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Showing posts with label sandhill cranes. Show all posts
Showing posts with label sandhill cranes. Show all posts

Wednesday, March 9, 2016

Silent Warriors, Mentors, and Friends

"Sandhill Cranes at Twilight" 24 x 30 Oil on Acrylic background
You know them. They are "silent warriors" who encourage and support you regardless of gain. Some people call them mentors; others call them friends. These guileless helpers get involved out of the generosity of their hearts.

They are the shoulders you cry on when things go wrong. They help you to see the best in yourself and ignore the negative. They give you hope. They help you stay on track and sometimes hold your feet to the fire.

"Sandhill Crane" 8 x 10 oil on acrylic
These silent warriors are you and me, and sometimes complete strangers put in our path to help us. They are humanity in all of its glory and imperfections. Warriors who give us courage to rise again when we are defeated and strength when we are weak. They help us see the truth when our eyes and our judgment may be impaired.

I hope you have a few warriors on your team; a life guard to reach out and pull you from your drowning thoughts. Someone to share your grief or your failures; your joys and successes.

Like angels, they come to us in a time of need and rescue us from ourselves. I have had several in my lifetime. Some who were not aware of the importance their words or actions were at the time. In their own way, they were my saviors; caring people who touched my life in profound ways.

Warriors may inspire you, warn you of danger, and ignite your creativity. They provide you with heightened self-awareness reminding you of all that is good and beautiful. They silently imprint their mark upon you and leave you better than you were before.

Who could ask for more? An important component in a joyful and successful life is gratitude. Giving thanks to those around you, praising God for the good that comes into your life enlarges your soul. Ingratitude, on the other hand, leaves you empty and alone. Gratitude is the best networking tool you have at your fingertips. It takes only a few words. If it comes from the heart it gives you a measure of authenticity.

(I love cranes and water birds so much,
I'm going to do another painting)

LOVE THOSE BIRDS!
These invisible threads accumulate over time and provide unforgettable connections. People always remember an insult or a slam, but they rarely forget a kindness or a compliment. They may not recall the specifics, but they will always feel good around you and want your association.

Authentic people are so rare these days. If you are true to your word and your actions, the accumulation of positive vibes will eventually result in success. 

Feedback is a measure of how well you are doing. Results are a physical manifestation of your efforts. The saying "what goes around, comes around," was said for a reason. It is true!

Tuesday, March 5, 2013

From Tentative to Bold – Going Pro


"Sandhill Cranes at Twilight" 24 x 30 acrylic on canvas, in gold frame with black liner
It happens gradually that transition between learning a skill and mastering it. One day you realize you’ve mastered a color mixture or a technique. You’re painting a face or a landscape with confidence and with fewer brush strokes. You’ve gone pro.

It happened to me while painting a leaf. In the beginning I’d try to mimic what I saw unsuccessfully. There was usually too much paint on my brush and only a gut feeling of what to do. My mind didn’t seem to be engaged. That may be a good thing once you’ve mastered a skill or technique, but in the beginning concentration and execution take thought. As the T.V. artist, Jenkins’ said to his students: “Don’t rush the brush.”

"Maestro" Work-in-Progress 9 x 12 pastel on Bristol
Now I find myself painting intuitively and skillfully. Instead of adding veins on the leaves as an afterthought, I leave lighter line areas untouched, forcing the creation of realistic veins without having to paint them. This was an eye opener. I could do this with other things: the smile lines on a child’s face, creases in an older man’s forehead. Instead of painting hard lines which often age a younger face, I could place shadow next to the highlight for a softer looking crease.

These simple revelations come to all of us as we practice our trade. The more you do something, more ways open up to do the same thing in a more efficient and realistic way. I found myself telling a few other artists how to paint portraits. I remember thinking: “wow, so now you’re the expert?”

"Maestro" 9 x 12 Pastel on Bristol
We all have self doubts. But once we cross that threshold of confidence and skill, there’s no going back. The next step is to start acting and thinking like a professional. In the beginning we worry about pricing. We see every mistake we ever made on a canvas, and wonder who would buy it? We price our efforts low and even feel somewhat guilty in trying to sell our wares.

Oh, go on – I know you've felt this way, too. After a few sales and some commissioned work, we begin to see our own work the way others see it. We value our skill and our talents. I use a simple rule of thumb. Width times length equals value; i.e. 16 x 20 = $320 add price of frame, etc. A good asking price is $350.

"Brown Thrasher" 16 x  20 acrylic on canvas
As your skills increase and your name becomes known, the prices go up. Always factor in the cost of the frame and the percentage a show or gallery charges for showing your work (30-40%) and price accordingly.


