Elbow Grease Puts a Shine on and Turns Your Worries into Profits

"Reggae Night" acrylic on canvas

Today was a very good day for me. I sold a vintage light fixture on my Etsy Shop Anfinsen Art, https://www.etsy.com/people/AnfinsenArt, and one of my paintings “Reggae Night” was given “SR” (Special Recognition) in an online contest that will be on display the entire month of March. If you’d like to see the categories and winners go to:

All Female Art Exhibition http://www.lightspacetime.com/all-women-painting-other/ this painting may be purchased at http://carol-allen-anfinsen.artistwebsites.com

(Vintage Tiffany-style chandelier)

We all need a little pat on the back now and then. Most of the time we put the hard work in and seldom see the payback. When we do it makes everything worthwhile.

I met a new artist this week. She is currently doing murals down in Key West. Her brother was working there, too, but plans on returning to the Caribbean. Mia showed me her work via her Smart Phone – Beautiful!

I shared an idea with her about incorporating jewels on a painting. I told her women in my art league discouraged the practice because then it would become more craft than painting.

Mia showed me a mermaid she had just created on a mural. Wherever the scales intersected on the tail, a small pearl accented the connection. Stunning! Her attitude is anything goes! I think that’s what I’m seeing out there also. If people kept doing the same things they were taught, soon all paintings would look alike and eventually be dull and boring. Daring to be different or to think outside the canvas is what Andy Warhol and Salvador Dali did and hundreds of other artists who were at first criticized and later embraced.

Keep pounding out the paintings people! Grind your tired fingers to the bone. Some day your efforts will be praised and purchased! Currently I’m working on one of my “boudoir” paintings. After all the work I’ve put into it I’m still not pleased. Seems too “static” for me; I prefer to have movement and action going on. I’m between painting over the canvas and doing something totally different with it.

"Sea Breeze" acrylic on canvas (The brush led me -- see the movement?)

Even though this decision has set me back a few weeks, I’m willing to live with it. When painting and creating (or whatever it is you do) becomes work, something is wrong! When the brush leads you, sparks are flying.

"Sea Swirls" acrylic on canvas (Notice the movement and 3-D scales?)

You may enjoy this music by “Jewel” about two painters who grow old together and are still painting:

Mind over Matter – Imagination is at the Heart of it!

"Shimmy Shake" 11x14 mixed media

I’m working on some illustrations. Aside from the story line, I’m creating purely from imagination. The more I create, the better it gets! The secret is to see clearly an image of what you want to paint or draw. In this way, an artist breathes life into a painting by creating real characters that seem almost alive.

There is great freedom in creating this way. Sometimes I need a model or a photo to see how an elbow or a knee looks when it’s bent at a certain angle. Or I may want to capture a frown or a surprised face and verify how that emotion shapes the human face. Are there wrinkles around the eyes? Does the mouth form an “o” shape?

"Moonshines" 18x24 mixed media

My imagination seems to be working overtime these days. I’m seeing faces and forms on our bathroom floor caused by water marks and the path of the sunlight as the day progresses. I try to draw these faces quickly before they get away.

Having a sketch book at hand when you’re not at your work station makes the job easier. As a writer, I learned to carry a moleskin notebook with me wherever I went. I’m still a note taker jotting down my first impressions of a subject. My descriptions later turn into drawings.

"Lucky Lady" 11x14 mixed media

The most important treasure an artist has is his imagination. It is a living and breathing thing that needs to be nurtured, coaxed, and used in order to thrive. By doodling a little each day, your imagination can be teased and coddled into being creating artwork or characters that may be fleshed out into something more substantial.

Many abstract paintings have faces, images, and forms tucked away in places that bring an intense interaction with the viewer. These images may be from collages or strictly from imagination. They bring a human element into the work that becomes personal and intimate.

"Release" 24x30 mixed media

 

The more you use your imagination, the freer your brushwork will become. Loose brush strokes add energy and vitality to an otherwise static painting. By learning to visualize your subject matter, you’ll be able to create something truly original.

Even a painting done from a photograph can take on a life of its own when you allow your mind to run wild and your heart full control over your paint brush.

(The above pictures are part of a two-page spread in my children's book: "Inez Ibis Flies Again")

The book is about how to deal with a disability and moving into self acceptance:

"I know a place where heron feed," she offered, encouraged by Will's thoughtfulness. "Would you like to go?"

"I'm there," Will said as he lifted his wings against the twilight.

Inez forgot all about her leg as she made ready to fly. She didn't notice the limping and the hopping before take off. She was beyond happy, and Will was her friend.

Build a Shine from Within, or Slather Gloss on Top? Your Choice.

When I first started painting, the glow I wanted to shine from my artwork escaped me. Why didn’t my paintings sparkle? Why didn’t they seem “alive?” I painted a shiny coat of gel or “Liquin” over the top to revive the paint. It still didn’t work.

What I later discovered is that the “glow” comes from within; caused by the differing values and contrasting colors. Coats of sheen on top can never make up for what is missing beneath the surface.

A perfect example of this is my latest painting: “Sunset on the Nile.” A friend had told me she loved painting on grey because the top coat seems to “pop.” I had always used light colors such as yellow ochre or alizarin crimson for the under painting. Experience had taught me that inner light is created from within. But what did I do? I went against my personal inclination and slathered on grey gesso. After all, my painting was an evening scene, and there were clouds in the sky. Perhaps a grey under painting would work.

What happened later reinforced my first theory. The grey under painting worked like a sponge absorbing all the light. No matter how many coats of eye-popping color I placed on the canvas, eventually it got lost in the grey and became dull and dark. I put on several coats of color and glazes to make up for the light being swallowed up by the darkness.

Moral of this story? Once you learn or discover a truth, don’t let fads or someone else deter you from what works, at least for you. Now when I see a lacquered or varnished painting, I’m always suspecting: was it purposefully done, or is it there to make up for lost luster?

I admit I’m not a fan of shiny art. The one exception is when working with metallics. The natural glow of metallic pigment may add a unique and sophisticated touch to an otherwise ordinary painting. Even better is the placing of paint directly on a metallic surface so that the frame and background become part of the painted surface.

Putting a gloss gel or gloss varnish on a painting is almost like placing a glass over the canvas. The reflections are almost as bad, and you must stand in a certain place to avoid the glare that distorts the painting. I personally love the matte finish of natural pigments and bold brush strokes. But it’s a matter of personal preference.

Personal taste is what art boils down to. We all see things from our own prism of preconceived notions and experiences. What attracts one person deters another. Thank goodness there is room for all types of art in the cultural spectrum.