Find your voice! What are you trying to say?

One of my favorite trees is in bloom again. I don't know what it is (water oak?) Sure wish I knew!

There are scenes that almost jump out and grab you, and you know you have to paint them or write about them. At other times there may be only a vague inclination that you’d like to try something new and so you go with it. Either way you must ask yourself: “What am I trying to say? What am I trying to illustrate or express?

Every painting tells a story or expresses a feeling or impression. You are taking your viewer on the journey with you. Where will you take them and how? What is the most important thing you want to show them? How will you help them navigate through the barrage of color and detail?

These are the seed flowerettes that remain after the red seeds fall out.
They become woody and hard.

Is your message soft or loud? Do you want to jar them from complacency or coddle them into submission? What is your desired end result? Will you think big and dream large or will you softly suppress your message to a whisper? All of these questions should preferably be answered before you begin. Then again, the painting itself may be a question that only the viewer can answer.

Painting, writing, or any art form is anything but dull. The innuendo is everywhere. The subtleties should sparkle with ingenuity and the canvas or stage should reflect your skill and spontaneity. When your story becomes contrived or too controlled people will be aware of it even though they may not know what it is that bothers them.

The Poinciana trees are again in bloom. The hot weather brought their bright red blooms in earlier than usual.

Instead of holding your imagination at bay or choking it with too much control, unleash it. Your knowledge and skill will roam freely and thoughtfully allowing you to tell your story. Where will your journey end? When will your tale be finished?

Someone once said your work is finished when you can no longer find any place to improve it. I think it ends even before that. There’s a fine line between spontaneous freshness and belabored brushwork. Hard straight lines draw far more attention than a small swipe of color that goes a tad too far or is allowed to blend into the background.

Their leaves are fern-like and feathery. The flowers grow in huge clusters like grapes.

Paint is forgivable. Wipe it out if it displeases you or paint over it and smooth out the flaws. If the first layer of paint captures your vision, avoid a second. Let that part stand and embellish around it bringing depth and richness to your scene.

Don’t be afraid to experiment. If you want to try something new, do it. You can always wipe it out and paint over it. This practice will keep your nerves under control. I know when I do commissioned work I’m always more tense worrying about what the buyer will think and if they'll be pleased. When I paint for myself, the brush strokes are more fluid and unhindered. Above all, enjoy yourself. If you are not, you’re in the wrong business.

This is half of the Poinciana seed pod. The indentations are where the seeds sit and another pod just like this one
covers them until they ripen and open. They are hard, woody, and beautiful!

Beyond the Highways and Byways – a Journey of Heart and Soul

"Arabesque" oil on canvas

The above canvas was painted from a pond near my home. The birds were those I see fluttering in and out almost every day; the great egrets and the snowy egrets. Herons come frequently as do anhinga and the little blues (small herons); but I wanted white birds against the dark water.

When someone told me that my work reminded them of the Highwaymen of early Florida, I thought it was a backhanded insult. The Highwaymen were unschooled black people who taught themselves to paint and then sold their wares on the cheap to tourists driving along the roadways and trails.

 For the most part, I was a self-taught artist much like them. Finally, their work has gained the recognition it deserves. According to their web site, “The Florida Highwaymen Artists” were the start of Florida's contemporary art tradition, and are credited for the beginning of the "Indian River School" art movement.

“They developed their own individual techniques and captured waterscapes, back country marshes, and inlets the way they once were before recent tourism developments.

“From the beginning, there were people who collected Florida Highwaymen art and paintings. However only in recent years has the recognition of their skill and their story caused their paintings to skyrocket in value.  In 2004, twenty-six individuals were inducted into the Florida Artists Hall of Fame as "Florida Highwaymen."

To read their names go to this link:  http://www.floridahighwaymenpaintings.com/highwaymen_artists

Artists who work hard for their degrees and accolades often resent the success of those who are less educated than they . The work of self-taught artists as they struggle to improve their skill through error and practice is sometimes looked upon with a critical eye and disdain. Like the highwaymen of the past, these artists may not have the funds or wherewithal for supplies let alone education.

I became acquainted with an African artist who asked if I could purchase some brushes and send them to him. He had been painting on brown paper bags for lack of a canvas. Some use wood from nearby palm trees or they paint on shells or other natural surfaces from their environment.

Painters in Iraq and other war torn countries face the same difficulties. Yet their artwork is vibrant, sometimes shocking, and unquestionably moving. When will we mature enough as artists to recognize that art is communication? It represents who we are, what we feel and what we have experienced.

