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Showing posts with label Africa. Show all posts
Showing posts with label Africa. Show all posts

Saturday, September 20, 2014

As we sow, so shall we reap to enjoy the Fruits of our Labor


When a seedling is planted, it sends its roots deep into the soil not only for nourishment and moisture, but for strength. The hidden roothold acts as an anchor to secure the young plant as it sends new shoots skyward. Without roots, a tree would topple. The rootage underground is usually as wide as the upper foliage.

During violent storms, a tree may still fall if its strength is surface deep either from too much above ground watering, or from layers of sand, clay or rock below.

How deep do your roots go? Are they scrawny and weak from too much surface ease and lack of effort? Have you nourished your foundation with study, practice and knowledge or did you skim over the top and hope for the best? True success is a result of how strong and how deep your convictions and passions go.


The same is true of faith. Weak faith (hope) is easily toppled by the storms of life. Lack of knowledge is usually “found out” under duress. Plagiarism can fool others once or twice; but if you’re caught, your career is usually over.

Alex Haley wrote a wonderful book called “Roots” that resonated with the American people and still does today. But many scholars, including black researchers and learned professionals believe it was more a book of fiction than of truth, and that Haley sought to change the historical accuracy about slavery.

The practice of slavery goes way back to ancient times. Both blacks and whites were once slaves in many cultures and countries. The African Continent enslaved other blacks that had different tribal connections and sold them into slavery. The owners were both white and black.

(Whether it's true about Haley or not, I was enchanted
by the book and television series!)


Haley’s book was moving and entertaining, but it does not pass the sniff test where history is concerned. The fury and the passion that surrounded the books and plays that Haley’s work inspired is beginning to fade.

Roots that go deep and are anchored in truth outlast the test of time. They withstand hearsay, tribulation, scoffing and popular opinion. Their branches go deep and keep the underpinnings from wavering. Character becomes resolute and authenticity an unchanging reality. Confidence increases. Gifts are mastered and used in positive ways. True success is a natural outgrowth and never becomes top heavy or ego inflated. 

Like a tree that is solid and grounded, there is balance and equanimity. People flock to it for shelter and protection. They bask in its beauty and serenity; this my friends is the maturity of the true artist. They do not need to flaunt their achievements. Their accomplishments speak for themselves. First they reap, and then they sow; and the fruits of their labor testify of their success.

"A Joyful Heart" 11 x 14 pastel drawing; Prints available @ http://carol-allen-anfinsen.artistwebsites.com

Saturday, March 22, 2014

Finding your own way in a crowded marketplace

"Reggae Night" acrylic on canvas
In case you haven't noticed, I took some time off from painting this past year. I did a few fun things, personal projects; but for the most part, I stayed away from painting sessions with my art league and the usual mad dash of competitions and shows except for those already scheduled. I needed space and time (plus I had 1 wedding and 4 funerals).

I felt I was placing quantity over quality. The pressure was piling on, and in order to meet deadlines, I was slapping paint without experiencing the joy. There were still a few things on my to-do list that I wanted to complete, and a few old canvases that I painted over. But for the most part, I laid my brushes aside.

I’m trying to reassess what direction I want my creative energies to take. I want to enjoy what I’m doing more and not take myself or my journey so seriously. If success comes in the process of seeking, I’ll be happy. If it doesn’t, then I’ve enjoyed the ride.

"Prayer Circles, mixed media on canvas
Success and achievement require sweat, blood and tears, but if we aren’t having a good time it shows in the end product. Balance is the key, and I felt I was off balance spending too much time in social media and promotion, and not enough time on inspiration and soul searching. I needed to explore my weaknesses and strengths, and what I wanted to accomplish.

Joy must be a part of the creative life or our “children,” our babies suffer. Cranking out paintings for the sake of producing something that may or may not sell is a losing battle. There’s a difference between honing your skills every day in the act of fusing your passion and love or just going through the motions because “you’re supposed to.”

Waiting for inspiration is not the answer either. It’s an excuse. The fear of failure can shake us to the core and cause us to “seize up” in a nervous frenzy. In order to create, we must be in the moment and love the simple pleasures of applying paint to canvas regardless of whether the painting brings us success or not.

Playing to the judges or the critics doesn’t cut it. If we manipulate the thought process to satisfy others without the passion, the result may be a skilled piece of work that is flat and lifeless.

