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Wednesday, March 21, 2012

What if you could have anything you wanted in the World?


Photo - from contact in Uganda (Nile River)


If you could choose anything you wanted, what would it be? To the cancer ridden person, it would be health. To someone who recently lost their job, it would be employment. To a widow, it would be comfort and peace of mind.

We all have different wants and needs. What we choose at any given moment has more to do with what’s going on in our life than anything else. Many people long for and wish for money or material wealth; but when obtaining the prize, some become practical, thinking of paying off debt, helping to pay for a loved one’s medical needs, or saving for the future. They use common sense and good judgment.

Drawing & under painting on 22x28 canvas

Others sacrifice integrity and honor to get what they want, either by pushing others aside or by stealing and cheating to reach their goal. The happiness they seek is a delusion. They end up looking over their shoulder and living on the edge of fear, never feeling the gladness they expected.

Wish lists and dreams motivate us and keep us going, but the actual prize seldom brings the happiness we expect. Satisfaction and joy in life usually come from our own efforts. Sweat and hard work are good for us. When you mop your brow after a strenuous workout, you know you’ve given it your best. When rewarded for effort, you know that your hard work was not in vain.


Beach Buddies II


I’ve made it a habit to compete with myself; always trying to accomplish something better than before. If I feel I’ve succeeded, I’m happy. This kind of happiness doesn’t come from applause, rewards or money, it comes from within.

Internal gratification lasts long after the money has been spent or the awards are buried in a drawer. It is the feeling of knowing that you’ve done your best with the gifts that have been given you. It is your own personal reward for being true to yourself. So pat yourself on the back and be grateful for life’s blessings!

Beach Buddies

The paintings in this blog include a photo scene from a friend in Uganda that I will title: “Sunset on the Nile.” I’ve included a photo and my first drawing in acrylic on a 22x28 canvas. I’ve also included “Beach Buddies II” a revised canvas. The overly big wave in the first version (“Beach Buddies”) threatened to capsize the boys, and I chose to revise what I could. Your comments are welcome.

Friday, March 16, 2012

Retail is not my bag; Painting Gets my Groove on!



I’ve admitted many times that I’m “technically challenged.” Unlike my younger sister who can wire and change an outlet switch, fix a toaster and repair a toilet; I’m a complete idiot when faced with anything that requires a screwdriver, a key, pliers, or a drill.


No wonder I faced with trepidation my first day as a volunteer at the Southwest Florida Artists Co-operative; temporarily located on Fashion Drive at Coconut Point. Of course, I was depending upon my co-worker to take care of anything major. Joan was a pro. She worked there at least once a month. She would have the store open and ready when I arrived. Not!



Traffic obstacles made her almost an hour late; I had opened and greeted three customers before she arrived and not without some grief and hair pulling. First off the power box was locked, or so I thought. The teaching demo a few days ago indicated that it would be open.

I misread the instruction sheet, and interpreted “the back wall” to mean literally the back wall, not the back wall of the utility room so I set off the security alarm in the dark, mistaking it for the Muzak box. Mall Security rescued me from my stupidity and set things straight before any customers arrived. 

When Joan finally set foot on the premises, I don’t think she found my escapades the least bit amusing.


It was a very long day what with only 27 people coming in and out. The curious artists and novices searching for ideas sparked lengthy stays and conversation. Two customers came in and out to avoid a spontaneous cloud burst. Boring!


We took turns going for lunch, and wouldn’t you know when Joan was gone, I spilled part of my soup over the counter when I jumped up to greet three customers. Luckily the tax sheet was covered in plastic. I was wishing I could hide my humiliation and frustration as I mopped up the mess.  In spite of that, I sold a ceramic plaque of Fort Myers beach and managed to write up the cash sale.

"Raccoons at Sunrise" -- acrylic on 16x20 canvas

The best part of the day involved a newlywed couple from Canada (I could tell by the glow on their cheeks) who bought a gift for the host parents and a lovely necklace for the bubbly wife.

They were also interested in one of my paintings and took my business card when I told them they could order prints online. When I closed up for the day, I breathed a sigh of relief as I headed out into traffic.

I’m in between paintings right now, but I’ll have something new for you shortly. We’re dealing with some family medical issues that require time and attention.

"Star Billing" -- 14x18 mixed media on canvas


I’m also repainting some canvases that I wasn’t overly pleased with. I’m going to see if I can salvage the time and materials and turn them into something wonderful Stay tuned!

