Disconnect the Unimportant and Connect with the Source

"Stained Glass" 12 x 16 acrylic and glaze on canvas

I didn’t win the “Faces of Humanity” competition this year. In fact, I didn’t even make it to Honorable Mention. When you take a gander at the winners, you will see why. The stiff competition was marked by the best of the best! The quality of artists up and coming is a good omen for the future, and a reason to celebrate art in all its glory and richness.

The seven winners scattered throughout this blog will amaze you. The high caliber of the sponsor is indicative of the obvious mastery of the arts by the winners. There is a nice variety of medium, styles, and depth. A link to the winners is at the end of this blog. I encourage you to go there and see all of the artwork and the types of contests and opportunities that is provided.

First Place

My humble “Stained Glass” piece is finished. I don’t know why I felt compelled to do this 12 x 16 canvas? But sometimes you need a break from your regular routine to vary the pace and the style. Like a musical phrase, trying something totally different is sometimes refreshing.

I will forewarn you that my painting days are limited. My hands and fingers are going stiff on me. They spasm and freeze into weird shapes after I type or paint for even short periods of time. Perhaps when some of my other medical issues are resolved, I will get my second wind.

Second Place

I love those stores that sell exercise equipment and athletic wear and supplies. “Second Wind” is the name of one successful chain that makes the most of this niche. Everything and everyone deserves a second chance. When you feel let down, think about ways to revive your spirit and your stamina.

I find reading in my off times stimulates my will and desire to start again. Observing the strength of others vicariously can sometimes shame us into seeing our petty problems and challenges as minor and insignificant. Even if we must “guilt” ourselves into trying again, at least it gets us back in the saddle.

Third Place

Fourth Place

Many years ago, Norman Vincent Peale wrote a small book titled: “Positive Thinking for Every Day of the Year.” I read one page every day that corresponds with the current date. Yesterday I read a related story about T. E. Lawrence of “Lawrence of Arabia” fame.

“Lawrence took a few of his Arab friends to London. What interested them the most was the faucets in the bathroom.

“Watch, Lawrence said, “All you have to do is turn that thing on and you have all the water you want!”

When it was time to leave, Lawrence discovered that they were trying to remove the faucets. “What are you doing?” he questioned.

“We will take these back to the desert,” they said. “We will never lack for water.”

Fifth Place

 

Sixth Place

Seventh Place

“Lawrence had to explain to them that the faucets had to be attached to a source of water in order to work.”

Peale completed the story: “Sometimes we do the same thing. We try to get a flow from faucets that are not attached.”

Are you feeling empty inside and lack purpose and direction? What is the source of your strength and creativity? It’s time to get connected!

Link to "Art Competition" Winners:  http://art-competition.net/Faces-of-Humanity-2.cfm 

The Faces of Humanity -- the Richness of Spirit

(This photograph will be the basis for my next painting)

I have an obsession with faces. They tell so much about a person, and yet so little. Worry lines may soon turn into laugh lines when the heart is merry. Eyes glisten in the presence of a loved one or a good friend. Tears may signify joy or sadness; the face reflects the nuance and the feelings that others seek to interpret.

As we age, faces become more like maps to the past. How we have lived, what we have experienced is often reflected in the way we hold our mouth or in the downcast look in our eyes. Creases may symbolize chronic illness and pain or a hardworking existence in the great outdoors.

"A Joyful Heart" 9x12 pastel on Bristol; Matted and ready to frame (11x14).

As poets have said for hundreds of years “the eyes are the windows to the soul.” We like to think that we can see into someone else’s life through their eyes, but we’re only guessing. Ted Bundy, a serial killer, had very seductive eyes; but I doubt his victims saw into his soul. If they had, they would have fled in terror.

Still, eyes can tell us about emotion. My next portrait is of a young Indian mother and her two children (1st photo) as they observe something with reverential eyes. Are they worshipping? Do they see someone they revere or are they only hoping for something better to come into their lives?