"Fish Market" mixed media on canvas
In a local publication called: “Inside Gateway-Colonial,” I read an article in their Lifestyle section titled “Simple Ways to Find Deeper Meaning” Unlock what’s inside – passion, individuality, community – to connect with what’s important by BPT News Service.

The author said “A new movement is emerging, where people are pausing to find deeper meaning in everyday life. . . The theory goes that if a person recognizes and nurtures those activities they love most, they are better able to do what they’re great at in the world. . . Rather than getting swept away in a hectic schedule, try focusing on what truly matters.”

I realized that I was focusing on what mattered to the judges, to people in my art circles, and to the critics, rather than to my own gut feelings. I was allowing my insecurities to rule rather than my strengths.

In the busyness of doing, I’d lost touch with myself and what was important to me. I was blind to the things that make me unique and different. I was trying to ape what I thought others wanted instead of listening to my own drum beat. Sometimes we have to be willing to make mistakes in order to forge ahead in new and uncharted territory.

"India Rising -- the Lost" mixed media on canvas

Tuesday, October 15, 2013

Artist’s and Writer’s Block (Repeat of a blog from 3+ years ago)

(Photo from a friend in Uganda)
If you're a creative person, it's inevitable that at some point in your career or avocation you're going to bump up against a blank wall. The feeling can be frightening, even devastating, but it doesn't have to keep you down.

Over the years I've discovered a few things that may trigger these events. I'll share some of my thoughts with you, knowing that your trigger's may also be different from mine. For whatever it's worth, here are my top four:

(Putting the drawing in place)
  1. Fatigue and lack of sleep. I know, it sounds simplistic, but you can't create in a sleepless fog. When your tail is draggin' so is your mind. Your perspective gets out of whack, and life seems sadder, badder, and meaner. When you wake up refreshed, you're ready to tackle almost anything. Get your Zzz's.

  2. Depression. This is a real deep-down feeling of helplessness and worthlessness. This baby will pull you into a downward spiral that has no end. Mild depression is a part of life's ups and downs, but clinical depression can drag you into a dark abyss where life has no meaning. Get help!  If the cause is a bad marriage or an abusive relationship, get out!

  3. Low self-esteem. A few negative words or harsh criticism can throw you for a loop. We can say "sticks and stones," and believe that words can never hurt us, but they do. Bullies can knock the wind out of your creative sails. Personal failure can push you flat on your back. The only answer is to grab hold of a power bigger than yourself and get up again. Quit worrying about what other people think. Your opinion of yourself is the only one that matters.

  4. Lack of exposure. Sometimes we need to shake things up a little. Get out and experience life. Change the scene. Surprise yourself -- do something new. Try something you've never done before. I'm not suggesting going overboard and getting yourself into trouble. I'm only saying get out of the house. Go somewhere different. Try to see the world with a new perspective. Get some fresh air!
"Hey, Coconut Man" mixed media on canvas
I remember my first art show after letting my skills and brushes lie dormant for many years. I was terrified. How would people react to my artwork? How would they view my lame attempts to restore those lost years when my own self-esteem was slumping?

I muttered a prayer, something like "Oh, Lord what am I doing? What if I look like a fool?" A warm feeling and an encouraging thought came to me: "Give it a try--you might be surprised."
On that simple note, I displayed my paintings. I know some of them were pretty awful, but not all. Two women, I swear they were angels in disguise, bought one of my paintings right off. That sale gave me the confidence and the courage I needed to keep on keeping on.

"Twirling" Charcoal sketch (Drawing quick sketches releases my imagination.)
And there you have it: my secret formula for getting out of a "funk."  Next time you can't think and your mind's a blank, start writing, start painting anyway; anything--anything at all. Pretty soon the blood will get moving and you'll push right past that blank wall. Of course, a little prayer never hurts!
(Below is my favorite sketch "Siesta" done purely from imagination)


Wednesday, December 12, 2012

Don’t let Juried Competition turn You into a Coward


(My fellow-artist and friend, Grace, with her watercolor entry)
Entering your work in a juried competition can be intimidating, especially if you’re a self-taught artist. Almost everything you’ve drawn or painted has come from grueling trial and error, and done while comparing yourself to artists with several degrees tacked onto their names or who may have studied abroad.

