Nail it Down, Make it Clear, Let it Happen!

"Swamp Angel" oil on canvas 16x20

The title: “Nail it down, make it clear and let it happen” is good advice whether you’re a fine artist, a performing artist or a writer. If you don’t nail down those ideas, they may scamper away forever. A brief note, a sketch, a few notes on a blank staff or a melody that gets stuck in your brain are sure to bring your thoughts back for testing.

Good ideas need to be tested. Either they blossom or they don’t. If they seem to go nowhere, they are probably just wisps of imagination. If your idea sticks and mushrooms into viable substance, it may explode later in a magical way.

When you're ready, take that sketch, that idea and develop it on paper or canvas. Make your vision as clear as possible. What your inner eye sees must be understandable to others. Giving your idea clarity becomes your first draft or your “working model.” Once you have it nailed down and visibly clear, you’re ready for the next step.

"Reggae Night" acrylic on canvas

At this point, being fluid is the key. If you’re too rigid, your efforts will become stiff and unbending. When that happens, your idea may become trite or stagnant. Freedom to float around the edges and let your inspiration lead you is crucial. Gut instinct and the willingness to take a risk or a daring leap is what separates a good artist from a great artist.

Acting or creating in a daring way is scary. You’re thinking, “Am I on the right track?” “What if this turns out to be a bad idea?” What will other people think?”

Self doubt is your worst enemy. Fear can keep you from discovering what’s just under the surface and within your grasp. Don’t get “stuck on stupid!” Believe that you are just as good as the next person in bringing a conception to fruition. Obviously training and skill assist you in this journey and make it easier to bring your passion to life.

When I started my artist blog, I wanted it to be different. Sure I was interested in featuring my art and enticing people to go to my online galleries, but I was in hopes of more. I wanted to inspire other artists, especially beginners with high aspirations, to overcome their fears and succeed.

My initial purpose was to motivate people not only to be better human beings, but to trust in their own inner voice. 

It’s sad when people give up. Even those who have become a success often give in to self-induced doubts fearing that they’re not good enough to be “up there.” 

 If you can hold on until you get past those dark days, there is usually a light, a glimmer of hope at the end.

What a shame to give up just weeks, days, hours, minutes before the light dawns and you see your way clear to turn your dreams into reality. Plant your feet on a solid foundation, dear friend, and hold on for dear life!

(Joseph Campbell's quote inspired this painting) "Release -- My Trail of Tears" 30x24 mixed media

Enjoy Someone Else’s Wild Dreams until Yours Manifest

When my oldest son was still in college, he mailed me a book called: “Russian Lacquer, Legends and Fairy Tales, Vol. II, by Lucy Maxym. At the time, he was in Russia performing with a musical touring company from the university.

He wrote in the inside cover: “Dear Mom, I saw these Russian lacquer boxes in Sitka and couldn’t help thinking of you. Even the smallest boxes are very expensive, so I thought this book was a real deal, plus in it are over 20 fabulous fairy tales. Notice the similarity of “The Flying Ship” to the movie Baron Von Munchausen.”

I still enjoy looking at the paintings. Imagine! Each detailed masterpiece is done on the lid of a black lacquer box! That fact alone is inspirational. The breathtaking beauty and precision of these compositions makes you realize the incredible patience that is required for something as lasting and valuable as a well-thought out painting.

My son goes on: “Maybe you could put together a few favorite stories from these and I’ll illustrate them.”

At the time, he was an up and coming artist, majoring in advertising. I was not yet an artist, but was working as a freelance writer. Shows you how quickly life and the roles we play change over time.

Today he is a consultant and science teacher after being nominated Teacher of the Year by his peers. My son was right about one thing, I am lifted by these illustrations. I can literally spend an afternoon examining each scene and reflecting on the stories behind them.

I am also intimidated by their detail and the enormous energy that went into each design. It is good to aspire. We need to spend time viewing the classics and the masters-of-their-craft to see what we can learn from them, but not at the expense of our own promise.

Some of us are more detail oriented than others. We each have limitations of one kind or another. But unless we plant the seeds, the illumination will not germinate. How many dormant seeds do you have lying beneath the surface?  When was the last time you watered them with the necessary nutrients to help them grow? We need to recognize that practice, time, and a valiant effort come before success.

1. Define your dreams.
2. Note your progress no matter how small. 
3. Compare this year’s work with the last. 
4. Adjust your attitudes and eliminate negative thinking. 
5. Construct and re-structure your goals; each month if necessary. 
6. Look at the big picture. Baby steps are magnified when you see them altogether.

This blog was first published on Dec. 17, 2013. I chose to repeat it today!

Chasing Perfection – is it a Wild Goose Chase?

"With these Hands -- Love"  24 x 18 oil on canvas

We all want the perfect life, the best husband or wife, wonderful children, and a great job. If you’re a creative, you also want a bestselling novel, a T.V. series, or a show in a prestigious gallery. That perfect project is almost within reach, you can feel it in your bones, if only you can find the right combination of skill and good luck.

If you don’t believe this is true, take a look at recent sales of self help books. As people chase after their dreams and unrealistic expectations, these books continue to fly off the shelves. Their banquet of promises serves up redemption (of career and soul) with a helping of hope for the hopeless. Their combined themes provide a dose of inspiration and a jump-start of motivation. 

But there’s one thing these novella's leave out: the work involved in becoming “all that you can be” is up to you. You must do the work. You must practice every day. The grueling effort to succeed must be done by you. When you close the book, you are alone.

"With these Hands -- Hope" mixed media on 16 x 20 canvas

I gave up on perfection long ago when I discovered that it was impossible. We mere humans are simply too fallible. We’re programmed for failure, and we must accept this. Failure does not mean the end of anything. For some it is the beginning if we pick ourselves up and try again. Our success should not be dependent on what others think or say, but on what brings us joy and satisfaction.

