Balance and Harmony Keep a Composition or a Design in Check

"Victims of War" acrylic on canvas

I know an art teacher who also owns an art store. One day he showed me his paintings that were hung around the entire shop near the ceiling. He used these in classes for examples and demonstration.

“My paintings used to go so fast, I couldn’t keep any hanging,” he said. “Now I can’t sell any of them.”

The paintings were stunning landscapes of Florida scenes and of the Gulf; traditional compositions that once “brought a hefty price,” he complained.

Today “wild is in.” Even the works of amateurs are being bought up if they are unusual, colorful, and a tad weird. Perhaps it’s a reflection of the times and our confused and undisciplined society. Anything goes as long as it entertains and dazzles the eye; fads that may in time become the new “norm.”

Finding the right balance is a real dilemma every artist grapples with. Keeping one foot in the real world and the other in the solid traditions of the past is a struggle. When you allow yourself to push against the outer limits, or by way of contrast show restraint, a judgment call must be made based on each artist’s level of experience and training.

"Prayer Circles"  mixed media on canvas

I enjoy the humor that many artists use to invite people into their perspective. There are so many fearful and chaotic events happening at home and around the globe to cause anxiety. Some “comic relief” is healthy and relieves stress. Conversation pieces that cause laughter rather than thoughtful reflection may be just what the doctor ordered.

Tactile paintings: pop art, half art and half craft invite us to touch and examine. Critics lament that this practice degrades and gives real works of art a tawdry and cheap appeal. But they are selling none-the-less because they’re affordable and fun.

Trends come and go. What is in fashion today may be gone tomorrow. Artists must learn to adapt to the changing scene and create a unique and appealing style that sets them apart from the rest; keeping in mind that the classics, the centuries old tried and true methods of the past have weathered the test of time and will endure.

"Moody Blues" mixed media on canvas

Vibrant color is a significant part of this new genre. From the book: “Color Design Workbook” by Adams Morioka and Terey Stone, the authors’ state: “Color is a visual language in and of itself; it can attract the eye and focus attention on the intended message in the work. Color can be used to irritate or relax, encourage participation or alienate.

Advertiser Josef Albers remarked that “Whether bright or dull, singular or complex, physiological or psychological, theoretical or experiential, the persuasive power of color attracts and motivates.”

Also from the book: “As humans, we seek balance, especially in terms of color. For example, when exposed to a particular hue, our brains seem to expect the complementary color. If it is present, the combination looks vibrant. If it is absent, our brains tend to produce it to form a balance.” 

These very reasons alone explain why one painting is chosen over another. Although people see colors in different ways, they almost always choose that which is pleasing to the senses. With knowledge and experimentation, you too can be a part of those who sell on a regular basis.

"Cafe' Costa Rica" acrylic on canvas

Ode to a Loggerhead Turtle – Antiquity in Fluid Motion

A large loggerhead turtle was released on the beach yesterday after a long rehabilitation effort to make it well and strong. I shudder to think of the thousands of dollars this cost taxpayers.

On the other hand, I’m humbled by the familiar story called “The Star Thrower:”

“A young girl was walking along a beach upon which thousands of starfish had been washed up during a terrible storm. When she came to each starfish, she would pick it up, and throw it back into the ocean. People watched her with amusement.

“She had been doing this for some time when a man approached her and said, “Little girl, why are you doing this? Look at this beach! You can’t save all these starfish. You can’t begin to make a difference!”

“The girl seemed crushed, suddenly deflated. But after a few moments, she bent down, picked up another starfish, and hurled it as far as she could into the ocean. Then she looked up at the man and replied, “Well, I made a difference to that one!”

“The old man looked at the girl inquisitively and thought about what she had done and said. Inspired, he joined the little girl in throwing starfish back into the sea. Soon others joined, and all the starfish were saved.”

— Adapted from The Star Thrower
by Loren C. Eiseley

"Window on Pine Island" oil on wrapped canvas

It would be wonderful if we could save all the hurting children in the world and all the abused animals. What an enormous job for one person! But we can save the ones that are nearby. We can contribute to organizations that do the work for us. We can help our family, our neighbors, our friends and community.

That noble loggerhead turtle was valiant in facing the elements and the wide blue-green Gulf to transition back into the wild. I worried that our efforts to save him would be in vain. What danger awaits him out in the deep? Will he find his way back home? Although he was tagged for identification, we may never know.

"Pelican at Rest" oil on canvas; prints available

If we were to question every effort to help a living creature, a person, a child because the end result was unknown there would be little good done in the world. We help because we must. It’s called compassion, empathy and character. If we cease to act on these divine qualities that reside within us, the world would become a savage and brutal place.

Nature ravages earth's population enough without our adding fuel to the fire. This morning on our walk I saw a baby bird sprawled on the sidewalk. The storm of last night had blown him from his nest. He was a wet wilted pile of feathers; neck and legs outstretched in rigor mortis where he’d fallen. The sight brought back all the times I’d tried to nurse a baby bird back to life and failed.

