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Showing posts with label classics. Show all posts
Showing posts with label classics. Show all posts

Wednesday, November 11, 2015

Information Overload – Opinion, Hype or T.M.I.?

(This is Peaches, and I'm going to paint her portrait)
I have read and written about the book “Grapes of Wrath” by John Steinbeck at least four times. After the first reading, I was captured by that generation and the “Great Depression” era. Since that time, I’ve read both fiction and nonfiction books on that time period. 

After my first experience, a high school student at my church was bewailing the fact that “Grapes of Wrath” was required reading that year. She called it a filthy book, and said that the language was coarse and trashy. She didn’t understand why she had to read that kind of a book, anyway.

Her remarks prompted my second reading of Steinbeck’s novel. What on earth was she talking about? I didn’t remember any bad language. The book had inspired me and aroused my sympathy for the plight of the hungry and poor.

As I flipped through the pages, I was stunned. Sure enough, there were enough four-letter words on every page to make a sailor blush. Why had I not recalled such “filth” on my first reading? Perhaps because I was so caught up in the lives of the characters and their very real story.

By the time I finished the book, I loved it even more. So much so that I quickly forgot the student who disdained reading it and her remarks. The whole book is full of symbolism about life, about the roles of men and women in society, and the desperation that comes when everything you ever depended upon is gone.

When the husbands and fathers were jobless and down on their luck, they leaned heavily on their women who gave them strength and propped up their sagging egos. The mothers succored their children, managed to find things for them to eat, and gave their families hope. They were the backbone of society.

(Work in Progress "Peaches 'n Cream") The drawing and first layers of acrylic paint.
In the final chapter, the loose ends are connected in the cycle of life. A woman loses her baby because of poor nutrition. Broken and unresponsive, she wanders away from her family. Her breasts are engorged with milk, and she doesn’t know what to do or where to turn. At wits end, she comes across a man on the ground at her feet who is dying from hunger. Many men went without food so that their women and children could eat.

The forlorn woman lays down beside him and gives him her milk-swollen breast; the only sustenance she has to offer. By this we know that not only will he live, but that they both will survive to witness another day’s struggle.

"Bella Bellissimo" 16 x 20 acrylic on canvas (SOLD), but prints available.
Steinbeck recreates the Garden of Eden showing the dependence of male and female on each other, and in society’s ongoing battle for life, liberty and the pursuit of happiness.

Great literature and great art cannot be picked apart by focusing on that which is taken out of context. Without the whole there is no meaning nor purpose. How and what you remember when the last chapter is read is the measure of a book. It will rise and fall not on a useless hunting and pecking exercise, but on how well it is judged through the eyes of history and truth.
"Winston" Portrait of a Westie (SOLD) prints available. (mixed media)

Friday, November 28, 2014

Balance and Harmony Keep a Composition or a Design in Check

"Victims of War" acrylic on canvas
I know an art teacher who also owns an art store. One day he showed me his paintings that were hung around the entire shop near the ceiling. He used these in classes for examples and demonstration.

“My paintings used to go so fast, I couldn’t keep any hanging,” he said. “Now I can’t sell any of them.”

The paintings were stunning landscapes of Florida scenes and of the Gulf; traditional compositions that once “brought a hefty price,” he complained.

Today “wild is in.” Even the works of amateurs are being bought up if they are unusual, colorful, and a tad weird. Perhaps it’s a reflection of the times and our confused and undisciplined society. Anything goes as long as it entertains and dazzles the eye; fads that may in time become the new “norm.”

Finding the right balance is a real dilemma every artist grapples with. Keeping one foot in the real world and the other in the solid traditions of the past is a struggle. When you allow yourself to push against the outer limits, or by way of contrast show restraint, a judgment call must be made based on each artist’s level of experience and training.

"Prayer Circles"  mixed media on canvas
I enjoy the humor that many artists use to invite people into their perspective. There are so many fearful and chaotic events happening at home and around the globe to cause anxiety. Some “comic relief” is healthy and relieves stress. Conversation pieces that cause laughter rather than thoughtful reflection may be just what the doctor ordered.

Tactile paintings: pop art, half art and half craft invite us to touch and examine. Critics lament that this practice degrades and gives real works of art a tawdry and cheap appeal. But they are selling none-the-less because they’re affordable and fun.

Trends come and go. What is in fashion today may be gone tomorrow. Artists must learn to adapt to the changing scene and create a unique and appealing style that sets them apart from the rest; keeping in mind that the classics, the centuries old tried and true methods of the past have weathered the test of time and will endure.

"Moody Blues" mixed media on canvas
Vibrant color is a significant part of this new genre. From the book: “Color Design Workbook” by Adams Morioka and Terey Stone, the authors’ state: “Color is a visual language in and of itself; it can attract the eye and focus attention on the intended message in the work. Color can be used to irritate or relax, encourage participation or alienate.