Their faces captured my attention and I needed to paint them. This is an actual photograph taken by some friends in India. I see longing in the eyes of this family, and at the same time awe. Perhaps you’ll see and feel something altogether different; but if I paint them with my interpretation, perhaps you’ll see them the way that I do.

This is the delight of the creative life. An artist has a deep felt need to express what he or she sees and feels. Sometimes it is a negative message to convey an opinion or make a statement. At other times it is a heartfelt desire to share a joyful picture representing the goodness and the common bond of humanity.

(I have applied the drawing to a 24x18 white canvas)

Faces are like sculpture. Their form and definition, their shapes and lines are beautiful unto themselves. I enjoy painting people of color. The richness of skin tones and the variant shades are remarkable and a challenge to capture. Facial features are bolder, more pronounced, and they fit together perfectly, beautifully into a whole.

I’ve had some difficulty seeing lately so this new painting will be a challenge. I have mono-vision lenses that make it difficult to see depth; one eye is for close-ups and the other for distance. Luckily, when I hold a drawing or a painting up to the mirror, my flaws are usually revealed to me.

(Work in Progress: First layers of acrylic paint on the figures. I will change and altar what doesn't look right.)

I’m disheartened by the recent outburst of hate and racism in this country. While I see beauty in diversity many others focus on differences and see danger. Yet one God made us all and loves us equally. In that light, how then can we not reach out to others in friendship and tolerance?

"With these hands -- Hope" 16x20 canvas; oil on acrylic background.

The Presence of Good and Evil

"Painting of Judas Iscariot"

If you are like me, you form a strong opinion after meeting someone for the first time. Unfortunately, our impressions are not always accurate, yet we remember these fleeting feelings for longer than we care to admit. These vague notions may affect our dealings with that person even after we get to know them better.

I’m embarrassed to say that my first introduction to a person is sometimes shallow and in total disregard for their true character and nature. Once I get to know them on a personal level, I’m surprised that I allowed superficial values to interfere with our relationship.

Another painting of Judas

Each person gives off an aura that we can feel. If we judge them on appearances, we may miss the totality of their personality. I remember after my mother’s passing, I sometimes felt her presence when I walked into a room long after she was gone.

This aura either creates an instant bonding between two people or it does not. What we are and who we are can be felt by others. Our lives have an impact on the people we love and associate with while the presence of strangers may project either good or evil.

Have you ever felt the dark awareness that you were being watched or followed? Did the hair rise on your arm? Did fear hit you in the pit of your stomach? Whether you can see them or not is beside the point. Their presence was felt. 

Children are good at measuring evil and feeling when it is near. At the same time, they are innocent and may not listen to their own feelings but yield to authority without making any protest. That's why it's so important that we protect them.

Gut instinct is there to protect us. It is developed through experience. It's trying to tell us something about our environment. Traditionally, women have downgraded these feelings more than any other gender. They have been taught to “play nice” and to disregard angry or negative feelings. Thankfully, this style of femininity is changing. The deep and instinctual reactions we experience are there to keep us safe from harm or abuse. We should trust them!

Another artist's version of Judas

Men seem to be keener at recognizing a threat. They are built physically and emotionally to retaliate when confronted. We hear about the “dumbing down” of America. There is also an effort to emasculate males. Mothers are over protecting their sons and teaching them to back down rather than to stand up for one’s self.

While this sounds good in the short term, the long term results may have devastating effects on the family and the nation. If people lack the courage and skill to defend themselves or their loved ones, they become victims. If people cower in fear, they can be overtaken. If goodness is no longer strong it caves in to evil, and what kind of world would that create?

Over the centuries, artists have painted these opposition forces. Their artwork has provided a stark contrast between light and darkness, good and evil. Their portraits portray the struggle each person faces from within. Their choices illustrate the physical transformation of the flesh as it succumbs to wickedness.