The future is a blank slate. We can’t stop doing good things just because we don’t know if it will change the outcome. You or I could step off the curb tomorrow and that would be the end of us. Fearing the unknown is part of human existence. But that knowledge shouldn’t affect how we live our today's. 

For that reason, I’m going to assume that the loggerhead released into the ocean finds its way back to a wonderful existence where it may live for another 100 years. Marvelous creatures they enshrined with dignity and mankind’s history imprinted on their backs.

"Beach Buddies" mixed media on canvas

Next Time, Allow Yourself some Wiggle Room!

"Twitters and Twigs" 11 x 14 Oil on canvas / framed

When I ask a salesperson if they have any wiggle room, I’m really saying “Are you willing to make a deal?” I’m hoping he or she has the authority and the willingness to give me the best price possible and at a much lower cost than the current offer.

The tables are turned, of course, when I’m on the selling end and a client is paying me for a product or service. Wiggle room can be anything from extending a deadline to outlining expectations. The more information I can get about what is wanted, what is expected and when, the better I’ll be able to fulfill my obligations.

"Brown Thrasher in Sunlight" 16 x 20 mixed media

Having adequate time and space to complete a project is essential. Rushing either the execution or the required drying time may be hazardous if not fatal to the final outcome. Just because a customer demands something on a given date doesn’t mean it has to happen. Helping them adjust to realistic goals and objectives is part of your job as artist and director.

(Work in progress:  Florida Panther on woody palm frond; a mask when completed.)
I must conform the head to fit the constraints of the mask.
The porous wood drinks up paint like a sieve! It will require layers, and layers
of paint. The final coat will be varnish; inside and out.

Many businesses get into trouble when they over promise and under deliver. Explaining why things may take longer in the beginning saves a lot of hassle and stress. Clearly understanding a client’s vision and what they hope to achieve may alleviate unnecessary delays or revisions. It’s not just your reputation that’s on the line, but everyone else who has a part in the planning and decision making.

Honesty goes without saying. Integrity is the backbone of any company’s success. Positive feedback and repeat business are the lifeblood which ebbs and flows between capital expenditures and profits. It’s a balancing act between the needs of both owner and client.

(One of my mask models)

As I used to tell my children when I roped them into helping me stuff envelopes for my pet projects; “You scratch my back and I’ll scratch yours.” They soon learned that it was in their best interests to humor me now if they wanted a favor later. Reciprocal agreements make everybody happy.

The outcome of any negotiation should be a give and take of mutual need. If I don’t have to sacrifice profits and my standing as an artist, I’m more willing to work harder to provide you with the finished piece in time for your special anniversary or birthday. 

The customer, in turn, must plan far enough ahead to provide you with adequate time for completion. If the artist is always on the losing end, the final product suffers.

(Another one of my mask models)

Angry Florida panther. Golden eyes with green reflections.

Develop the “Moleskine” Habit – an Endless Supply of Ideas!

"Namesake" 24 x 18 acrylic on canvas

Why these flowers were ever called “Tiger” Lily in the first place I was unable to discover. Since they're covered with brown spots, why not Leopard Lily? I got so caught up in thinking about this I wanted to do a painting called “Namesake” and dedicate it to a ferocious tiger.

The stamens on the lily look somewhat like fangs and the tawny color of a tiger certainly blends nicely with the orange lily’s unusual curled back petals. The drawback was that the flowers are small when compared to a tiger or even a tiger’s head. With my head full of sparks and a passion to paint, I took brush in hand and had a blast with this flamboyant portrait.

This is how creation happens. We go from point A to point B which opens up a kaleidoscope of options and threads. My advice: never let a brain flash get away! Even the start of an idea deserves at least some space on paper to nail it down.

"Namesake work in progress" The first laydown of paint to canvas."

I’m a big fan of those delightfully small “Moleskine” books for jotting down inspiration or sketches.  I save every tiny binder! I review my notes from time to time to make sure there are no "big fish that got away." When one fresh idea is used, either in a blog or a painting, I draw a faint line diagonally through it and put “ok.”

Personal anecdotes also become a part of the history. I wrote this down when my husband was diagnosed with prostate cancer: “Today is Dick’s CT scan. We watch people come and go. Some are pale and sick looking; I suspect the results of Chemo.

“Unexpectedly, a friend from church comes in and sits nearby. He’s having a scan before undergoing surgery on his nose. Skin cancer is a common problem in our sunshine state. It appears that almost everyone with a diagnosis of cancer undergoes a scan to be sure the cancer hasn’t spread to other parts of the body.

“You can see the fear and concern written on people’s faces. Somehow you never think it’s going to happen to you or someone you love.

"Namesake work in progress -- placing the flowers"

“Dick doesn’t need me to be here with him nor at every appointment; but I know if I were in his shoes, I'd want him to be with me. It’s a question of support; a show of love and empathy. We will get through this together. I wouldn’t want it any other way.”