Tuesday, March 13, 2012

Art is Celebration and History in the Making


Original Photo of Anhinga at Lakes Regional Park

 When I sold my painting “Broken,” the buyer said it reminded her of the people she saw in Haiti and in the Dominican Republic. The woman and child in the painting inspired her and renewed her compassion for the people there and for their hardships.


There are as many reasons to buy art as there are people. Some people buy a work of art for the tranquility it gives them in a chaotic world. Some choose something humorous that makes them smile. Others walk on the dark side and select something provocative to jar the sensibilities and promote conversation.

Anhinga in Paradise -- watercolor

Art arouses in us the unspoken words of the heart. Yet, there are those who view art as frivolous and unnecessary; an added expense we could probably do without. These people absorb like sponges, unaware of the affects that art produces in their lives.

God is the master painter of the universe. To be unappreciative of art is to deny the beauties of nature that surround us. After all, it is God’s world we artist’s try to capture, with all the emotions and feelings that life evokes. For centuries man has tried to conquer time and space; to mold it and bend it in our own image. Nature inspires us and challenges us. People reach out to us in a way that deepens our appreciation for the inevitable pain and suffering life brings and for the joy that sometimes bears fruit.

Sand Crane Dreams -- mixed media

Art reminds us of who we are. It’s a looking glass into the past and the future. Like the painted pictures on cave walls, art records history and events. It enlightens our journey and reminds us of what has been. It was the sketches and notes in the Lewis and Clark journals that record their discoveries and experiences. It was the stories and drawings in war diaries that illustrated the horrors of war. It was the diaries of pioneer men and women that teach us who they are and about their struggles and sorrows as they built a fledgling nation.

"Americana" mixed media -- The way it was

We must never forget. Writers have written countless pages to record these events and the sacrifices incurred by our predecessors. On the other hand, one canvas may capture in a visual setting those early warriors; their struggles surpass imagination.

The Arts have the potential to degrade us or uplift us. The Arts provide broad commentary on the state of our nation and world; and yet is minute enough to focus on individual character and perspective.


We must keep the arts alive for future generations; to offer hope and light, and to record history and monumental changes in society. Artists are witnesses of and recorders of the present. We must participate in life and celebrate the process.

Friday, March 9, 2012

Artists’ Co-op; a Solution to Expense and Exposure



Renting space in a cutting edge mall is expensive, unless you do it as a team in a “co-op.” Volunteers staff the Gallery including hosting visitors and handling retail sales. A wine, cheese and champagne reception on opening night attracts additional visitors using refreshments supplied by participating artists. What’s not to like?


When the Co-op sponsored a juried competition I wanted to be a part of it. Eager participants could enter four works of art for $25; cheap and affordable. With enough participants, the moneys reaped will help pay the rent! What a great way to network and get more exposure!

Another group of artists host a “wine and painting” event each week where artists and would-be-artists bring a bottle of wine and a project to paint. A teacher is available for help and questions. The three hour session costs $45. Friends are made, a party atmosphere is created, and everyone has fun.


When our neighborhood had a block party, my artist friend and I held an “Art Walk” before the event. People in our area were already familiar with this activity, and were curious to see our work. It was a big success for both of us. I sold my painting: “Broken” and a few cards. Interest was also shown in some of my other paintings. Who knows, this neighborhood network may lead to additional sales.


Some of our Pan American Alliance members are showing artwork in local law, accounting, and dental offices; a great way to form alliances within the community. Later this year, the Alliance will be painting a mural for the Children’s Regional Library. This is our way to thank them for allowing us to paint and demo our work twice a month in their facility.




Entrepreneurs of every stripe need to work together in this economic climate. The key to the future and to future sales is to form alliances not only online, but through community organizations and public facilities.




Opportunities for artists are everywhere. You just have to look for them and be willing to participate when opportunities arise.


Tuesday, March 6, 2012

Whatever You Call it: Critique or Criticism, it Still Hurts


Robin Hood


We all have our babies: those wonderful concepts we develop in our minds and create on paper or canvas to present to the world. But what happens when those adorable children land with a thud on the floor of reality?

Let’s face it. Criticism hurts. And critique? “A rose by any other name would hurt so deeply” (forgive the pun). Pride is a wall we use to protect ourselves. When negative comments bump up against that wall, our ego becomes bruised. Afterward, we lick our wounds and patch the crumbling brick and mortar making it higher, stronger and more impenetrable than before.

Babies Need Attention!