In contrast, here is a face without guile, a face radiating from "A Joyful Heart" 9 x 12 pastel on Bristol

If you doubt that change, check out the police online files and see the alteration of a person’s face who has gone down the road of addiction. Signs of aging rapidly increase, teeth loosen from gums, hair falls out, wrinkles appear even in the young, the heart is weakened and hardened. 

The famous paintings of Judas in this blog depict the presence of sorrow, shame and evil. The portrait above reflects goodness and happiness.

Owlish Eyes make Smart Girls Look Chic

(I've been wearing glasses for about three years now. Before that, I wore contact lenses)

It wasn’t that long ago that people said “men never make passes at girl’s who wear glasses.” Pity the girl who believed that saying because her self-esteem was sure to plunge.

Now career women everywhere wear glasses whether they need them or not. Glasses give the impression that #1 (moi) is ready to be promoted! Wearing spectacles makes a girl look serious and hard working. Glasses are trendy and classy. Magnifiers like “Foster Grants” add a fashion flare; the more pairs the better.

In spite of the availability of laser surgery or lens implants, more people are wearing glasses than ever before. When I got my first pair as a child, I was mortified. I’d already been sitting in the front desk at school. Now what would they think when I walked in with a pair of these?

For awhile I got the usual “four-eyes” and “nerd” comments all of which I’d dreaded and expected; but hey, for once in my life I could see! 

I remember how clear the mountains looked. I could even see sagebrush! The clarity of my new world was breathtaking. I couldn’t believe what I’d been missing.

Still I felt ugly and self conscious. To make matters worse, the boy I loved had fallen for a girl without glasses; one that was athletic and well coordinated. I felt clumsy and awkward. In those days, my feet grew faster than the rest of me. I was called skinny, and big foot -- now this?

During the summer I worked in the fields for money like all farm kids did in my community. After picking beans all morning in the hot sun, we gathered around for lunch in the cool shade of -- you guessed it, beans. One of the older boys threw me a smile and said “You have beautiful eyes.”

I couldn’t believe my ears. “How can he see my eyes when I’m wearing glasses?” I wondered.

Instead of saying thank you, I ducked my head in embarrassment and wished I could swivel like a corkscrew through the earth. I still remember his compliment even today. Whenever I feel insecure or unworthy, I reel in his comment and savor it once again.

(My first ever portrait when my Dad was a younger man.)

Painting or drawing glasses is fun. It adds another dimension to a person’s personality. One of my very first portraits, a simple sketch of my father, shows him wearing glasses. Some artists prefer to show the person without glasses. But if that’s how most people are used to seeing that individual, you’d better know how to draw glasses realistically.

The following YouTube video is the best I’ve seen for how this should be done. It’s also in one of my favorite mediums: pastel. Expertly drawn by “Agnes” this short video is a treat to watch. When it’s over try adding glasses to your next portrait; go on, give it a shot!  

“Too much stuff” -- and More!