Thankfully, my husband’s cancer had not metastasized. After 45 radiation treatments and many follow up appointments, he has stayed cancer free for the past three years. The following notation in my Moleskine kept me on track: “Don’t worry about bad things that haven’t happened yet. It will save you a lot of anxiety.” This quote was taken from a novel I read called “The Shoemaker’s Wife.” 

Committing your ideas and meaningful quotes and information to paper is a lifelong habit that will provide a lifetime of inspiration. If you haven’t developed the habit yet, it’s never too late to start!

"Flash Dance" 16 x 20 oil on canvas

Catchy Tunes and Titles become the Springboard for Ideas

Father and daughter welcome new baby

Artists, Small business owners and entrepreneurs are getting hoarse trying to hawk their wares in an overcrowded marketplace. As they vie for attention, their petulance is showing up in ads, and in their names.

“Angry Orchard” is a new brand of apple juice “with a bite!” If that isn’t feisty and in your face, I don’t know what is? Let’s hope their bark is as good as their bite.

“Wild Dolphin” is a start up company that is capitalizing on the sugar and citrus products grown nearby to make rum. It’s a perfect fit. Tours and samples lure customers to taste and see if this isn’t the best rum made anywhere!

"Does this hat make me look fat?" 11 x 14 pencil drawing

“The Purple Dragon” capitalizes on Mahjongg lovers in the area who want to make new friends and play the game they love. Of course, Chinese Dragon’s, especially purple ones, create a fun environment where winning is not only based on skill, but the luck of the draw.

Names do make a difference. The title of a book certainly attracts attention. And yet fine artists seem reticent to name their paintings preferring that the viewer draw their own conclusions. The thinking is that the artist doesn’t want to influence a viewer’s perception or imagination. Whether this is a good practice or not is still being debated on social media.

Personally, I enjoy knowing what an artist has used as a title. I try to envision what he or she had in mind when they created the piece. Sometimes I see their vision and sometimes I don’t, but it doesn’t stop me from looking and wondering.

"I Stand on the Brink" 8 x 10 pencil drawing

I also enjoy letting my own fantasy run wild through the forms, shapes, and colors on a canvas. If done well, the painting will lead me through a labyrinth of contrast and values that are interesting and exciting. In my opinion, a title just gives the viewer a nudge and a head start.

Search engines find your blog titles much easier if they have some length and substance to them. Understanding “catch words” and trends can help bolster your topics. Words in headings that have fire, sex, red, wild, or sizzle seem to attract readers. Hit songs with fire in their title have become instant hits. However, overuse of any hot word or phrase becomes old and tired in a twinkling on the web.

It’s fun to create catchy titles. Sometimes the titles I create actually give me an idea for a future painting or a themed series. In your spare time write down those catchy titles and save them. See if they don’t become a springboard for creation.

"Guess Whoooo?" 8 x 10 pencil drawing

How you work tells a lot about your personality

"Window on Pine Island" 16x20 on wrapped canvas

I took a portrait painting class in oils. The technique was classic. Using a live model, we first coated the canvas with a film of oil and burnt umber. Then we proceeded to wipe out form and light.

Before I knew it, I had “wiped out” a head, a body, arms, and the light areas on the model’s skirt. It was a marvelous experience except for one thing. The teacher used her own method for getting inspired and to ramp up her energy.

"Wipe Out" of model

I don’t know about the other students, but I found it difficult to focus on this new and difficult experience. The teacher’s loud, blaring music distracted me and made it hard to concentrate. What I learned that day is that one person’s method of working is another one’s madness.

On day two, another problem occurred. We came back to finish our portraits, but other people had used the same classroom, and our easel’s had been moved. Only one student had thoughtfully marked the place and the angle of her easel with blue painter’s tape. The rest of us fought to find and duplicate our same vantage point.

Model on first day                                      Model on second day

  

The live model was also in a new position and the lighting had changed. As a result, we had to start over wiping out afresh and delaying the process of our work. The only thing that hadn’t changed when we came back was the music. My irritation turned into anger as the music ragged on my already raw nerves. The only thing I had to show for the class was an unfinished painting that never got finished, and a complete distaste for trying the wipe out method again.

We all have our own unique ways of working. Some artists enjoy listening to classical music while they work; others like jazz or soft rock. I turn on talk radio which turns into “white noise” as I lose myself in the painting. For me, classical music which I love is to absorbing and interesting and forces me to listen to it instead of painting.

"Winston" 12x16 oil on canvas

One artist likes to paint in the nude. She finds it freeing, leaving her unencumbered; there are no spotted paint clothes; no need to sweat or have a sleeve mess up a fresh brushstroke. Creative work is tedious and personal. The more you recognize what “turns you on” or what unleashes your wild muse the better.

Choosing the right approach or piece of music that fits the painting adds to its authenticity. Does the painting require a soft touch and a delicate balance? Background music that influences these emotions and feelings could make a difference in the outcome. Does the painting demand looseness and bold energetic brushwork? Listening to a Russian composer may give you the push you need.

Find out what works for you, and once you’ve found it, stick to it; whether it’s listening to the blues, the news, or working in unadorned silence.

"Raccoons at Sunrise" 16x20 acrylic