Art can teach us about other people in a way that words cannot. Whether it’s the beauty we see that we wish to share, or the pain and anguish of a broken world, or the loss of a loved one. 

How we experience art tells us a lot about ourselves. Do we recognize beauty for what it is or does our critical eye keep us from hearing the message? Are we able to see beyond cultural barriers into the soul of another? Do our prejudices produce a wall instead of a door? Do we see the “thorn on the rose” rather than the bloom?

"Window on Pine Island" Oil on wrapped canvas.

The Joy of Creating Something you Love

"The Dance" 9x12 Pastel on Bristol

Whether it’s an article, a work of art, or a product, we can all relate to that feeling of pleasure and accomplishment that creation brings. Something of ourselves enriches the finished work and adds a sparkle of originality and freshness.

That’s why we keep doing what we’re doing. We want to repeat that feeling. We have something inside of us that will burst unless we share it. The more spontaneous and responsive we can be to whatever it is that drives us, the more authentic our voice becomes. Soon, our offerings are recognizable. Each new creation has our signature.

"Sand Crane Dreams" 18x28 mixed media on canvas

It takes years of craftsmanship to reach that level and a stiff upper lip and spine to get beyond the barrage of negative feedback we may encounter. If our style veers from the current norms, we are open to criticism. Some people “won’t get us.” Others are quick to criticize saying we have gone too far outside the box or outside the lines of accepted behavior. But we keep on doing what we’re doing, even though at times we weep inside.

Andy Warhol did. Picasso did too. Many, many others have tuned out the voices and listened to their own unique beat, going beyond the limits, knowing they were open to criticism but doing what their inner voice demanded anyway.

"With These Hands -- Hope" 16x20 mixed media on canvas

It takes courage to pursue our dreams when all we get is criticism. A few encouraging words can send us soaring, and keep us going for weeks at a time. When the darkness descends, review every accolade you’ve ever received, every accomplishment, every fine thing you’ve ever done in pursuit of your goals. Treasure these thoughts like gold. Bury them in your heart and cherish the memories.

Some day you will rise again. Something will click. New determination will descend from the heavens. Your star will shine and pull you from your pity party into new heights of achievement.

Fellow creators are cheering you on. Our united voices will pull you from the ashes of self defeat and give you the push you need to face exposure and criticism once again. Never give up. “The best is yet to come!”

Connecting the Dots – Making Your Art Relevant

"Beach Buddies" mixed media on 16x20 canvas

I’ve talked about the importance of networking as you make your way in your career, and the importance of getting your artwork seen and your name recognized. But there’s another side of the networking coin that’s even more important. It’s called connecting.

What’s the difference you might ask? The focus of “connecting” is your audience. Who are you painting for? Do you paint only for yourself or do you have something to say? Who do you want to say it to? It’s all about finding your voice as an artist and connecting with your audience.

This takes networking, a critical step in marketing, to a whole new level. It means connecting with people in a new way, not just visually, but emotionally and intellectually. It’s about making your artwork memorable, recognizable, and desirable. It means connecting to your buyer.

"With These Hands -- Love" 18x24 oil on canvas; framed

This last step may take years for an artist to develop. What is it about you and your perceptions and attitudes about life that make you unique and different? How can you incorporate this originality into your voice so that you may connect with people? Do you want to make a statement or do you just want to paint pretty pictures?

I’ve asked myself that question many times. I watch what sells, and I know that a big part of it is painting pretty scenes with dynamic colors that catch a person’s eye, whimsy, or the décor of their living room. Sadly, this may make a sale, but unless there is something else to grab the mind and heart of the viewer, it is quickly forgotten in the stream of other things in life and other competitive art that grabs for attention.

"An Open Book" 16x20 mixed media on canvas

If we want to make our mark, our voice has to speak volumes about us as individual artists. Depth of soul, depth of character, and a unique perspective say as much about us on canvas as does the skill we use in applying paint, composition, and structure. Success and recognition come when we finally make that connection!

Featured Artist
Magal Nagar was born in New York, and at age 9 her family relocated to Israel. At the age of 18, Magal fulfilled her two-year Israeli military obligation, assisting with the operations of a kibbutz (communal settlement). It was during this period, inspired by nature in the rural mountain setting of Southern Israel, that Nagar found her gift and passion for painting. Indeed, through exploration with color, she had achieved her own intuitive, unique form of self expression and inner peace.  http://www.magalnagarart.com/categories.php