"Kindred Spirits II" 24x30 acrylic on canvas Today’s Guest Blogger is Robert Genn* Recently, Ed Kissane of Wantagh, New York wrote, "I'm constantly fighting a flood of paper that comes into my life. I have a bedroom and a studio and I try to keep the areas clear, but it grows every day like a giant amoeba. I try to downsize but I'm losing. The piles of paper diminish my time at the easel. (Magazines, book reviews, etc.) There is always something to read and once again the creative moments lose out. Any suggestions?" Thanks, Ed. Whenever I hear this one I think "avoidance system." I once knew a painter who subscribed to all the magazines, including ones in foreign languages he didn't understand. His wholesale subscriptions kept him easel-free for several decades. One day he thought he might paint, but it was too late. That night he subscribed to the big bundle in the sky. "Moody Blues" 16x20 oil on acrylic underpainting canvas  For self-employed artists, desire needs to trump distraction. Even regular checks in the mail shouldn't hinder an artist from his self-appointed rounds. There's something else as well. Too many art magazines may be bad for you. It's great to keep informed of the latest trends in New York, London and Paris, but what about the trending of your own creativity? Too much awareness of what's out there can give an artist a dose of, "What's the use? If everybody else is so wonderful, what chance is there for little old me?" "Kindred Spirits I" 24x30 acrylic on canvas How does one act against these common self-destructive tendencies? Taking into account that personal progress may have something to do with available talent or ego-drive, here are a few ideas: ·         Begin work before you're fully awake. ·         Name and claim your own creative processes. ·         Fall in love with your daily work habits. ·         Take time for creative novelty and exploration. ·         Teach yourself the arts of multitask and multi-track. ·         Alternate energetic activity with relaxation and calm. ·         Live in the work of your own making, not that of others. ·         Pencil in projects and set the unconscious mind turning. ·         Have your magazines delivered somewhere else. The story of individual progress is largely one of moving from the business of being entertained to the business of entertaining yourself. Blessed are those whose main entertainment is their work. "First Daffodil" 16x20 acrylic on canvas PS  Esoterica: I'm laptopping you from Yu Yuan (Garden of Peace and Comfort) in Shanghai, China. Koi circle among the yellow and white lotus as a rhododendron drops petals, forming a miniature fleet that moves slowly away on the stillness of the pond. A green heron waits for my thoughts from a nearby rocky ledge, and I'm remembering a kiosk just outside the dragon wall hawking magazines and newspapers printed in Mandarin and Cantonese. Alone in this inner fragrance, I'm considering the nature of passion. Featured Responses: Alternative to the instant Live Comments, Featured Responses are illustrated and edited for content. If you would like to submit your own for possible inclusion, please do so. Just click 'reply' on this letter or write to rgenn@saraphina.com

*(c) Copyright 2013 Robert Genn. If you wish to copy this material to other publications or mail lists, please ask for permission by writing rgenn@saraphina.com. Thanks for your friendship.

Painting Perfect Hair is a Harebrained Idea

Work-in-Progress -- "First Daffodil" 16x20 acrylic on canvas

Imagine that – painting hair can be both difficult and satisfying. To illustrate:  my “work-in-progress” at this stage, simply looks messy. Finding the right color is also tricky. In my efforts to add lightness, my basic color turned somewhat gray, muddy even. I will have to rectify that with warmer tones.

Of course, there is no such thing as perfect hair or there wouldn’t be the expression “bad hair day!” If you study the way hair frames the face and falls, you’ll see that to get the hair right, you have to get the shape of the head in proportion first. Once you have that down, block in the shapes of dark and light hair that follows the contours of the head. The more uneven these light shapes are the better.

"With these Hands -- Love" 24x18 mixed media on canvas

The next step in the painting process is painting the strands of hair or the shapes of hair that stand out or seem separate. Texture comes last of all as you fill in the strands and shapes with the “illusion” or appearance of hair. Getting the right color and texture is a matter of practice, trial and error.

For some reason, I find painting texture easier on birds and animals than I do on people. Perhaps because I’m not quite so obsessed with getting every hair or strand of feather and fur right. The patterns must be correct, but the individual strands of hair, not so much. Capturing the sunlight glistening from hair and contrasting that with shadow makes the fur or hair look realistic.

"Raccoons at Sunrise" 16x20 acrylic on canvas

Because of the way people and animals move, their covering is constantly changing. Don’t worry that you don’t get it exactly like your initial photograph or drawing. As long as it looks realistic, it will ring true.

Sometimes a painting can get slightly off as we apply paint. Paint is malleable. It changes and moves depending on the tool or brush we use and the medium we choose.

 I use a ruler to see how much my painting has enlarged from the original drawing. Has the width on either side of the face changed from the hair to the outer eye? Has the width of the nose between the eyes changed? When these distances increase, the shape of the head will change and throw the hair proportions off as well.