Advertiser Josef Albers remarked that “Whether bright or dull, singular or complex, physiological or psychological, theoretical or experiential, the persuasive power of color attracts and motivates.”

Also from the book: “As humans, we seek balance, especially in terms of color. For example, when exposed to a particular hue, our brains seem to expect the complementary color. If it is present, the combination looks vibrant. If it is absent, our brains tend to produce it to form a balance.” 

These very reasons alone explain why one painting is chosen over another. Although people see colors in different ways, they almost always choose that which is pleasing to the senses. With knowledge and experimentation, you too can be a part of those who sell on a regular basis.

"Cafe' Costa Rica" acrylic on canvas

Tuesday, February 18, 2014

Cachet Ole’ – Have you got it?



I was watching CNBC’s “morning bell” while I had my first cup of coffee. They were discussing “Apple’s” slide and whether it was still a good investment. The answer was “yes,” because Steve Job’s and Apple have “cachet!”

In other words, Apple continues to have street cred; their past performance and standing ushered in a new era of distinct technology that still has clout even though Steve Job’s is no longer a part of the company.

Every business, every entrepreneur strives for that same kind of recognition. They compete and develop a style they hope will distinguish them from the rest. The familiar apple with the bite/(byte) out of it certainly became a memorable staple in our economy. But this was not Apple’s first logo.

According to the article “From the Evolution and History of the Apple Logo: “The original logo depicted Isaac Newton sitting under a tree, an apple dangling precipitously above his head. The phrase on the outside border reads, “Newton… A Mind Forever Voyaging Through Strange Seas of Thought … Alone.”



“The multi-colored Apple logo was in use for 22 years before it was axed by Steve Jobs less than a year after his return to Apple in 1997. In its place was a new logo that did away with the colorful stripes and replaced it with a more modern monochromatic look that has taken on a variety of sizes and colors over the past few years. The overall shape of the logo, however, remains unchanged from its original inception 33 years ago.”

The plain monochrome logo was sophisticated and looked more classy than trendy on the laptops and I-pads. The new logo stuck and has been in use since 1998.

I use two of my most popular paintings as logos. Other artists have unusual signatures that are designs unto themselves which they use to sign their paintings. 

Recognition is a slow upward climb. Staying power, clout, and cachet are built over time and must be earned. 


Friday, May 25, 2012

Books open doors and minds with hope and renewal


"An Open Book" 16x20 mixed media


I’ve always been an avid reader. From the moment I discovered the Public Library and got my first library card, I’ve been in love with books; only now I have a Kindle, and I download my favorites.



Still, there’s nothing like the smell and touch of a good book. They open up the world to a whole new dimension of thought and feeling. Books expand our knowledge and build empathy for other human beings and other cultures. Books make us weep and feel the pain of someone else’s life and circumstances. Books build bridges.

I was in Sixth grade when I read “Les Misérables” for the first time. Some critics view it as a “sappy” novel, but what do they know. The book and the Broadway play have charmed audiences for generations. The words and the music touch people’s hearts. The story breaks through our crusty exterior and gives us an outlet for our own pent up frustrations.

"Through her Eyes" drawing

I adored “Grapes of Wrath” by John Steinbeck. People in my church had more or less banned it from their reading lists deeming it too vulgar and too filled with curse words to be of any value. I heard their disdain long after I’d already read it and loved it.

I went back to the book and read it a second and a third time. I loved it even more after each reading. Sure enough, the swearing and the vulgar language were there. I was reading about poor farmers and transients in the 1930s at the height of the biggest depression in history. They were not just hungry, they were starving and destitute. They were uneducated, poor, and desperate.

"Emma's Birthday" Drawing

What I gleaned from this book changed my life forever. I discovered that it was the women who held everything together. When their men had lost their jobs, their livelihood and their self-esteem, the wives, mothers, and sweethearts lifted them up and encouraged them.

The women scrounged for food and sustenance. They nurtured their children and cast out fear. They gave their loved ones hope and a belief that things would get better. The last chapter clinches Steinbeck’s theme.

"Mother and Child III" Oil Brush Drawing 12x16 framed

A starving woman has lost her baby. She is filled with grief and engorged with milk, the wellspring of life. She weeps. She stumbles to find her way in a dark world. The first person she sees is a man sprawled on the ground in the last grips of starvation. She lies beside him and offers up her breast, the last vestige of nourishment within miles. He takes of this life giving fountain and the book ends reminding us of the cycle of life and women as the life givers and nurturers of society.

The book is classic! To have missed reading this book because of words and actions I or others may not have approved would have been tragic. My life was lifted and enlarged by the reading. I gained a new appreciation for my own significance as a mother of six children and for women everywhere and the contributions they make to the home, the family, and to the world.

"Broken" 11x14 mixed media, framed SOLD

Books are the doorway through which blind men pass and then they see. Books open up our eyes and our minds to the promise of our own potential. God bless the writers who enlarge our spirits and our minds with the fruits of inspiration.