Beaches are creative and colorful: the marvelous sunsets; the sparkle of sunlight on tropical waters; the irresistible froth of waves flapping onto shifting sands. And besides, beaches are fun to paint.
I had intended to paint this photo; and I may yet. It’s a picture of my husband’s granddaughter and her little brother. I loved the glow of sunlight on the water. The figures are almost silhouette like; the colors mostly gray. Instead, I decided to use a photo submitted by one of my contest winners. The figures were actually sitting on the grass rather than on a sandy beach, but I loved the affection they shared.
I first laid in my drawing with burnt umber acrylic on a 16x20 canvas, and then added a few acrylic washes to suggest plains, spaces, and color. When the paint was dry, I wiped a thin linseed oil and turpenoid coat over the top, and then wiped it again with a dry paper towel.
The prep work made the canvas ready to accept my oil paint topcoat. This first layer of oil paint further defined my drawing and added some color; though, some of it may be covered up by subsequent layers.
With oils, it is the layering process that gives the painting depth, shape and form. As I’ve told you before, it is a refining process; working from beneath to the foreground, until I’m satisfied with the details and the overall feeling and statement of the painting. At this point, the colors are too bright, too flat.
In my next blog, I’ll introduce the next “painting in progress:” part of my “With These Hands” series. The painting will feature a young black girl as she prepares to shoot a basketball. The painting will be titled: “With These Hands—Hope.”
To see other paintings in my “With These Hands” series, please go to my online gallery:
http://carol-allen-anfinsen.artistwebsites.com/
The transformation from the first to the second is astonishing. Love the colors.
ReplyDeleteThanks so much for stopping by! I appreciate your comments. I always start out too bright, and then have to tone down some.
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