Once you fix the proportions, the hair will begin to take shape and form. Some people are genius when it comes to hair. Don’t be upset that yours doesn’t fall into place as you think it should. Practice does make perfect. In order to move beyond self doubt and floundering, keep attacking the problem until you find a modicum of improvement. Learn from your mistakes and you will become a better artist.

"Day Dreams" 11x14 oil on canvas

Walking that Fine Line Between Sanity and Guilt

 

When people find out you’re a writer or an artist, all of a sudden you become very popular. Everyone has a project or a need that only you can fill. Little by little these small favors and obligations eat away at your private time until you have no hours left at all for you.

I’ve wedged myself into that scenario many times. Not that I don’t enjoy serving my community, my church, and my neighbors and friends. But I’m beginning to bewail my own projects that sit on the side lines because I either don’t have enough time to accomplish anything, or I’m too darn tired to start.

I’ve had two projects going for the past several months. One is sitting on my kitchen table and taunts me whenever I walk by. Because of it, we haven’t used our table for eating or playing games in months. The other is in my art room in a half-finished state. I look at it several times a day and imagine what needs to be done next, if only I had the time.

I am web master for my church, and also do their newsletter among other assignments; things always come up: a brochure here, an advertisement there, tickets designed for a theme, a special program, a Committee Chair. Since I enjoy doing these projects, I have only myself to blame and my desire to serve the Lord.

Then there’s the added business of participating at the gallery. Every artist who shows there must work there, at least once a month. Participation in Art League activities is also important for publicity and networking. Never let opportunities to show your work pass you by!

(In Progress Mural for church)

Pay back is sometimes required. I’ve been helping one league work on a memorial for their church which allows us to paint in their facility every Wednesday. Their generosity sometimes requires little favors like the wall mural done last year of Noah’s Ark in the children’s Sunday school. This year, it’s a memorial of a precious child who died.

(One of the artists whose husband died was also added to the mural. She is a church member there)

Balance is the key, but sometimes I walk so close to the edge that I topple off. Add health problems or a crisis and Humpty Dumpty comes falling down. How do you handle the difficult dance between necessary activities where time-tables are set in stone and your personal goals that demand consistency in order to succeed?

If at all possible, a fluid schedule is best. Failing that, you must be as rigid with your private activities as you are with those that cannot be changed. If ever you are to fulfill your dreams, you must give equal time to them.

Some people give up when the demands of children and family overwhelm the minutes and the hours in a day. They put their dreams on a shelf for another time. After all, you only have children once. Learning how to benefit from and use snatches of time is a better way

(In Progress mural -- more refining & detail are necessary)

I used to take a notebook with me while chauffeuring the children to school, music and dance lessons, or extracurricular activities and practices. I was able to write stories and articles by using these “snatches” of time.

It is more difficult for an artist, but not impossible. Small sketch books and watercolor pads with aqua crayons can keep you focused on plein air drawings or portraits of people while you wait. Having supplies in your car and planning ahead can make all the difference.

Learning how to say “no” is another way to protect your precious time. If you really want to say “yes” at least you’ll know it was your decision, not theirs. 

The New “Craze” – Painting on Glass

I’ve actually tried it; painted on glass, that is. I painted a pelican using acrylic paints. On the underside of the glass, I painted the water and some clouds. When it was dry, I cut blue card stock for the backing and added a frame. It wasn’t the most exciting painting I’ve done, but I was delighted with how the paint adhered to the cold glass and how easy it was to paint feathers and details.

(Drawing of Bella)

Glass painting has become a popular hobby. From painting wine glasses to adding a personal touch to pottery or plates, artists and craftsmen are discovering how easy it is to paint on glass.

I’ve also painted on mirrors which works the same way and there’s no need for a backing. If you want to add a tropical theme in a bathroom, or a vintage flare in a kitchen, painting on a mirror or the glass doors of a cupboard is fun and rewarding. The surface is cold and allows the paint to “gel” rather than run. Fine details stay put and the results are stunning.