Some people defy logic and become successful in spite of criticism or failure. Why? Because of their drive and their love for what they do. When they fall, they get back up. They face their demons and try again. Their tenacity may seem foolhardy to some, but it is what gets them up in the morning.

That perfect novel or perfect painting does not exist, anyway. In fact it is the slight errors, the overlaps, the imperfections that give artwork its “painterly” effects. Only beginners strive for perfection trying to make the lines perfect and straight. The seasoned artist is satisfied with illusion, energy and emotion. Once you give up trying to be perfect, that blend of relaxation and looseness takes over and guides your brush intuitively.

In the beginning we must learn the steps that lead to perfection and know the rules that govern our craft. After that, we must joyously create in order to express the passion within. If we are lucky (or blessed), our journey will include not only mistakes and possible failures, but moments of clarity that will make our efforts worthwhile. 

"With these Hands -- Wonder" mixed media on 18 x 24 canvas

The Presence of Good and Evil

"Painting of Judas Iscariot"

If you are like me, you form a strong opinion after meeting someone for the first time. Unfortunately, our impressions are not always accurate, yet we remember these fleeting feelings for longer than we care to admit. These vague notions may affect our dealings with that person even after we get to know them better.

I’m embarrassed to say that my first introduction to a person is sometimes shallow and in total disregard for their true character and nature. Once I get to know them on a personal level, I’m surprised that I allowed superficial values to interfere with our relationship.

Another painting of Judas

Each person gives off an aura that we can feel. If we judge them on appearances, we may miss the totality of their personality. I remember after my mother’s passing, I sometimes felt her presence when I walked into a room long after she was gone.

This aura either creates an instant bonding between two people or it does not. What we are and who we are can be felt by others. Our lives have an impact on the people we love and associate with while the presence of strangers may project either good or evil.

Have you ever felt the dark awareness that you were being watched or followed? Did the hair rise on your arm? Did fear hit you in the pit of your stomach? Whether you can see them or not is beside the point. Their presence was felt. 

Children are good at measuring evil and feeling when it is near. At the same time, they are innocent and may not listen to their own feelings but yield to authority without making any protest. That's why it's so important that we protect them.

Gut instinct is there to protect us. It is developed through experience. It's trying to tell us something about our environment. Traditionally, women have downgraded these feelings more than any other gender. They have been taught to “play nice” and to disregard angry or negative feelings. Thankfully, this style of femininity is changing. The deep and instinctual reactions we experience are there to keep us safe from harm or abuse. We should trust them!

Another artist's version of Judas

Men seem to be keener at recognizing a threat. They are built physically and emotionally to retaliate when confronted. We hear about the “dumbing down” of America. There is also an effort to emasculate males. Mothers are over protecting their sons and teaching them to back down rather than to stand up for one’s self.

While this sounds good in the short term, the long term results may have devastating effects on the family and the nation. If people lack the courage and skill to defend themselves or their loved ones, they become victims. If people cower in fear, they can be overtaken. If goodness is no longer strong it caves in to evil, and what kind of world would that create?

Over the centuries, artists have painted these opposition forces. Their artwork has provided a stark contrast between light and darkness, good and evil. Their portraits portray the struggle each person faces from within. Their choices illustrate the physical transformation of the flesh as it succumbs to wickedness.

In contrast, here is a face without guile, a face radiating from "A Joyful Heart" 9 x 12 pastel on Bristol

If you doubt that change, check out the police online files and see the alteration of a person’s face who has gone down the road of addiction. Signs of aging rapidly increase, teeth loosen from gums, hair falls out, wrinkles appear even in the young, the heart is weakened and hardened. 

The famous paintings of Judas in this blog depict the presence of sorrow, shame and evil. The portrait above reflects goodness and happiness.

Artist Supporting Artist Inspires and Supports All

Vavrino Painting

In addition to marketing, an artist must take time away from painting not only to support other artists, but to stay in tune with current trends. Moral support is vital to all of us, and the inspiration we get from others may sometimes lift us from complacency and bad habits.

I had the opportunity to do both at the Alliance for the Arts in Fort Myers by attending an opening for my friend, Annie, in the Member’s Gallery; and by viewing the remarkable works of Michelle Sales featured in the main Gallery, and the works of deceased Vavrina in the Theater Lobby. Talk about color! Vavrina’s bold lines and color really got my blood moving. www.ArtofVavrina.com

Afterwards, mixed media artist Michelle Sales explained her unusual and gripping work by saying that it is about the accumulation and preservation of memories:

"These memories, represented by constructed and found materials, are stitched together to create two and three dimensional artwork. Each piece is built up with various layers denoting passage of time and erosion. My works are abstract journals in which memories are retained, protected and preserved. Through this process I document events, emotions, growth and decline. In like fashion, my memories mimic ancient civilizations, one built on top of another, century after century, new upon old, in an endless cycle.

“The color rust plays a significant part in much of my work; I find it to be a harbinger of transformation and change. Working with an earthy palette allows me to explore our connectedness to nature and the human condition. Living in a heavily forested area, I am drawn to and inspired by the massive tangle of trees, branches and shrubs. Hiking through these wooded areas, I often collect various natural and man-made objects such as tree bark, rocks, pebbles, seed pods, and rusted metal. These items are frequently combined with synthetic materials creating the highly textural surface inherent in much of my work.”  (Link)  Michelle Sales 

Annie St. Martin’s paintings often combine pallet knife with brushwork in oils and acrylics. Bold colors, both realistic and imaginative, and O’Keefe like flower paintings give Martin’s work a distinctive appeal. http://www.anniesdesigns.net