Ironically, there are many successful self-taught artists. A degree doesn’t guarantee success nor does it immediately make you an artist. In either case, the same principles hold true: practice, practice, practice.

(Third Place in Juried Competition) "With These Hands -- Love" 16 x 20 OIL on canvas
One basic difference between them is that a solid art education provides a foundation that gives the artist an edge. Knowing why a painting works and understanding the building blocks of structure and execution is half the battle. In the end, success is determined by vision, skill, and persistence.

I’ve seen many discussions online about the value of juried competition. Is it worth the money, the time, and the possibility of rejection? The consensus seems to be that it’s rarely worth the money or the 35-40% commission charged for a sale. The value seems to be in promoting the name and the skill of the artist (assuming that they get in the show), and the benefits of adding a “win” to your resume. The odds of winning are somewhat better than winning a lottery, but not much.

(2nd Place Winner -- Juried Competition) "With These Hands -- Wonder" 16 x 20 OIL on canvas
Depending on the judge or juror of the show, your artwork is subject to their particular whims, likes and dislikes, and their own education and past influences. Rejection is somewhat subjective. Even in Art Leagues, I’ve found that the preferences and styles of each artist are effected by teachers in their past.

The thing that bugs me is that if we listened to these voices and followed their suggestions or objections rigidly, we’d all start dishing out artwork in the same dull way without innovation. There would be no Van Gogh’s or Salvador Dali’s; there would be no Thomas Hart Benton’s or Picasso’s.

I love what Andy Warhol said: “Art is what you can get away with!” If we’re always worried about conforming to the rules, or doing something in a particular way, art would become static.

"Fish Market" 18 x 20 Acrylic on canvas
For an artist to stand out, to be unique and to create his or her personal style then risks must be taken; experiments must be tried, rules must be broken. Aah, you say, but first you must know all the rules before they can be broken. Agreed, but the risk is that in sticking too closely to accepted forms and norms you may never get beyond the “copy cat” stage of accepted artistic behavior.

I’m a rebel in my heart of hearts. I’ve always defied fads and fashion. I’ve always created my own style because I couldn’t afford to follow current fashion. What I discovered, even in high school, was that I could create fashion trends by wearing what I had with confidence. Soon others would be wearing something similar.

"Broken" 11 x 14 mixed media on canvas SOLD (Prints available)
The same holds true for artists. Confidently create your own personal vision and you’re bound to be successful.


Tuesday, December 4, 2012

Let’s Face it – Rejection Hurts

"Anhinga sunning himself"

I took three paintings down to the art gallery thinking I was going to make an easy exchange; replacing those that didn’t sell for fresh replacements. Wrong! The gallery has gained so many new artists that they are more critical and discerning than ever before.

I left one there, and took two home; the one deemed unfit for lack of a frame, and the other for the “wrong” frame. The remaining paintings (four plus one) will have another chance to sell in the coming month.

"Anhinga in Paradise" 16x20 watercolor
The hurting hole in the pit of my stomach driving home reminded me that no matter how many paintings or prints an artist may sell, the hurt of rejection never gets any easier. For that reason, I decided to repeat a blog I did last spring that some of you may have missed. I feel it’s worth repeating:

We all have our babies: those wonderful concepts we develop in our minds and create on paper or canvas to present to the world. But what happens when those adorable children land with a thud on the floor of reality?

(Photo from friend in Uganda)
Let’s face it. Criticism hurts. And critique? “A rose by any other name would hurt so deeply” (forgive the pun). Pride is a wall we use to protect ourselves. When negative comments bump up against that wall, our ego becomes bruised. Afterward, we lick our wounds and patch the crumbling brick and mortar making it higher, stronger and more impenetrable than before.

But even though they hurt, we must take a look at well-intended barbs and examine what was said and why:
  • Did the comment or critique come from someone I trust?
  • If their suggestions were applied, would it make my project better?
  • Were the comments meant to be hurtful or helpful?
Drawing on canvas


After weighing and evaluating each point of view, we are better prepared to make a decision. We can take the criticism at face value and try to incorporate it into our thought process, or we can ignore it and stubbornly go on our merry way; building our wall of resentment higher and stronger.