Once you cross over from beginner to Professional, don’t let anything hold you back.

Friday, November 9, 2012

Giving Yourself Permission to Fly


"Arabesque" 14x18 oil on canvas
Do you notice how often you hold yourself back with negative thinking? “I’m not good enough. I don’t want to make a fool out of myself. Others may think I’m weird. Who am I to compete with the “pros?” And on and on, we tear ourselves down.

When we let ourselves go, when we “let it all hang out,” so to speak, we acknowledge that we trust our own instincts and ideas. We give ourselves permission to try, to experiment, and to create what is uniquely ours. This requires boldness and courage on our part. But there is no other way.

"Anhinga in Paradise" 16x20 watercolor
If we want to excel, to soar, and to release the grandeur that is in us. We must let go of fear, doubt, and dependency. We must stand alone and seek our own place in the sun. We must value our own opinions and ideas at least as much as we value others.

Skill cannot be increased if we decrease the motivation behind it. We add fuel to our dreams when we fan the flames of confidence and hope. Strength comes gradually as we forge ahead in spite of fear. We keep working toward our goal, letting go of the things that weigh us down or hold us back.

"Loggerhead Shrike in Springtime" 16x20 acrylic on panel
The adage “If at first you don’t succeed, try, try again,” may be old, but the concept is still fresh and new. We must pick ourselves up after we fall or fail, and try again. Repeating this behavior over and over again will eventually lead to success.

Hard work, blood, sweat and tears are still the only way to achieve anything worthwhile. If you take the easy way out or cheat on the principles, you end up hurting yourself.

A friend of mine had a mentally disabled child.  She started standing and walking before she learned to crawl. There were many things she did “out of order” and her brain had devised alternative patterns that slowed down and impeded her mental development.

Volunteers came in each day to work with the child. They moved her young legs across the floor and taught her how to crawl. They worked with her hands, and played games to provide new patterning for her brain.

"Berry Christmas" 16x20 acrylic on panel
In God’s wisdom, a person must learn to crawl before he can walk. He must learn to read before he can gain knowledge. He must practice before he can play or perform.

These are the same patterns and “models” for success. Developing skill is difficult, but it is essential. Talent is a plus. Love and desire are important components. But practice and hard work are the wings on which we fly.

"Sandhill Cranes at Twilight" 24x30 mixed-med on canvas
Featured Artist
Light & shadow video by Stan Prokopenko


Saturday, July 28, 2012

Our Shrinking Economy – our Rising Debt




Everything is shrinking! Literally. My income, my stature, the size and quantity of the things I buy and what I can afford. Everything is shrinking but the price.

Like you, I’m paying more for less. My favorite things have gone from 8 oz to 7 oz to 6 oz or less in just a few months. A few packages stayed the same size, but the contents were less. I’m afraid It’s only the beginning!



I purchased some canvases the other day and instead of being .5 inches in depth, they’d shrunk to almost .25. Rather than fitting nicely into a frame or serving as a wrapped canvas painting, they leave gaps and spaces; they look cheap and skimpy.

Many artists are turning to treated hard board or plywood; still, framing is a difficult task. The prices for quality canvases have doubled while the sales price of a finished painting has remained the same. The cost of renting space has gone up to 40% commission. The artist receives 60% barely covering the cost for materials let alone time. Add to that cost a frame, and you see what I mean.

Is it worth it? I don’t know, but it’s what I do. Just when I think the economy is getting better, another one of my favorite businesses, restaurants, or products goes out of business. On the surface, things seem the same, but there’s an undercurrent of unrest. Everything is changing. Stores are being built as others are being boarded up. Hope rises in the midst of fear and failure.

We can only “keep on keeping on,” as my mother used to say. We put one foot in front of the other and hang on, despite the economic climate or the plight of those who risk everything and fail.

Hope is eternal the Bible says. We hope for better things, and we act as if they are possible. It’s how we survive. We hope for a better tomorrow as we wipe the tears of grief from our eyes and move on. What more can we do?



Two paintings featured today: “Sand Cranes at Twilight” and “Release” (with quote by Joseph Campbell) will be on display at Art for ACTS in downtown Fort Myers in August.


Featured Artist:
I’m going to start a new section called “Featured Artist.” There are so many wonderful artists and writers out there that deserve attention that I’m willing to share my space with them. Today, I feature: Ashish Das   If ever there was a second Picasso, he is it! I am amazed with his creative blend of cubism and abstraction. Enjoy the delightful and colorful work of Ashish. 