It was the store Michael's that called this art form a new “craze.” Painting on wine glasses is the latest thing in Hostess Gifts because it adds your own personal signature and shows that you care. Other ideas and suggestions for painting on glass are found on a link I've provided below.

Painting on glass is a plus for artists because it makes affordable items for sale at boutiques and art shows. The designs can be more sophisticated than a stenciled design by adding an original twist that makes your artwork distinctive. Many artists have designed glass Christmas ornaments for sale during the holidays.

"Bella Bellissimo" Work in Progress

Painting on floor tiles that are naturally cold benefits from the same principles. Tiles are heavier than a canvas, but smaller. Sticky tabs for hanging can be placed on the back, and they make delightful mini canvases. 

I’ve not only painted on tiles, but I’ve printed some of my drawings and designs on decal paper and used medium gel to secure them to the tiles. Adding another coat or two of gel makes a nice glossy finish.

(My next painting will be "Kindred Spirits")

If you want a frame, simple modeling paste can be swirled or twisted around the edges and covered with a glossy paint. I personally like white on white so that my painting or decal stands out.

(Simplistic charcoal  drawing on 24 x 30 canvas)

If you haven’t tried it you should. It’s downright fun and satisfying. 

Here’s a link for more tips and information: Glass Painting Tutorial

Don’t let Juried Competition turn You into a Coward

(My fellow-artist and friend, Grace, with her watercolor entry)

Entering your work in a juried competition can be intimidating, especially if you’re a self-taught artist. Almost everything you’ve drawn or painted has come from grueling trial and error, and done while comparing yourself to artists with several degrees tacked onto their names or who may have studied abroad.

Ironically, there are many successful self-taught artists. A degree doesn’t guarantee success nor does it immediately make you an artist. In either case, the same principles hold true: practice, practice, practice.

(Third Place in Juried Competition) "With These Hands -- Love" 16 x 20 OIL on canvas

One basic difference between them is that a solid art education provides a foundation that gives the artist an edge. Knowing why a painting works and understanding the building blocks of structure and execution is half the battle. In the end, success is determined by vision, skill, and persistence.

I’ve seen many discussions online about the value of juried competition. Is it worth the money, the time, and the possibility of rejection? The consensus seems to be that it’s rarely worth the money or the 35-40% commission charged for a sale. The value seems to be in promoting the name and the skill of the artist (assuming that they get in the show), and the benefits of adding a “win” to your resume. The odds of winning are somewhat better than winning a lottery, but not much.

(2nd Place Winner -- Juried Competition) "With These Hands -- Wonder" 16 x 20 OIL on canvas

Depending on the judge or juror of the show, your artwork is subject to their particular whims, likes and dislikes, and their own education and past influences. Rejection is somewhat subjective. Even in Art Leagues, I’ve found that the preferences and styles of each artist are effected by teachers in their past.

The thing that bugs me is that if we listened to these voices and followed their suggestions or objections rigidly, we’d all start dishing out artwork in the same dull way without innovation. There would be no Van Gogh’s or Salvador Dali’s; there would be no Thomas Hart Benton’s or Picasso’s.

I love what Andy Warhol said: “Art is what you can get away with!” If we’re always worried about conforming to the rules, or doing something in a particular way, art would become static.

"Fish Market" 18 x 20 Acrylic on canvas

For an artist to stand out, to be unique and to create his or her personal style then risks must be taken; experiments must be tried, rules must be broken. Aah, you say, but first you must know all the rules before they can be broken. Agreed, but the risk is that in sticking too closely to accepted forms and norms you may never get beyond the “copy cat” stage of accepted artistic behavior.

I’m a rebel in my heart of hearts. I’ve always defied fads and fashion. I’ve always created my own style because I couldn’t afford to follow current fashion. What I discovered, even in high school, was that I could create fashion trends by wearing what I had with confidence. Soon others would be wearing something similar.

"Broken" 11 x 14 mixed media on canvas SOLD (Prints available)

The same holds true for artists. Confidently create your own personal vision and you’re bound to be successful.