But even though they hurt, we must take a look at well-intended barbs and examine what was said and why:
  • Did the comment or critique come from someone I trust?
  • If their suggestions were applied, would it make my project better?
  • Were the comments meant to be hurtful or helpful?
After weighing and evaluating each point of view, we are better prepared to make a decision. We can take the criticism at face value and try to incorporate it into our thought process, or we can ignore it and stubbornly go on our merry way; building our wall of resentment higher and stronger.

Meadow Lark

Learning from our mistakes is difficult. Rejection hurts; criticism stings. It requires swallowing our pride and forging ahead in spite of negative comments. If we allow the critique to offend us and dampen our spirits, we may become the loser by succumbing to self pity. We may allow ourselves to get discouraged and sabotage our own efforts to make our dreams a reality.

Personal vision is as unique as our fingerprints. No two people are alike. No one can see what is in our mind and heart. Perhaps the criticism of others arouses our own insecurity and lack of self confidence? If that’s the case, we need to rally our own inner cheering squad to remind us of what we wanted to achieve in the first place.

Arabesque

A grain of salt can irritate an open wound, but it may also inflame a new determination to clarify our goals. If nothing else, critique sharpens our focus and causes us to evaluate how we communicate our vision to others.

Critique Carol’s vision on her online gallery @ http://carol-allen-anfinsen.artistwebsites.com 

Friday, March 2, 2012

Perspective -- a Demon That Defines Reality and Depth


"Shimmy Shake" 11x14 mixed media

I have an artist friend who is an expert on perspective. She can spot an error in someone’s painting immediately. She has no trouble with her own artwork because perspective comes so naturally to her.

Others of us must work at it, study it, and practice it before it finally “kicks in.”  I am one of those people. Perspective has been a struggle for me. I remember as a child drawing boxes and three dimensional objects in school. I don’t remember discussing how that relates to eye level, center of interest, and perspective.

"Moonshines" 18x14 mixed media


Some things come naturally to an artist, and some things don’t. Learning from one’s own mistakes and practice are great teachers. Helpful critiques from fellow artists may also save you from making any glaring mistakes. Had I found the following videos early on, I might have “caught on” sooner, rather than later.


The lessons are so simple and so easily explained, I wanted to share them with you to save you from learning late as I did. There are many helpful tutorials on YouTube. These are two that make understanding perspective a snap! I hope you enjoy them.

Some of my own paintings are sprinkled throughout this article; examples of the use of this tool. Yes, perspective is a tool that gives a painting depth, life, and reality. Although, I must admit some of my favorite abstract and modern art pushes perspective to the edge and pokes fun of it.

"India Rising -- the Found" 18x24 mixed media


I adore paintings where the buildings are curved and seem to be tipping over. These are the quirky things that can be done once you understand perspective well enough to “bend the rules.” 

Monday, February 27, 2012

Artist Supporting Artist Inspires and Supports All


Vavrino Painting

In addition to marketing, an artist must take time away from painting not only to support other artists, but to stay in tune with current trends. Moral support is vital to all of us, and the inspiration we get from others may sometimes lift us from complacency and bad habits.

I had the opportunity to do both at the Alliance for the Arts in Fort Myers by attending an opening for my friend, Annie, in the Member’s Gallery; and by viewing the remarkable works of Michelle Sales featured in the main Gallery, and the works of deceased Vavrina in the Theater Lobby. Talk about color! Vavrina’s bold lines and color really got my blood moving. www.ArtofVavrina.com

Afterwards, mixed media artist Michelle Sales explained her unusual and gripping work by saying that it is about the accumulation and preservation of memories:

"These memories, represented by constructed and found materials, are stitched together to create two and three dimensional artwork. Each piece is built up with various layers denoting passage of time and erosion. My works are abstract journals in which memories are retained, protected and preserved. Through this process I document events, emotions, growth and decline. In like fashion, my memories mimic ancient civilizations, one built on top of another, century after century, new upon old, in an endless cycle.

“The color rust plays a significant part in much of my work; I find it to be a harbinger of transformation and change. Working with an earthy palette allows me to explore our connectedness to nature and the human condition. Living in a heavily forested area, I am drawn to and inspired by the massive tangle of trees, branches and shrubs. Hiking through these wooded areas, I often collect various natural and man-made objects such as tree bark, rocks, pebbles, seed pods, and rusted metal. These items are frequently combined with synthetic materials creating the highly textural surface inherent in much of my work.”  (Link)  Michelle Sales 




Annie St. Martin’s paintings often combine pallet knife with brushwork in oils and acrylics. Bold colors, both realistic and imaginative, and O’Keefe like flower paintings give Martin’s work a distinctive appeal. http://www.anniesdesigns.net