Learning from our mistakes is difficult. Rejection hurts; criticism stings. It requires swallowing our pride and forging ahead in spite of negative comments. If we allow the critique to offend us and dampen our spirits, we may become the loser by succumbing to self pity. We may allow ourselves to get discouraged and sabotage our own efforts to make our dreams a reality.

"in progress" acrylic
Personal vision is as unique as our fingerprints. No two people are alike. No one can see what is in our mind and heart. Perhaps the criticism of others arouses our own insecurity and lack of self confidence? If that’s the case, we need to rally our own inner cheering squad to remind us of what we wanted to achieve in the first place.

A grain of salt can irritate an open wound, but it may also inflame a new determination to clarify our goals. If nothing else, critique sharpens our focus and causes us to evaluate how we communicate our vision to others.

"Sunset on the Nile" 22 x 28 acrylic on canvas
Critique Carol’s vision on her online gallery @ http://carol-allen-anfinsen.artistwebsites.com

Tuesday, May 15, 2012

Art is the Priceless Expression of the Soul


Work in Progress -- acrylic drawing 18x24 canvas


What is the fine line that separates art from pornography? Can you feel it? Sense it? What is vulgar to one person may be beautiful to another. I was surprised and excited when I took my first drawing class with a live model. I blossomed! My linear ink/brush drawing won first prize in an art show.



I took my sketches and drawings; my prized paintings, to a family reunion and shared them with relatives. My excitement waned as shocked and appalled faces looked back at me. They were not only “not impressed,” they were disgusted.

Beauty is in the eye of the beholder. Obviously, my relatives had never had much exposure to art. What they saw and felt was shame for the exposure of the human form. I was crestfallen. Every emotion and skill I had discovered in myself was frowned on by those who knew me. My best was not good enough. I was viewed with disdain.

Did that deter me? Yes, for awhile until I rediscovered myself and the beauty of all God’s creations, including the human body.

Work in Progress -- "Fish Market--You Buy?"

During the transformation of the German people under the leadership of Hitler, Heinrich Heine made this observation: “Where books or art is burned, they will in the end, burn people.”

We must protect our freedom of expression. In China they cannot use the Internet freely or speak freely. Sometimes in government’s efforts to control and protect, they end up extinguishing freedom. Just like blowing on a lighted candle, they diminish the light of truth and the power of the individual to choose.

Work in Progress, 18x24 canvas, Fishmarket
Here are some of my favorite quotes by famous artists: Enjoy!

"When my daughter was about seven years old, she asked me one day what I did at work. I told her I worked at the college- that my job was to teach people how to draw. She stared back at me, incredulous, and said, "You mean they forget?"
Howard Ikemoto
The more horrifying this world becomes, the more art becomes abstract.
Paul Klee
"Good art is not what it looks like, but what it does to us."
Roy Adzak
"A painting is never finished - it simply stops in interesting places."
Paul Gardner
"A line is a dot that went for a walk."
Paul Klee
It took me four years to paint like Raphael, but a lifetime to paint like a child.
Pablo Picasso
Art washes from the soul the dust of everyday life.
Pablo Picasso
It takes a very long time to become young.
Pablo Picasso
There are painters who transform the sun into a yellow spot, but there are others who, thanks to their art and intelligence, transform a yellow spot into the sun.
Pablo Picasso
If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all.
Michelangelo Buonarroti
"If you don't like something, change it. If you can't change it, change your
attitude. Don't complain."
Maya Angelou
An artist is not paid for his labor but for his vision."
James McNeill Whistler
"Every artist dips his brush in his own soul, and paints his own nature into his pictures."
Henry Ward Beecher
It has bothered me all my life that I do not paint like everybody else.
Henri Matisse
I do not literally paint that table, but the emotion it produces upon me.
Henri Matisse
I found I could say things with color and shapes that I couldn't say any other way-things I had no words for.
Georgia O'Keeffe
Art is not what you see, but what you make others see.
Georgia O'Keeffe
"The source of genius is imagination alone, the refinement of the senses that sees what others do not see, or sees them differently."
Eugene Delacroix
"I am an artist… I am here to live out loud."
Emile Zola
"Painting is easy for those that do not know how, but very difficult for those that do!"
Edgar Degas
"Art is not what you see, but what you make others see."
Edgar Degas
"No amount of skillful invention can replace the essential element of imagination."       Edward Hopper

"Hey, Coconut Mon" (part of my African series)