down so fast I turned my ankle when I hit the ground running for comfort and a bandage.

(My daughter, Paula's, poster she created for her art classes)
I once scaled a tree so high I was afraid to come down. My mother’s younger sister scolded me at the foot of the tree and demanded I come down the same way I went up. Although we were close in age, she was my aunt, and she loved to Lord that over me. If I didn’t do what she said, she was sure to tattle to my mother.

I don’t know what happened to the girl I once was? Later in life, I was afraid of heights. I wonder now if the scolding’s and threats I received put a fear in me that I later associated with heights?

At any rate, as a teen I climbed to the top of a water tank and then was afraid to descend the ladder and come down. This was the first time in my life I’d been afraid of heights. Later, I cured my fears by rock climbing, repelling and experiencing a zip line. I discovered that as long as I focused on the cliff (or my goal), I was unafraid.

(The mountains where I grew up)
I continue to love nature in all of its splendor. There’s nothing like the freshness of pine mingled with the smells of frying bacon and potatoes or fresh caught fish on a crisp morning in the mountains. I celebrate still the wonder of God’s glory in every sunrise and sunset. I rejoice as an artist in the finite beauty and detail that I’m privileged to paint.


Monday, October 7, 2013

Will Libraries be Obsolete in 2020 and beyond?

"An Open Book" acrylic on canvas SOLD (prints available)
I haven’t checked out a library book since I purchased my Kindle a few years back. I must say, my experience was a refreshing change. I’m more at home in a library than anywhere else in the world next to a paint store or an Office Depot.

I love the smell of books, the excitement of having the world at your fingertips, and the thrall of people with the same sense of drama. Today was no exception. Our library is adjacent to the local high school, and is home to a poor but diverse community.

"Broken" mixed media on canvas SOLD (Prints available)
On this Saturday, every computer, every chair, every table was filled with students and adults reading magazines or searching for books, and parents helping their children find books for themselves. Movies were being checked out in abundance. Non-fiction books seemed more popular than fiction.

I was struck by how vital a library is to a community; especially one with few resources. I sensed that this weekly or monthly trip to the library was an exciting part of each family’s agenda. Eager smiling faces added to the vibrancy that filled the building.

I waited in line with my books: two on pastel techniques, and two on general basics; my way of taking a refresher course in between regular painting sessions and classes. A woman next to me said, “Oh, you’re an artist, too!” Then she proceeded to tell me all about the class she was taking and how she picked up some books to reinforce what she was learning.

"Victims of War" mixed media on canvas
I hope the public library will always be with us. It meant so much to me as a child. I’d walk a few streets on my own and spend the whole afternoon in its warm embrace reading books, sniffing their wonderful pages, and settling into an imaginative world that took me from my small town roots into an adventure with other worlds and cultures.

In some regions, they are already phasing out the library as we know it. Books are being replaced by computers and digital books. You can download books and never have to return them. It seems to be catching on.

I’m sad for the children who will never experience what it feels like to curl up with a real book and smell the wonder of its pages. As a child, I’d sneak a flashlight into bed. After my mother left the room, I’d read under cover for as long as I could. When she discovered my secret, the magic ended, but not my love for books.

"Fish Market" acrylic on canvas; Uganda
That day in the library, I was happy to see parents and children who still had the excitement of books written on their faces. They renewed my hope in America and in the world. Hunger and thirst for knowledge is a good thing. I hope we never lose it!

The freedom to ask questions and search for answers is what keeps us alive and thriving. Without it, we would become puppets of the state and emotional zombies unable to appreciate a world of wonder and beauty.

"A Joyful Heart" 9 x 12 pastel on Bristol; man from Uganda

Saturday, February 2, 2013

A Damaged Canvas is Tragic, but not the End of the World!

(Sold several prints from this painting the last three months) "Beach Buddies;" 16 x 20 mixed media

I had made up my mind. I was going to enter a favorite painting in a juried gallery. All it needed was a frame; one that would complement the colors in the painting without distracting. I had a framer already in mind, who never disappointed me.

I pulled out the canvas from a box it shared with two other paintings, and horror of horrors there was a screw sized hole in the canvas. Sometime, either in transport or storage, the canvases had been weighed down by enough weight to cause a puncture.

Lesson learned: Always have sufficient cardboard or materials between each painting so this never happens!

(This painting has sold more prints than any others) "With these Hands -- Wonder" mixed media
Could I repair the canvas; absolutely! Was its value compromised? Unfortunately, yes. I found several web sites on instructions for repair, but I also discovered that once a canvas is damaged, most collectors don’t want it. In addition, even if you could find a buyer; you must declare the damage (or ruin your reputation if discovered), and the price of the painting must be slashed by at least 30-50%.

If that doesn’t push you into protecting those precious original creations, I don’t know what will..Here are a few remarks from a helpful site and a link:

“The worst possible course of action in the event of damaging an art piece is for the artist not to tell the buyer, repair the problem, and hope the buyer doesn't notice. If the buyer does happen to discover the repair at some point down the road, ask about it, and find out the hard way what happened, that will pretty much ensure the end of any relationship between the two of you. And now for some facts about how the condition of a work of art impacts its value...

(This commissioned painting is still selling prints) "Skudeneshavn Norway" 16 x 20 oil on canvas
“Condition is a paramount consideration in any decision about whether or not to buy-- both from the dealer's and collector's perspectives. Original untouched condition is best by far. In fact, unless a work of art is excessively rare or important in some way, many experienced dealers and collectors won't even consider adding it to their collections or inventories if condition is anything less than perfect.

“But wait; there's more. Approximately 100% of dealers and collectors will tell you that a work of art with repaired damage is worth less than a comparable work of art in perfect original untouched condition.

“. . . People are less interested in owning art that has been damaged at some point in its existence than they are in owning art that's in perfect original condition. It's precisely that simple and no more complicated.”


Never put your coffee next to your turp!
If you’re still intent on repairing the canvas, you must declare that it has been damaged, and the price better be discounted. We all make mistakes, but this one we have to live with!

If you want to forge ahead and fix the canvas, at least for yourself, here are some links to help you. The following site Suggested pasting the back of the canvas with another piece of canvas to reinforce and aid in appearance. Use a pallet knife to paste and flatten under the spacer bars.

I discovered after I’d repaired my small hole that I had done all the right things. I’d applied a small piece of canvas on the back with adhesive, and put modeling paste and gel on the front side over the hole. It worked well because the hole was where a worn stone wall appeared. Paint wouldn’t even be required, but I will still add the needed acrylic with a dry brush to avoid any shiny appearance.



If you want specific help and details, the following sites are helpful!


http://www.wikihow.com/Repair-Canvas