Tuesday, June 5, 2012

The Final Details – Key to a Memorable Painting


"Americana" 16x20 mixed media


When I first started painting, I’d get so excited once the drawing and under painting were finished. Even more excited when the first real coat of paint; the sky, the background items filled the canvas. “Why, I’m almost done:” I foolishly replied.


What I’ve learned since is that after the canvas is covered, the “real work” begins. Artwork isn’t a flash in the pan. You don’t slather a few coats of paint on and call it a day. Professionalism appears near the end, at the point when a novice thinks his painting is finished. Most artists will attest: “It’s all in the details.”

The difficult part of any painting is the small and subtle brushwork that makes a canvas zing. It may be added coats of glaze that deepen color or thin films of paint to get smoothness. Chosen wisely, these areas create more depth, more value, and selected highlights. Like the polish on an apple, the final details add sheen and realism.

"Playing Dress Up" 16x20 mixed media

Sometimes artists have clever ways to accomplish some of these tasks. In researching how to paint fish scales, I found that many sculptors of decoy fish actually use wedding veil fabric and spray paint color through it to spot the fish. They use another piece of veil, moving it a fraction, to spray another area with silver or gold. The detailing is incredible.

Other fish painters may independently paint the scales, either dotting or using semi-circles of overlapping paint. An artist can gain knowledge by researching online or through practice, determination, and experimentation. 

Visiting a real fish market is a plus. Better yet, buying a real fish and studying it, painting it makes a remarkable difference. One artist did just that. When the fish she bought started to stink, she’d buy another until she had the effect and detail she wanted in her painting.

"Robin Hood" 16x20 acrylic / barnwood frame

Depending on the desire and style of the artist, the lighter the touch of the brush and the more spontaneous, the fresher and more energetic a painting appears. To achieve both detail and freshness requires forethought and practice.

The first water droplets I painted took me several tries to get them right. Luckily, I was using oil. Each time I made a mistake; I’d swipe off the droplet and start again. I soon learned to use less paint, outline the droplet first, shadow second, and then add the highlights as a final touch.

It is so much fun that the real skill comes in knowing when to stop. If you’re not careful, the whole canvas could be filled with droplets. The kicker is that a few well placed droplets make a stunning statement. Too many, and the painting shouts with noise and the droplets become distraction.

"Sandhill Cranes at Twilight" 24x30 mixed media

It’s the subtle additions that make all the difference: increased contrast to make the center of interest “pop;” a few well placed highlights; color intensity in areas to guide the eye through the painting. At the point when you think you may be finished, it just may be the beginning of a long and thoughtful process that in the end will make your artwork memorable.

Tuesday, May 1, 2012

Dreams Light a Fire Beneath us – Reality Grounds us





Exercising imagination is critical to the artist’s life. Whether you write, perform, paint or draw, working from research and knowledge is not enough. An artist must interpret, design, and create. An artist’s work must represent his unique perspective on the world.



Artists need buyers, teachers, supporters, lovers, friends, and constant inspiration for their work. Knowing who you are and what you think about issues is critical. Having opinions and knowing why you have them brings clarity and purpose to your work. Everything an artist sees, hears, and learns becomes a stepping stone that leads to creation.

In order to grow, we must have our feet grounded in reality. We must make logical and conscious decisions every day concerning our finances, our basic needs, and the people we interact with. Constantly flowing between a living reality and a fantasy land or a dream world of our own making definitely poses problems.

"Raccoons at Sunrise"

I don’t know about you, but when I’m in creative mode, my friends and loved ones may literally have to drag me away. They may have to repeat themselves often as I escape into la la land. I may seem moody and aloof at times. I may appear distant and detached from their needs and wants.


Finding a balance between these two worlds is critical to an artist’s survival. Supportive people who share our dreams, or at least understand them, can make all the difference. Knowing us, caring about us requires effort, patience, and maturity.

The artist must also learn to compartmentalize his life in order to find balance between the realities of the here and now, and the need to make a living; between living within your means, and recognizing that others have important needs, too.

“No man is an island,” said John Donne (1572-1631). Writing a series of devotionals for Christians, he spoke about a bell that rings not only to call the preacher to come, but the congregation. The importance of Donne’s concept is also expressed in other religions, particularly Buddhism.

“…No man is an island, entire of itself…any man’s death diminishes me, because I am involved in mankind; and therefore never send to know for whom the bell tolls; it tolls for thee.”

"Sand Crane Dreams" 
And it tolls for me. It tolls for you. We’re all involved with mankind. As artists our greatest joy is in giving back to humanity, to the world we love, our personal take and interpretation of it.