Painting the Faces of Misery – Capturing Emotional Pain

Many years ago, I was shopping for groceries. My gut felt raw as I floated around the store in an “out-of-body” trance. I was going through a difficult divorce, and felt empty and forlorn.

There were no relatives nearby where I could seek comfort. I was completely alone. My heart was broken. A clerk, seeing only the superficial face I put forward remarked, “My god, can’t you at least smile?”

I must have looked pretty bad. My first thought was that he had no idea what I was going through. I was certainly in no condition to smile or talk. I tried to fake a smile, but it was impossible. I was in misery and I couldn’t hide it. His remarks had made me feel even worse.

My crooked smile, lopsided eyes, and fun-house features were simply revealing my inner emptiness and utter brokenness.

Later when I became an artist, I realized that you can’t paint misery and hurt unless you understand the underlying emotions that caused the pain in the first place.

For example, grief after a loved one’s death is different from the shattered grief of divorce. 

In a good marriage there are fond memories and the loss can be shared with friends and loved ones who knew well our partner or spouse. After a divorce, you don’t want to share the failure and the tragic details with anyone.

"Brokenhearted" 9 x 12 Pastel on Bristol; matted and ready to frame

Anger between loved ones is different from that between strangers or friends. The emotions cut deeper. The fragility of ego and insecurity add to the exploding feelings. There is often far more to lose. The relationship hangs by a thread unless you can get past anger’s unpredictable course. Forgiveness is almost mandatory. The anger with others is sometimes quickly forgotten. There is no intimacy or long-held expectations that stretch the ties that bind.

Try to create studies of people’s emotional reactions. Distinguish the simple breakdown between different kinds of anger and pain.

These subtle differences may slightly change the tilt of the mouth or a wrinkle in the nose. Emotions may be altered only by pushing one eyebrow upward to change an expression. Glassy eyes may add to the sadness. Body language and the way the hand is used to cover up what others see adds another dimension.

Practice will make these changes better over time. Be observant and find out what happens when slight movement gives your markings life and nuance. Your scenes will have more energy and drama; your story on canvas will become more dramatic, more interesting, and definitely more real.

"Serena Shines" Pastel on Bristol, matted

A person’s face is like a road map of the life they’ve lived and the things they’ve experienced. Once you have mastered unhappy faces, go on to those of joy and passion.

The decisions you make about “center of interest” must be made before you put one brush or pencil to canvas; where the face goes so goes the body. Every emotion portrayed must agree with the body language expressed.

"A Joyful Heart" 9 x 12 Patel on Bristol; matted and ready to frame

Catchy Tunes and Titles become the Springboard for Ideas

Father and daughter welcome new baby

Artists, Small business owners and entrepreneurs are getting hoarse trying to hawk their wares in an overcrowded marketplace. As they vie for attention, their petulance is showing up in ads, and in their names.

“Angry Orchard” is a new brand of apple juice “with a bite!” If that isn’t feisty and in your face, I don’t know what is? Let’s hope their bark is as good as their bite.

“Wild Dolphin” is a start up company that is capitalizing on the sugar and citrus products grown nearby to make rum. It’s a perfect fit. Tours and samples lure customers to taste and see if this isn’t the best rum made anywhere!

"Does this hat make me look fat?" 11 x 14 pencil drawing

“The Purple Dragon” capitalizes on Mahjongg lovers in the area who want to make new friends and play the game they love. Of course, Chinese Dragon’s, especially purple ones, create a fun environment where winning is not only based on skill, but the luck of the draw.

Names do make a difference. The title of a book certainly attracts attention. And yet fine artists seem reticent to name their paintings preferring that the viewer draw their own conclusions. The thinking is that the artist doesn’t want to influence a viewer’s perception or imagination. Whether this is a good practice or not is still being debated on social media.

Personally, I enjoy knowing what an artist has used as a title. I try to envision what he or she had in mind when they created the piece. Sometimes I see their vision and sometimes I don’t, but it doesn’t stop me from looking and wondering.

"I Stand on the Brink" 8 x 10 pencil drawing

I also enjoy letting my own fantasy run wild through the forms, shapes, and colors on a canvas. If done well, the painting will lead me through a labyrinth of contrast and values that are interesting and exciting. In my opinion, a title just gives the viewer a nudge and a head start.

Search engines find your blog titles much easier if they have some length and substance to them. Understanding “catch words” and trends can help bolster your topics. Words in headings that have fire, sex, red, wild, or sizzle seem to attract readers. Hit songs with fire in their title have become instant hits. However, overuse of any hot word or phrase becomes old and tired in a twinkling on the web.

It’s fun to create catchy titles. Sometimes the titles I create actually give me an idea for a future painting or a themed series. In your spare time write down those catchy titles and save them. See if they don’t become a springboard for creation.

"Guess Whoooo?" 8 x 10 pencil drawing